0:00rapper recording vocals A close-up shot frames a young Black man from the chest up, positioned slightly to the right of a large professional studio microphone with a pop filter. He is wearing large black over-ear headphones, a red baseball cap backward, and distinctive gold-rimmed glasses. His dreadlocks fall over his shoulders and under his headphones. He wears a blue zip-up hoodie over a white t-shirt. His hands are clasped together at chest level as he speaks or sings into the microphone. The background is a warm-toned wall with an acoustic panel on the right and a warm-lit lamp in the upper left corner, indicating an intimate studio setting. Text overlay reads 'What does success'. The lighting is soft and warm, highlighting his face. The camera is static, focused on his upper body and the microphone.
0:01studio desk overview A medium shot captures a professional studio desk setup from a slightly elevated, over-the-shoulder perspective. On the left, a large monitor displays audio production software with waveform graphics. To the right of the monitor, a black AKG microphone with a pop filter is prominent, with a green cable running from it. Below the monitor, various audio equipment with knobs and lights is visible. A dark green bottle of Remy Martin V.S.O.P. stands on the desk, partially obscuring some equipment. A small green frog figurine is also on the desk. A window in the background reveals natural light and some greenery. The overall color palette is dark, with pops of green and the warm glow of equipment lights. The camera slowly pans right, revealing more of the desk and the studio environment. Text overlay reads 'mean to me? Just satisfaction man.'.
0:02rapper recording vocals 2 This close-up shot is a near-identical repetition of the first scene, showing the young Black man from the chest up, positioned slightly right of the studio microphone. He wears the same red baseball cap backward, gold-rimmed glasses, black over-ear headphones, and blue zip-up hoodie. His dreadlocks are visible. His hands are clasped together at his chest as he speaks or sings into the microphone. The background remains the warm-toned wall with an acoustic panel and a soft-lit lamp. The lighting is consistent, warm and focused. Text overlay reads 'Nobody's perfect'. The camera is static, maintaining a tight focus on the rapper.
0:04studio desk overview 2 This shot is similar to the previous studio desk overview, but with a slightly wider angle and from a different position relative to the mic. The focus is on the studio desk with various audio equipment, a large monitor displaying waveforms, and a prominent dark green Remy Martin V.S.O.P. bottle. A green coiled cable is also visible. The background shows a window with natural light. The desk is black with wooden accents. Text overlay reads 'you satisfied'. The camera is static, providing a clear view of the workstation. The overall mood is professional and creative, with the liquor bottle adding a touch of personal indulgence.
0:05rapper at desk talking A medium shot shows the young Black man seated at a studio desk, facing slightly to the left of the camera. He wears a red baseball cap backward, gold-rimmed glasses, a blue zip-up hoodie over a light blue t-shirt, and dark pants. His dreadlocks fall over his shoulders. His left hand rests on the desk near a white keyboard, while his right hand is raised, possibly gesturing as he speaks. The desk is black with wooden edges, featuring a white keyboard and other studio equipment. The background shows a wooden floor, a green rug, and a light-colored wall. Lighting is natural from a window to his left and an overhead light. Text overlay reads 'with the work you put in,'. The camera is static, capturing his relaxed yet engaging demeanor.
0:06hands on audio mixer A close-up shot focuses on a dark-skinned hand, tattooed with a sun and trees motif, adjusting a professional audio mixer. The mixer is black with numerous silver knobs and orange and blue illuminated buttons. The hand's fingers manipulate the controls, specifically a blue slider button. The background is slightly blurred, showing faint outlines of other studio equipment. The lighting is functional, emphasizing the illuminated buttons and the texture of the mixer. Text overlay reads 'and being able to enjoy it with family and loved ones,'. The camera is static, providing a clear view of the detailed interaction with the mixer.
0:09screen recording audio waveform A screen recording shot displays an audio editing interface, likely a Digital Audio Workstation (DAW). The screen shows dark grey background with horizontal grid lines. A prominent waveform, composed of yellow and black patterns, stretches across the middle of the screen, representing an audio track. Vertical lines indicate timestamps (e.g., 0:20, 0:25, 0:30, 0:35), suggesting a time-based editing environment. A white vertical line, the playhead, is positioned at approximately 0:25. Below the waveform, a row of colorful application icons (Chrome, Google, Spotify, etc.) is visible, indicating a desktop environment. Text overlay reads 'I would consider that'. The shot is static and perfectly framed to showcase the digital workspace.
0:10hands typing keyboard A low-angle close-up shot focuses on dark-skinned hands typing on a white Apple keyboard. The hands move fluidly across the keys. The keyboard is integrated into a black studio desk with wooden edges. A coiled black cable runs across the top of the desk. The background is blurred, showing glimpses of studio equipment. The lighting is soft and even, emphasizing the action of typing. The camera is static, capturing the detail of the hands and keyboard. Text overlay reads 'success.'.
0:11rapper at desk contemplating A medium shot captures the young Black man seated at his studio desk, looking towards the right side of the frame, presumably at a monitor (though the screen itself is not visible to the viewer). He wears a black puffer jacket over his hoodie, the same red baseball cap, and gold-rimmed glasses. His dreadlocks are visible. His hands are clasped loosely in front of him. On the desk to his right, the Remy Martin V.S.O.P. bottle is clearly visible, along with studio monitors and an ashtray. A framed picture of a man is on the wall behind him. The environment is well-lit with natural light coming from a window on the right. The camera is static. Text overlay reads 'What's up guys'.
0:12rapper introduction studio A medium close-up shot shows the young Black man standing in what appears to be a studio or creative workspace. He is wearing a black puffer jacket, the red baseball cap backward, and gold-rimmed glasses. His dreadlocks are visible. He faces the camera, gesturing with his hands as he speaks. The background includes a large black acoustic panel and a window to the right, allowing natural light to illuminate the scene. The wall is a warm off-white. The camera slowly zooms out slightly, capturing more of his upper body. Text overlay reads 'I go by the name'.
0:13rapper holding tshirt A medium shot frames the young Black man holding up a black t-shirt with a white graphic logo that reads 'NIONTAY' in bold, stylized letters, accompanied by a small cartoon character. He is standing in what looks like a storage or back room, with shelves of boxes behind him. He wears the same black puffer jacket, red baseball cap, and gold-rimmed glasses. His dreadlocks are visible. He looks directly at the camera with a confident, welcoming expression. The lighting is bright and even, indicating an indoor setting. Text overlay reads 'Niontay'. The camera is static, focusing on him and the t-shirt. This scene serves as a product highlight and self-introduction.
0:15rapper day in my life intro A medium shot frames the young Black man standing in a hallway or room with light-colored walls adorned with various framed posters and artwork. He wears a blue zip-up hoodie over a white t-shirt, the red baseball cap, and gold-rimmed glasses. His dreadlocks are visible. His hands are clasped together, and he looks directly at the camera with a warm, inviting expression. The background features a partly open white door and a collection of personal art. The lighting is bright and consistent. Text overlay reads 'Welcome to a day in my life.'. The camera is static, capturing his full upper body and surroundings.
0:17day in the life graphic This shot is an over-the-shoulder view of the young Black man, walking away from the camera in a brightly lit hallway. He is wearing a black puffer jacket and the red baseball cap. Various framed posters and artwork cover the walls, creating a vibrant, personal atmosphere. White animated lines with directional arrows and stylized text overlays 'DAY IN THE LIFE' and 'NIONTAY' are dynamically integrated into the scene, guiding the viewer's eye. The camera is handheld, moving slightly with the subject, creating a dynamic, immersive feel. The overall color palette is bright and energetic, reflecting the 'day in the life' theme.
0:19hands holding shoe A close-up shot focuses on dark-skinned hands holding a dark blue suede shoe with intricate stitching and a thick black sole. The shoe has a brand tag 'JDILLA' visible on its side. The person is sitting on a patterned rug with red, blue, and white motifs. In the background, Adidas slides with white stripes and white socks are visible on the floor, suggesting the person is in the process of changing shoes. The lighting is soft and even. Text overlay reads 'Before I head to the studio,'. The camera is static, providing a clear, detailed view of the shoe and hands.
A medium shot, taken from a low angle, shows a dark-skinned person seated, putting on a dark blue suede shoe. The person is wearing dark pants and white socks with black and white Adidas slides on their left foot, which is on a patterned rug with red and blue designs. The right foot is being slipped into the new shoe. In the background, a painting of a figure with dreadlocks and a white bandana is visible leaning against a wall, and a white door is slightly ajar. The lighting is soft and natural. Text overlay reads 'I put on the drip'. The camera is static, capturing the action of getting dressed.
0:21tying shoe close up A close-up shot focuses on dark-skinned hands tying the laces of a dark blue suede shoe. The shoe features intricate patterns, possibly embossed 'JDILLA' text, across its surface. A small white tag with 'LIMITED EDITION' is attached to the laces. The hands are deftly tying a knot. The shoe rests on a vibrant, patterned rug with red, blue, and white geometric designs. The lighting is bright and even, highlighting the details of the shoe and the hands. Text overlay reads 'you know what I'm saying?'. The camera is static, capturing the meticulous action.
0:22blue sky bridge cables An upward-facing shot captures a clear, vibrant blue sky, bisected by several parallel white cables of a suspension bridge. The cables extend diagonally from the lower left to the upper right of the frame, creating strong leading lines and a sense of architectural grandeur. There are no clouds or obstructions in the sky, making the cables the sole focus against the bright blue. The lighting is natural and bright, indicating a sunny day. Text overlay reads 'You look good'. The camera is static, emphasizing the clean lines and vastness of the sky.
0:23rapper walking city A medium shot, taken from a slightly low angle, shows the young Black man walking confidently down a city sidewalk. He wears the black puffer jacket, red baseball cap, and gold-rimmed glasses, along with dark pants. He carries a white shopping bag with 'GENKI MART' written on it in his left hand. The background features a modern glass building, a grey brick building, and a glimpse of a white FedEx truck. The sidewalk is grey, and the sky is bright. The lighting is natural and clear, indicating daytime. Text overlay reads 'you feel good'. The camera is static, capturing his movement in the urban environment.
0:24studio equipment cat A medium close-up shot frames a section of a studio desk, showcasing various audio equipment. On the left, a studio monitor speaker is visible. The central focus is on a rack of audio processing units with glowing green lights and numerous wires. To the right, a black cat-shaped piggy bank sits on the desk. A red battery and white pens are also on the desk. The desk is black, and the background is slightly blurred. The lighting is a mix of ambient and the functional lights of the equipment. Text overlay reads 'Now we at the office'. The camera is static, highlighting the detail of the equipment and the quirky cat figurine.
A medium shot showcases a wall adorned with an eclectic collection of framed and unframed artwork. Dominating the center is a large, greenish-olive canvas with a stylized orange and black geometric design. Around it, various smaller framed pieces include portraits and abstract designs. To the right, a large poster with a colorful portrait is partially visible. The wall is white, providing a neutral backdrop for the diverse art. The lighting is soft and even. Text overlay reads 'slash studio.'. The camera is static, allowing the viewer to take in the artistic environment.
0:27audio processor close up A close-up shot focuses intensely on a piece of silver audio processing equipment, likely a preamp or compressor. The device features numerous silver knobs, blue buttons, and several red and yellow illuminated lights indicating levels and active functions (e.g., 'THRESHOLD', 'COMPRESSION', 'INPUT MODE', 'ATTACK', 'RELEASE'). The dials and switches are clearly visible, suggesting precise control. The background is dark and out of focus. The lighting emphasizes the glowing indicators and the metallic texture of the equipment. Text overlay reads 'This where the magic happens.'. The camera is static, capturing the intricate details of the professional gear.
0:28studio room wide shot A wide shot captures a cozy and well-equipped studio room. On the left, a large window allows ample natural light to flood the space. Below the window, a black studio desk with a monitor, speakers, and various audio equipment is visible, along with a black office chair. To the right, a dark green sofa is partially visible. The walls are light-colored and adorned with acoustic panels and artwork. A wooden coffee table with decorative items (a green object and small, colorful pieces) sits on a green shaggy rug in the foreground. The floor is made of hardwood. The overall color palette is earthy and warm, with a mix of natural light and soft indoor lighting. Text overlay reads 'I started this song in LA.'. The camera slowly zooms out, revealing more of the room's layout.
0:29hands on audio mixer 2 A close-up shot focuses on a dark-skinned hand, tattooed with a sun and trees motif, adjusting a professional audio mixer (PreSonus Monitor Station V2). The mixer is black with numerous silver knobs, yellow and blue illuminated buttons, and a large blue main volume knob. The hand's fingers manipulate the controls, particularly pushing a blue slider button down and rotating the large blue knob. The background is slightly blurred, showing faint outlines of other studio equipment. The lighting highlights the illuminated buttons and the texture of the mixer. Text overlay reads 'The homie Harrison made the beat. Yeah.'. The camera is static, providing a clear view of the detailed interaction with the mixer.
0:33rapper at desk listening A medium shot captures the young Black man seated at his studio desk, looking towards the right side of the frame, presumably at a monitor. He wears the black puffer jacket, red baseball cap, and gold-rimmed glasses. His dreadlocks are visible. He is listening intently, occasionally nodding his head and adjusting his glasses. On the desk to his right, the Remy Martin V.S.O.P. bottle is clearly visible, along with studio monitors and an ashtray. A framed picture of a man is on the wall behind him. The environment is well-lit with natural light coming from a window on the right. The camera is static. Text overlay reads 'I for real just bob my head for real just listening to it. Sometimes I just like say the first thing that come to my mind'.
0:38rapper removing headphones An over-the-shoulder medium shot shows the young Black man seated at his studio desk, wearing a black puffer jacket and a red baseball cap backward. He is seen from behind and to his left side. He reaches up and removes his black over-ear headphones from his right ear, holding them with his right hand. A large monitor displaying audio production software is visible in the background, with a bright window to the right providing natural light. A 'MAFIA' sign is placed above the monitor. The Remy Martin V.S.O.P. bottle is on the desk. Text overlay reads 'and then rhyme with that, start the song with that. You know?'. The camera slowly zooms in, emphasizing the action.
0:40rapper putting on headphones An over-the-shoulder medium shot, similar to the previous, shows the young Black man seated at his studio desk. He is seen from behind and to his left side, wearing a black puffer jacket and a red baseball cap backward. He is now putting his black over-ear headphones back over his right ear. The large monitor displaying audio production software is visible in the background, with the bright window to the right. The 'MAFIA' sign and the Remy Martin V.S.O.P. bottle are on the desk. The lighting is natural and bright. The camera is static, focusing on the action of him resuming work. Text overlay is cut off.
0:42rapper recording vocals 3 A close-up shot frames the young Black man from the chest up, positioned slightly to the right of a large professional studio microphone with a pop filter. He is wearing large black over-ear headphones, a red baseball cap backward, and distinctive gold-rimmed glasses. His dreadlocks fall over his shoulders and under his headphones. He wears a blue zip-up hoodie over a white t-shirt. His hands are clasped together at chest level as he speaks or sings into the microphone. The background is a warm-toned wall with an acoustic panel on the right and a warm-lit lamp in the upper left corner. The lighting is soft and warm, highlighting his face. Text overlay reads 'I try not to pigeon hole myself to creating one type of sound.'. The camera is static, focused on his upper body and the microphone.
0:45hands gesturing rhythm A close-up shot focuses on dark-skinned hands, adorned with tattoos, performing rhythmic gestures. The hands are clasped at first, then open and move in a fluid, expressive manner, as if emphasizing a point or keeping a beat. The person is wearing a blue zip-up hoodie, visible on the forearms. The background is a blurred, warm-toned wall. The lighting is soft and even, highlighting the movement of the hands. Text overlay reads 'Rapping is like anything else. The more you do it,'. The camera is static, capturing the expressive hand movements.
0:47rapper at desk typing A medium shot shows the young Black man seated at his studio desk, looking down towards a white keyboard. He wears a blue zip-up hoodie over a light blue t-shirt, the red baseball cap backward, and gold-rimmed glasses. His dreadlocks are visible. His hands are placed on the keyboard, and he appears to be typing or interacting with the computer. The desk is black with wooden edges. The background shows a wooden floor, a green rug, and a light-colored wall with faint artwork. The lighting is natural from a window. Text overlay reads 'the better you get at it.'. The camera is static, capturing his focused engagement with the digital tools.
0:48screen recording audio waveform 2 A screen recording shot displays an audio editing interface, likely a Digital Audio Workstation (DAW). The screen shows a dark grey background with horizontal grid lines. A prominent waveform, composed of yellow and black patterns, stretches across the middle of the screen, representing an audio track. Vertical lines indicate timestamps (e.g., 25, 29, 33, 37, 41, 45), suggesting a time-based editing environment. A white vertical line, the playhead, is positioned at approximately 37. Above the waveform, control elements like 'Untitled' and playback buttons are visible. Text overlay reads 'I think I'm gonna call this song,'. The shot is static and perfectly framed to showcase the digital workspace.
0:50rapper explaining song title A medium close-up shot frames the young Black man seated at his studio desk, looking directly at the camera. He wears a blue zip-up hoodie over a light blue t-shirt, the red baseball cap backward, and gold-rimmed glasses. His dreadlocks are visible. His right hand is raised, gesturing as he speaks with a confident and engaging expression. The background features a warm-toned wall with an acoustic panel and a light-colored wall. The lighting is soft and even, highlighting his face. Text overlay reads 'Harrison Euro Step.'. The camera is static, capturing his expressive delivery.
0:53rapper at desk full view A wide shot, taken from a slightly high angle, shows the young Black man seated at his studio desk, viewed from behind and to his left. He is wearing a black puffer jacket, red baseball cap, and gold-rimmed glasses. His hands are on the white keyboard, and he is looking at the large monitor which displays audio production software. On the desk, various audio equipment, a studio monitor speaker, the Remy Martin V.S.O.P. bottle, and the black cat figurine are visible. A large window provides natural light, and a framed picture is on the wall. Text overlay reads 'I'm from Kissimmee, Florida and we be drinking Remy.'. The camera is static, offering a broad view of his working environment.
0:55pouring remy martin A close-up shot focuses on a dark green bottle of Remy Martin V.S.O.P. as a hand pours its amber contents into a crystal-cut glass. Another empty, identical glass stands beside it. The scene is set on a white windowsill, with a modern city building (featuring numerous large windows) visible in the blurred background under a bright sky. The lighting is bright and natural, highlighting the liquid's rich color and the glass's texture. Text overlay includes copyright information for Rémy Martin, alcohol content, and a 'Please drink responsibly' disclaimer. The camera is static, capturing the precise action of pouring.
0:57cheers on windowsill A medium shot captures two dark-skinned hands, one from the left and one from the right, picking up two crystal-cut glasses filled with an amber liquid from a white windowsill. A dark green Remy Martin V.S.O.P. bottle stands between them. The background reveals a modern cityscape with tall buildings and a bright sky through a large window, suggesting a high-rise setting. The lighting is bright and natural, creating a celebratory atmosphere. Text overlay reads 'As a Floridian would, I'ma celebrate my wins, with a glass of'. The camera is static, focusing on the hands, glasses, and bottle.
0:59two men cheers remy martin A medium wide shot captures two men standing by a large window with multiple panes, overlooking a city skyline. The young Black man from previous scenes (Niontay) is on the left, seated on the windowsill, wearing a dark blue tracksuit and the red baseball cap, drinking from a crystal glass. To his right, another man stands, dressed in a dark blue sweater and a patterned beanie, holding a similar glass. A dark green Remy Martin V.S.O.P. bottle is on the windowsill between them. The city buildings outside are visible, with red brick structures and reflective glass. The lighting is bright and natural. A white graphic overlay reads 'PRESENTED BY REMY MARTIN' with the brand's centaur logo. Text overlay reads 'Remy Martin man. HYPEBEAST'. The camera is static, capturing a moment of relaxed camaraderie and product placement.
