0:00static noise intro The screen is completely filled with black and white television static, a dense and chaotic pattern of flickering pixels. The noise is uniform across the entire frame, with no discernible image or pattern other than the random distribution of light and dark specks. Occasionally, faint, blurry horizontal bands of slightly darker or lighter static pass across the screen, characteristic of analog signal interference. The overall effect is disorienting and creates a sense of a signal being lost or interrupted, setting a mysterious or unsettling tone. The lighting is implied by the static itself, with no external light source visible.
0:00conference room discussion A high-angle, slightly overhead shot captures a group of middle-aged to older men, all appearing to be Caucasian, dressed in formal dark suits and ties, seated around a large, light-colored, oval conference table. The scene is heavily filtered with a distinct green tint and prominent horizontal scan lines, mimicking surveillance footage or an old CRT monitor. In the lower center of the frame, a classic green-shaded banker's lamp sits on the table amidst scattered papers, notebooks, and disposable coffee cups. The central figure, a man with a short grey beard and slicked-back grey hair, is actively speaking and gesturing with his right hand, then bursts into a hearty laugh. His expression is confident and jovial. Other men around the table are observing him, some with subtle smiles or nods of agreement, indicating shared amusement or understanding. The background is dark and out of focus, keeping the attention on the men and the table. The lighting within the green-tinted filter appears even, with the desk lamp adding a localized highlight. The color palette is dominated by dark suits against the lighter table and the pervasive green filter.
0:07static noise outro The video abruptly cuts back to a full screen of black and white television static, exactly mirroring the opening shot. This static displays a dense, chaotic, and rapidly flickering pattern of black and white pixels, indicating a complete loss of signal or an intentional visual disruption. The graininess is intense, and sporadic horizontal lines of varying darkness briefly traverse the screen. The sudden return to this visual noise creates a jarring, almost glitch-like transition, serving as a distinct break or an unresolved ending to the preceding scene. The mood is once again disorienting and abrupt.
