0:00man holding product
A man holds a 'CARNIVORE SNAX' beef jerky bag, which takes up a significant portion of the frame, obscuring his lower face. The background is an outdoor patio with a wooden pergola structure overhead, featuring string lights. Lush green foliage is visible behind the pergola, suggesting a sunny outdoor setting. The man is looking directly into the camera with an open-mouthed expression, as if speaking. The lighting is bright and natural, typical of daylight, creating soft highlights on his face and the product. A red text overlay reads 'CARNIVORE'. The overall color palette is warm, with natural wood tones, green, and the reddish-brown and off-white of the product packaging and the man's purple shirt.
0:00man speaking enthusiastically
The camera is now focused tightly on the man's face, with the product bag no longer visible. He is still outdoors under the wooden pergola, with the green foliage slightly blurred in the background. His expression is animated, with a wide smile and open mouth as he speaks, conveying strong enthusiasm. His head bobs slightly to emphasize his words. The bright natural daylight continues to illuminate his face, highlighting the textures of his hair and beard. A text overlay first displays 'CARNIVORE SNAX' then quickly changes to 'FIRE!' in bold red letters, reflecting his energetic delivery. The color palette remains natural and bright, with his purple shirt adding a pop of color.
0:02man in car with jerky
A man is seated inside a vehicle, captured from a slightly low angle, looking upwards and directly into the camera. He is holding a single piece of jerky between his thumb and forefinger, examining it. The car's interior is dark, providing a stark contrast to the brighter outdoor light filtering through the windows, which reflects off his sunglasses. A young child's face is partially visible and out of focus in the background, suggesting a back seat. The lighting is bright and natural from outside. A text overlay 'BEEF JERKY' is positioned at the bottom of the frame, near the jerky. The color palette is dominated by the dark car interior, the man's green shirt, and the brown tones of the jerky and his cap.
0:03man on boat with jerky
A young man, shirtless and appearing wet, is shown in a medium close-up shot, seated on what appears to be a boat. He holds a piece of dark, thin jerky close to his mouth. The background consists of a bright blue body of water, possibly a lake or ocean, with a distant, blurred green shoreline under a clear sky. A dark metal structure, part of the boat, is visible in the upper right. The lighting is very bright natural daylight, creating strong highlights on his skin and the water. A text overlay reads 'COMPLETELY'. The color palette is dominated by blues of the water and sky, the man's skin tones, and the dark brown of the jerky and boat structure.
0:04eating jerky close up
An extreme close-up focuses solely on the lower part of the young man's face, specifically his mouth and chin, as he consumes the jerky. His lips are slightly parted, and he is actively chewing or preparing to bite into the dark, textured piece of meat. The background is completely out of focus, showing only a blur of blue from the water and some light from the sky, maintaining the outdoor boat setting. The bright natural daylight intensely illuminates his skin, highlighting the texture around his mouth. Text overlays appear: first 'MELTS IN YOUR MOUTH,' followed by 'CRISPY.' The dominant colors are his skin tones and the dark brown of the jerky.
0:07man with chicken snax
A man is in an indoor setting, likely a home, captured in a medium close-up. He holds a pouch of 'CARNIVORE SNAX CHICKEN SLIDERS' close to his chest, angled towards the camera. Behind him, a light brown wooden door is visible, along with a white wall to the right featuring some small decorative items or a clock. The lighting is soft and even, probably artificial indoor light. The man looks directly at the camera with an open, enthusiastic expression, talking and gesturing slightly with his head. Text overlays present information: 'ONE OUNCE' initially, then changing to 'ONE OUNCE = PROTEIN SHAKE'. The primary colors are the man's red shirt, the white and red of the product packaging, and the natural wood tones of the door.
0:09man with beef pieces
A man is shown in a medium close-up, holding two small, irregular pieces of dark meat (jerky) in his hands, gesturing with them as he speaks. The background is an indoor room with a light green wall. Prominently displayed behind him is a taxidermy black bear mounted on a rock formation, and a set of deer antlers mounted on the wall to the right. The lighting is bright and even, indicating well-lit indoor conditions. The man is looking directly into the camera with a friendly and engaged expression. A text overlay 'THAT IS DELICIOUS' emphasizes his verbal praise. The color palette includes the light green wall, black of the bear, natural brown of the antlers and jerky, and the man's grey shirt.
0:10man in car explaining
The man from the earlier car scene is again shown in a medium close-up, seated in a vehicle. He is speaking directly to the camera, using hand gestures to emphasize his points. The car's interior is dark, with a speaker visible on the dark ceiling above him. The bright outdoor light streams through the car windows, causing reflections on his blue mirrored sunglasses. His mouth is moving as he talks, and his expression is serious but engaged. Text overlays appear: 'TOO MUCH SALT' first, then 'IT'S JUST RIGHT', highlighting his statements about the product's flavor balance. The dominant colors are the dark car interior, the man's green t-shirt, and the vibrant blue of his sunglasses.
0:12man with jerky awesome
The scene returns to the man indoors with the taxidermy. He is in a medium close-up, holding a piece of jerky in one hand while gesturing with the other. The black bear and deer antlers remain visible on the light green wall behind him. His expression is cheerful and his mouth is open, as if in mid-sentence or expressing delight. Bright, even indoor lighting illuminates him and the background. A text overlay states 'THAT'S AWESOME', reinforcing his positive sentiment. The overall color scheme is light green, black, brown, and grey, consistent with the indoor, rustic-themed setting.
0:13man discussing preservatives
The man from Scene 6 is back in the indoor home setting, holding a 'CARNIVORE SNAX CHICKEN SLIDERS' bag. He is in a medium close-up, looking directly at the camera and speaking with a serious yet informative expression. The wooden door and white wall are visible in the background, providing a neutral domestic backdrop. The lighting is consistent artificial indoor light. A prominent text overlay reads 'THERE'S NO PRESERVATIVES', highlighting a key product feature. He gestures with his hand to emphasize his points. The color palette focuses on the man's red shirt, the product's white and red packaging, and the warm wood tones of the door.
0:15highest quality meats graphic
This scene displays a graphic featuring bold white text 'HIGHEST QUALITY MEATS' centered over a piece of raw meat. The raw meat is dark red with visible white marbling and fat, appearing to be a cut of beef, and it is positioned on a plain, light beige background. The meat object quickly blurs and then refocuses. The lighting is soft and even, highlighting the textures of the meat. The overall color palette is dominated by the beige background and the natural reds, whites, and browns of the raw meat, creating a clean and focused presentation of the product's origin.
0:16grass fed finished graphic
This scene is a graphic with bold white text 'GRASS-FED GRASS-FINISHED' centered above a piece of cooked, dark brown jerky. The jerky piece has irregular edges and some lighter, possibly fatty, streaks. It is presented against a plain, light beige background. The jerky appears to be rotating or moving slightly to position itself in the frame. The lighting is soft and even, providing a clear view of the jerky's texture and color. The color palette is minimalist, featuring the beige background and the dark brown and light accents of the jerky, emphasizing the product's natural quality.
0:17man in car salt
The man from the earlier car scenes reappears in a medium close-up, seated in his car. He is holding a piece of jerky up to the camera, showing it clearly, while speaking. The car's dark interior is visible, and a child is still blurred in the background. The natural light through the car windows creates some glare on his dark sunglasses. A text overlay 'GRASS-FED GRASS-FINISHED SALT' appears on screen, combining the product's qualities. His expression is serious and informative as he presents the product and describes its simple ingredients. The color palette includes the dark car interior, the green of his shirt, and the brown of the jerky.
0:18man pulling jerky apart
The man from Scene 7 is back in the indoor setting with the taxidermy. He is in a medium close-up, holding two pieces of jerky and demonstrating their texture by pulling them apart. The light green wall with the black bear and deer antlers is visible behind him. He looks directly at the camera, speaking with an engaged and demonstrative expression. As he pulls the jerky apart, the inside texture, possibly showing fat, is revealed. Text overlays include 'LOOK ALL OF THAT' followed by 'FAT', drawing attention to the composition of the meat. The lighting is bright and even. The color palette mixes the natural tones of the jerky and animal mounts with the green wall and the man's grey shirt.
0:21meat into carnivore snax bag
A pair of hands, encased in white protective gloves, are shown from a slightly overhead medium shot perspective. The hands are carefully placing a large, irregular piece of dark, dried meat into an open 'CARNIVORE SNAX CHUCK' bag. Several identical bags are lined up on a stainless steel table, creating a sense of a production line. The bags feature a red and white pattern with bold black text. The background is a clean, industrial-style environment with bright, overhead fluorescent lighting that casts minimal shadows. A text overlay 'ANIMAL-BASED APPROACH' is present. The color palette is dominated by the stainless steel, white gloves, dark meat, and the red, white, and beige of the product packaging.
0:24carnivore snax bags on shelf
A medium shot shows multiple 'CARNIVORE SNAX' product bags neatly arranged on a metallic shelf, extending into the background. The bags are the 'CHUCK' flavor, with a distinctive red and white patterned design and bold black text. The setting appears to be a commercial or storage environment, possibly a warehouse or retail display, characterized by the clean, utilitarian metal shelving. The lighting is bright and even, likely from overhead industrial fixtures, casting soft, uniform light on the products. The scene is static, showcasing the product lineup. The primary colors are the metallic grey of the shelf and the red, white, and beige of the product packaging.
0:24man discussing farming
The man from Scene 6 is once again in the indoor home setting, captured in a medium close-up. He holds a 'CARNIVORE SNAX POPEYE' bag, while speaking animatedly to the camera. The familiar wooden door and white wall are visible in the background. His expression is serious and direct as he discusses the product's origin. The lighting is artificial indoor light, casting a soft glow. Text overlays appear: 'REGENERATIVE-FARMING' then 'IT'S NOT MASS PRODUCED NONSENSE', emphasizing the quality and sourcing. He uses hand gestures to reinforce his points. The color scheme is dominated by his red shirt, the product's white and red packaging, and the warm wood tones of the door.
0:27man eating outdoor fillers
A young man is depicted in a medium close-up, shown from a slightly elevated angle, outdoors. He is taking a bite from a piece of jerky, bringing it up to his mouth. The background is filled with lush, bright green foliage and trees, indicating a natural, sunny environment. The lighting is bright natural sunlight, creating a vibrant, airy atmosphere. A text overlay 'NO FILLERS,' is displayed prominently. The dominant colors are the vivid green of the trees, the dark tones of the man's hoodie and hair, and the brown of the jerky he is eating.
0:28jerky close up no additives
An extreme close-up focuses on a hand holding a single, large piece of dark, cured meat (jerky). The jerky is roughly rectangular with some visible white marbling or fat lines. The background is deeply blurred, showing only a wash of color, likely a blue shirt, keeping the attention entirely on the product. The lighting is soft and even, highlighting the texture and detail of the jerky. A text overlay 'NO ADDITIVES.' is clearly visible, emphasizing the purity of the product. The main colors are the deep brown and white of the jerky and the blurred blue of the background.
0:30man discussing no pesticides
A man is in an outdoor setting, captured in a close-up, speaking intensely to the camera. He is wearing a black baseball cap and dark sunglasses. Behind him, bright green, leafy trees are prominently displayed, creating a vibrant natural backdrop. The lighting is very bright natural sunlight, casting crisp shadows and highlighting the green foliage. He gestures with his hands as he speaks, emphasizing his message. Text overlays state 'NO VACCINES,' and then 'NO PESTICIDES', reiterating the product's natural sourcing. The color palette is dominated by the bright green of the trees, the dark tones of his clothing and accessories, and the reddish hue of his beard.
0:31man boston hockey incredible
A man is in an indoor setting, in a medium close-up, speaking directly to the camera. He wears a dark baseball cap and a black hoodie with yellow text. The background features a light-colored wall, and to the right, a window with natural light streaming in, partially obscured by a dark frame. Wooden furniture or decor is visible on the left side of the frame. The lighting is soft and natural, primarily from the window. He looks directly at the camera with a calm, affirmative expression. A text overlay 'ARE INCREDIBLE' emphasizes his positive review. The color palette is muted, with light walls, wood tones, and the black and yellow of his clothing.
0:32man with hopper painting
A man is shown in a close-up, indoors, holding a piece of jerky up to his left cheek, as if about to take a bite or having just finished. The background is a plain white wall, with a framed print of Edward Hopper's 'Nighthawks' painting hanging behind him, adding an artistic element. The lighting is soft and even, likely artificial indoor lighting, creating a comfortable atmosphere. His expression is one of pleasant surprise or satisfaction. A text overlay 'THIS IS TOO GOOD TO BE TRUE' conveys his disbelief at the product's quality. The primary colors are the white wall, the dark tones of the framed art and the man's shirt, and the brown of the jerky.
0:33bald man eating outdoors
A bald man is featured in a close-up, outdoors, actively taking a bite from a large piece of jerky. He is positioned in front of a light blue house with white shutters, clearly visible in the background under bright sunlight. The lighting is strong natural daylight, creating clear highlights on his skin. His expression is concentrated on eating, showing a moment of enjoyment. A text overlay 'FOR BEING' is present, setting up a statement about the product's simplicity. The color palette is dominated by the light blue and white of the house, the man's white tank top, and the brown of the jerky.
0:34woman showing jerky mindblowing
A woman with long, blonde hair is shown in a medium close-up, outdoors in what appears to be a backyard. She holds up a large, irregularly shaped piece of jerky, pointing to it with her other hand, while speaking directly to the camera. The background features green plants and a light-colored concrete wall, softly blurred. The lighting is bright natural daylight, creating a pleasant outdoor atmosphere. Her expression is bright and positive. Text overlays include 'SALT', then 'IT'S MIND BLOWING', highlighting the simplicity and impact of the product. The color palette includes the woman's black shirt, blonde hair, green plants, concrete, and the reddish-brown of the jerky.
0:37man best tasting snacks
A man is in an indoor setting, presented in a medium close-up, looking directly at the camera and speaking with conviction. The background is a plain, light-colored ceiling with recessed lighting. A faint light source or doorway is visible in the distance, adding depth. The lighting is warm artificial indoor lighting, creating a comfortable ambiance. He gestures with his hands to emphasize his strong statements. Text overlays read 'THE BEST TASTING SNACKS' followed by 'I HAVE EVER HAD IN MY ENTIRE LIFE', conveying his ultimate praise for the product. The color palette is warm and simple, dominated by the man's black ribbed shirt and the light beige of the ceiling.
0:40man product variety promise
The man from Scene 6 returns to the indoor home setting, holding a 'CARNIVORE SNAX POPEYE' bag. He is in a medium close-up, speaking directly to the camera with a confident smile. The familiar wooden door and white wall are visible behind him. The lighting is consistent artificial indoor light. As he speaks, three additional 'CARNIVORE SNAX' product bags ('NEW YORK STRIP', 'CHICKEN SLIDERS', 'FARM SLIDERS') appear as animated graphic overlays around him, showcasing the product range. A text overlay 'YOU WILL LIKE THESE I PROMISE YOU' reinforces his strong recommendation. The color palette is vibrant, with his red shirt, the product's red/white/beige packaging, and the warm wood tones of the door.
0:42carnivore snax advertisement
A static digital advertisement graphic is displayed. The background is white with a dynamic, distressed red splatter or brushstroke texture primarily along the top and bottom edges. The brand name 'CARNIVORE SNAX' is prominently displayed in large, bold black text at the top center. Below it, a rectangular red button with white text reads 'SHOP CARNIVORE SNAX'. Three different 'CARNIVORE SNAX' product bags ('NEW YORK STRIP', 'CHICKEN SLIDERS', 'FARM SLIDERS') are animated, rotating or subtly moving into position towards the bottom of the screen. The overall aesthetic is bold and impactful, using a limited color palette of red, black, white, and the packaging's beige. The graphic effectively presents the brand and its varieties.
