0:00intro talking head dark A grainy, low-light close-up shot of a man's face, positioned centrally in the frame. He looks directly at the camera with a neutral to slightly intense expression. He has long, dark, wavy hair that falls around his face and a visible beard and mustache. The lighting is dim and uneven, creating strong shadows across his face and accentuating his facial contours, which contributes to a somber or mysterious mood. The background is indistinct and dark, appearing as a blurred, muted surface. The dominant colors are cool grays and dark tones, contributing to the overall mood. White text, 'I'm Harry Nuriev,' is overlaid on the lower third of the screen.
0:01man with lego model A wide, minimalist shot set in a stark, modern room. The room features light gray walls and a highly reflective, light gray floor, creating a sense of expansive, clean space. A man is seen from a side profile, leaning forward with both hands clasped on a sleek, metallic table. On the table rests a partially assembled LEGO Star Wars Death Star model, intricately detailed with various internal compartments visible through its open sections. The room is brightly lit from above by unseen light sources, casting soft, even illumination that eliminates harsh shadows and reinforces the clean, almost clinical aesthetic. The color palette is dominated by cool grays and whites, with subtle splashes of color from the LEGO components. White text, 'creative director,', appears on the lower third of the screen.
0:03lego death star detail A medium close-up shot offering a detailed view of the partially assembled LEGO Star Wars Death Star model. The camera focuses on the complex spherical structure, showcasing its cutaway sections that reveal multiple internal levels and meticulously arranged compartments. Various miniature Star Wars figures, including Stormtroopers and Chewbacca, along with an array of technical LEGO bricks, are clearly visible within the model's interior. The background is a plain, light gray wall, providing a clean and unobtrusive setting that emphasizes the model. Bright and even lighting illuminates the scene, highlighting the intricate construction and small details of the LEGO elements. The dominant colors are shades of gray, black, and white from the bricks, with subtle accents of red and green. White text, 'and founder of Crosby Studios.', is displayed on the lower third of the screen.
0:05man assembling lego floor An overhead wide shot captures a man sitting cross-legged on a pristine light gray floor, surrounded by a vast number of scattered LEGO pieces. The floor extends across the entire visible environment, meeting minimalist light gray walls, creating a clean and open minimalist room. Around the man, various disassembled LEGO components, ranging from large specialized bricks to tiny, individual pieces, are strewn, suggesting either a deconstructed state or an intensive building process. He is holding a circular LEGO piece and appears deeply concentrated on assembling it. The lighting is bright and uniform, casting minimal shadows and enhancing the clean, expansive feel of the space. The color palette is primarily composed of cool grays, whites, and blacks from the LEGO, with small, vibrant pops of color from individual bricks. White text, 'When I used to be a kid, I remember myself', appears on the lower third of the screen.
0:08hand assembling lego closeup A close-up overhead shot intently focused on a man's hands as he meticulously assembles small LEGO pieces on a light gray surface. The surface is densely covered with numerous tiny, scattered LEGO bricks of various colors, including gray, white, black, red, blue, and orange, creating a textured mosaic of components. His right hand, adorned with a distinctive blue, white, and red beaded bracelet on the wrist, carefully selects a small orange brick and positions it for assembly. A blurred instruction manual or schematic diagram is partially visible in the upper left corner, indicating a guided building process. The lighting is bright and even, crisply highlighting the intricate details of the LEGO pieces and the delicate, precise movements of his fingers. The overall color scheme is muted grays and whites, punctuated by small, vibrant color accents from the individual bricks. White text, 'spending hours assembling a LEGO set.', is overlaid on the lower third of the screen.
A very brief, almost entirely black frame, with a fleeting, dark, and blurry shape that appears to move rapidly from the left to the right side of the screen. The visual content is indistinct and serves primarily as a quick, abrupt cut or transition element designed to break the visual flow between scenes. The short duration and lack of clear imagery create a sense of abruptness and anticipation for the next shot.
0:12man interacting with lego A medium shot set within the minimalist, light gray room, featuring the man walking towards and interacting with the partially assembled LEGO Star Wars Death Star model. The model is prominently displayed on a sleek, metallic table. The man enters the frame from the right side, walking with a deliberate pace towards the model situated on the left. Upon reaching it, he extends his hand to gently touch or adjust a part of the model. The room's minimalist design persists, characterized by flat gray walls and a highly reflective floor. The lighting is consistently even and bright, accentuating the clean lines and modern aesthetic of the environment. White text, 'I've been building my style for 11 years,', is visible on the lower third of the screen.
0:16man working on lego closeup A close-up profile shot of the man, highlighting his face and hands as he meticulously works on the LEGO Death Star model. His gaze is directed downwards, indicating intense concentration on the small components he is manipulating. He has long, dark, wavy hair that cascades over his shoulders and a prominent beard. The background is a soft, blurred light gray wall, maintaining the minimalist and uncluttered aesthetic of the previous scenes. The lighting is gentle and even, beautifully illuminating his features and the intricate details of the LEGO pieces without creating harsh shadows. White text, 'and now I found the word that describes my work.', appears on the lower third of the screen.
0:18man talking profile A close-up profile shot of the man, captured as he speaks. His face is positioned towards the right side of the frame, clearly showcasing his long, wavy dark hair and well-groomed beard. His mouth is slightly open, indicating he is mid-sentence, and his eyes are looking forward, suggesting he is addressing an unseen audience or a thought. The background is a plain, light gray wall, providing a clean, uncluttered, and neutral setting. The lighting is soft and natural, gently illuminating the contours of his face without harsh highlights or shadows. White text, 'I call it transformism.', is prominently displayed on the lower third of the screen.
0:19man assembling lego floor closeup A close-up shot focused on the man's hands as he meticulously assembles small LEGO pieces while seated on the floor. His hands are shown carefully manipulating and connecting individual bricks, demonstrating precision and dexterity. A distinctive blue and red beaded bracelet is clearly visible on his wrist. The surrounding area of the light gray floor is sparsely populated with only a few scattered LEGO elements, keeping the focus entirely on the hands and the intricate building process. The lighting is bright and even, effectively highlighting the small details of the components and the fine movements of his fingers.
0:21glitch face transition A rapid and visually dynamic glitch effect applied to a close-up of the man's face. His face is digitally distorted and horizontally duplicated across the frame, creating multiple blurred, superimposed layers that shift and flicker. The colors are muted blues and grays, with a pronounced digital static or scanline effect overlaid across the entire image, giving it a disorienting, futuristic, and abstract impression. White text, 'LEGO Star Wars Death Star', also appears on the lower third, similarly affected by the glitching visual treatment.
0:22eye through scope An extreme close-up of a human eye, likely the man's, framed as if observed through a narrow scope or lens. The eye itself is dark, with visible eyelashes, and appears highly focused and intense. The area immediately surrounding the eye is dark and indistinct, which serves to emphasize the eye as the sole focal point. There are subtle hints of green light or reflections visible on the surface of the eye, possibly hinting at the green laser elements from the LEGO model or a technological interface. The overall color palette is dark and deep, concentrating on the natural tones of the eye. White text, 'has a very sharp aesthetic.', is overlaid on the lower third of the screen.
0:24lego laser details An extreme close-up shot focusing on thin, bright green and clear plastic rods, which are likely intricate details from the LEGO Death Star model, possibly representing laser beams or complex wiring. The rods are dynamically arranged, with some crossing over each other and others running in parallel, creating a visually interesting pattern against a soft, light gray background. The lighting is exceptionally bright, emphasizing the translucent and vibrant qualities of the green rods and the pristine clarity of the clear elements. White text, 'A reminder of', is visible on the lower third of the screen.
0:24man with reflection A wide shot set within the familiar minimalist, light gray room. The man is observed from a side profile, leaning against a metallic table on which the LEGO Death Star model is positioned. He gently pushes the model a short distance to the left. A prominent, large, reflective surface, possibly a full-length mirror or a highly polished wall, occupies the entire right half of the frame. This surface clearly shows his full reflection, appearing slightly ahead of him as he moves, creating a visual duality. The room maintains its characteristic bright, even lighting and cool gray color scheme, reinforcing the modern and stark atmosphere. White text, 'connection between history and future.', is displayed on the lower third of the screen.
0:27glitch transition purple A brief, abstract, and rapidly shifting glitch visual transition. The entire frame is filled with dynamic horizontal scanlines and intensely distorted, pixelated patterns. The dominant colors are vibrant shades of purple, blue, and green, which combine to create a digital noise or interference effect. This serves as a rapid, jarring cut, designed to be a momentary disruption between more coherent scenes, creating a sense of transition and electronic interference.
0:28lego star wars end card A highly detailed, animated shot showcasing the interior of the fully assembled LEGO Star Wars Death Star model. The view reveals multiple internal levels, each intricately designed and populated with iconic Star Wars characters such as Darth Vader, Stormtroopers, C-3PO, and Chewbacca, all rendered in LEGO form. The overall aesthetic is dark and metallic, with strategic internal lighting highlighting different sections and figures within the vast structure. In the central portion of the screen, the white text 'PRESENTED BY THE LEGO GROUP' is displayed above the distinctive red square LEGO logo with white 'LEGO' text, and the classic white 'STAR WARS' logo. The scene feels epic and climactic, serving as a comprehensive product showcase in its complete and detailed form.
A static, minimalist black screen featuring the word 'HYPEBEAST' in bold, white, sans-serif capital letters. The text is centrally placed against the dark background, providing a clean and stark visual. This scene serves as a straightforward brand outro, concluding the video with a clear brand identifier. The absence of other visual elements directs full attention to the brand name.
