0:00intro talking head A medium shot of a woman seated in the driver's seat of a car, looking directly at the camera and speaking. The camera is static, capturing her from the chest up. She is wearing a grey zippered hoodie over a reddish-brown top and a camouflage baseball cap with "GOD'S FAVORITE" written on it in white. She also wears clear-framed glasses. She holds a small, furry microphone close to her mouth with her right hand. The car's interior is visible behind her, with parts of the dashboard and passenger seat in the background. Bright daylight streams in from the windows, creating a well-lit, natural environment. There are no graphics or text overlays in this specific shot. Her expression is friendly and engaging.
0:01split screen before after This scene shows the same woman as Scene 1, still seated in the driver's seat and speaking directly to the camera, captured in a medium shot. The primary action is her speaking and gesturing with her hands. Overlaid on the right side of the screen is a 'before' image of the woman with a fuller figure, wearing a sheer black top and black pants, smiling and looking relaxed on a couch. Simultaneously, a 'middle' image appears on the left, showing her in jeans and a white knotted shirt, standing in what appears to be a home hallway. The text "I went from this to that just by changing my morning coffee." is overlaid on the screen. The lighting remains bright and natural from the car's windows. The overall tone is testimonial and revelatory.
0:04talking head explanation The scene returns to a medium shot of the woman in the driver's seat of her car, speaking directly to the camera. The camera is static, focused on her upper body. She is still wearing her grey hoodie, camouflage cap, and clear-framed glasses. Her expression is engaging as she prepares to explain something, using her hands to gesture in front of her. The car interior, with its dashboard and the back seats, forms a neutral background. Natural light from outside illuminates the scene. The text "let me explain." is overlaid on the screen as she speaks.
0:07talking head with overlay myth This scene continues with the woman in the car, speaking directly to the camera in a medium shot. The camera remains static. She maintains her casual attire and glasses. Overlaid on the majority of the screen is a vintage-style illustration titled "A Good Breakfast." It depicts a young boy with light brown hair, wearing a striped shirt, pouring something from a blue pitcher into a bowl at a breakfast table. On the table are a glass of milk, a plate with orange slices, and a plate with toast. The text "say breakfast is the most important meal of the day." is overlaid on the video, positioned below the illustration. The woman gestures with her hands while talking.
0:10talking head problem agitation The scene returns to a medium shot of the woman in her car, speaking directly to the camera. The camera is static. She continues to wear her grey hoodie, camouflage cap, and clear glasses. Her expression is serious and emphatic as she explains the problem, using broad hand gestures. The car interior provides the background, with natural light from the windows. No overlays are present, focusing solely on her delivery. The overall mood is one of serious discussion about a personal struggle.
0:18b roll tired in bed A close-up shot of the woman lying in bed, facing right towards the camera. Her head is on a white pillow, and she is covered with a light-colored blanket or comforter, possibly a grey hoodie with a fleece lining, which is pulled up around her head. Her eyes are open, and she looks tired and unfocused. She is wearing clear-framed glasses and her dark hair is tied up with yellow hair ties. The background is a plain white wall. The lighting is soft and natural, suggesting an indoor, possibly morning, setting. The text "I wanted to be tired, bloated," is overlaid on the scene.
0:19b roll bloated mirror A wide shot of the woman standing in front of a large, gold-framed arched mirror, looking at her reflection. She is wearing a light-colored crop top and olive green cargo pants, with her hands resting on her stomach, suggesting a bloated feeling. Her hair is down and curly. The room appears to be a bedroom, with a bed partially visible on the left. The walls are light-colored. The lighting is bright and even, likely natural light from a window. The text "and unfocused." is overlaid on the screen, completing the thought from the previous scene.
0:20b roll frustrated A close-up shot of the woman seated indoors, likely at a desk, with her hands covering her face, fingers interlaced over her forehead and eyes. Her expression is one of frustration or stress. She wears a reddish-brown t-shirt. Her dark hair is styled in braids over her shoulders. The background is a plain, light-colored wall with a minimalist wall decoration. The lighting is soft and indirect. The text "I needed that sugary" is overlaid on the scene.
0:21b roll coffee cups An overhead shot of two coffee cups placed on a light brown, possibly wooden, surface. One cup is a disposable paper coffee cup with a white lid and a brown sleeve. The other is a clear plastic cup with a straw, containing an iced coffee-like beverage. Both cups appear to be commercially purchased. The background shows parts of an outdoor patio or balcony, with stone flooring and a decorative wooden stand. The lighting is bright and sunny, creating clear shadows. The text "coffee in the morning" is overlaid on the scene.
0:22talking head addiction realization The scene returns to the medium shot of the woman in her car, speaking directly to the camera. The camera is static. She is dressed in her grey hoodie, camouflage cap, and clear glasses. Her expression is earnest and a bit exasperated as she discusses her past coffee habits, using hand gestures to emphasize her points. The text "through the day." and subsequently "But at the end of the day it was very clear I was severely lacking in everything I wanted to do." are overlaid on the screen. Natural light from the car windows illuminates the scene, highlighting her features.
0:33talking head with overlay dirt coffee This scene features the woman in her car, speaking in a medium shot, with the camera remaining static. She continues to wear her casual attire. Overlaid on the screen is an image of four small, light-colored cups, each filled with dark, crumbly material resembling dirt or coffee grounds. The cups are arranged in a square on a green surface. The text "like dirt right." is overlaid on the screen, correlating with her dialogue about mushroom coffee. Her expression is initially skeptical, then shifts to a more determined look.
0:35talking head solution intro The scene is a medium shot of the woman in her car, continuing her monologue. The camera is static. She is wearing the same grey hoodie, camouflage cap, and clear-framed glasses. Her facial expression shifts from skeptical to a more positive and excited demeanor as she talks about trying the mushroom coffee. She uses expressive hand gestures to convey her enthusiasm. The text "But I was desperate you know. I want to be healthy so if I have to drink dirt that's what I'll do but honestly after I tried it. Everyday Dose it tastes so good," is overlaid on the screen, detailing her journey to trying the product.
0:43product demo coffee prep This scene is an overhead medium shot focusing on the woman's hands as she prepares a drink on a light wooden table. A reflective pouch of "EVERYDAY DOSE COFFEE+" with vibrant holographic lettering and a small "COLLAGEN" label is prominent on the left. She uses a spoon to scoop a powder from the pouch into a "MASON" jar, then pours water from a glass pitcher into the jar. Afterwards, she uses a small, dark grey handheld frother to mix the contents. Sunlight streams in from a window on the right, creating a warm glow and visible dust particles. The background shows part of a light brown kitchen cabinet. Her face is visible in the upper right, observing the process with a neutral expression. The text "you can customize the drink however you want it. They have different flavored creamers. It's nothing what I thought it would be. Ever since I switched I noticed a change in the first two weeks." is overlaid on the screen, describing the product's benefits and ease of use.
0:51talking head results focus The scene returns to the woman in her car, talking directly to the camera in a medium shot. The camera is static. She is still wearing her grey hoodie, camouflage cap, and clear-framed glasses. Her expression is now very positive and energetic as she describes the results she experienced from the product, using her hands to gesture emphatically. The text "I wasn't crashing throughout the day and I was actually" is overlaid on the screen, continuing the narrative of positive changes.
0:54b roll working focused A medium shot of the woman seated indoors, smiling and talking on a black smartphone. She is wearing a light grey short-sleeved top, and her dark hair is tied up with a pink scrunchie. In front of her, the corner of an open laptop with a distinctive black and white wave pattern is visible, suggesting she is working. The background is a plain, light-colored wall with a glimpse of an open closet door on the left. The lighting is soft and even. The text "focusing on my work and getting it done!" is overlaid on the screen.
0:56b roll working out A dynamic, slightly shaky POV shot from a camera mounted on the woman's head or chest, capturing her perspective as she works out on a treadmill in a gym. She is wearing a white t-shirt and a black baseball cap that says "ACTIVE." Other people and treadmills are visible in the background, creating a busy gym environment. The lighting is bright and typical of a gym setting. The text "I'm actually working out now" is overlaid on the screen.
0:57talking head conclusion The scene returns to the woman in her car for a final time, in a medium shot, speaking directly to the camera. The camera is static. She is still wearing her grey hoodie, camouflage cap, and clear-framed glasses. Her expression is one of disbelief and excitement, emphasizing her transformation. She gestures animatedly with her hands, holding the small furry microphone. The text "now instead of taking naps. who is this girl? So yes" is overlaid on the screen, humorously concluding her testimonial. The overall mood is positive, celebratory, and highly engaging.
