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Laura Geller Beauty

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Transcript

0:00I've been a makeup artist for 20 years. This is my number one makeup look I do on all my mature clients.

0:05So you're going to go in with Laura Geller's Baked Balance-n-Brighten Foundation.

0:09See all the different tones. You're going to blend everything out, even above the lid, above the lip.

0:15Look at this side. See how my dark circle actually starts up here.

0:19So you want to just get that brush definitely want to have some foundation going in there and this brush is so soft. It feels so good.

0:27Look at the difference.

0:28Doesn't look like I'm wearing makeup, but everything is covered. See how the under-eye brightened?

0:33Look at the difference on that.

0:35This is such a holy grail foundation, I'm telling you, because it is undetectable.

0:38It does not look like I'm wearing makeup.

0:40Okay, so now I'm going to take some highlight. I'm going in with my two highlighters.

0:46I'm creating interest right here.

0:48And it lifts the cheekbone. Because it's a baked pigment, it will never settle into your laugh lines.

0:54So I'm actually going to go in with the highlighter and create a little bit of interest above the lip, so it looks like I got these big full pouty lips.

1:03And then that kind of discoloration is not showing anymore.

1:07Which makes me very happy.

1:08I love it. And look, it's very subtle.

1:10When you're working with baked shadows, baked bronzers, baked highlighters, it's so much easier to have this magical soft glow.

Text on Screen

0:00Reply to Tabitha001's comment

0:00Why is it that every time I get my make up professionally done I just look older?

0:00I've been a makeup artist

0:00for 20 years

0:01This is my #1 makeup look

0:03I do on all my mature clients

0:05So you're going to go in

0:07with Laura Geller's

0:08Baked Balance-n-Brighten

0:09Foundation

0:09see all the different tones

0:11blend everything out

0:13even above the lid

0:14above the lip

0:15Look at this side

0:16See how my dark circle

0:17actually starts up here

0:19So you want to

0:20just get that brush

0:21definitely want to have

0:23some foundation

0:24going in there

0:25and this brush is so soft

0:26it feels so good

0:27Look at the difference

0:28Doesn't look like I'm wearing makeup

0:30but everything is covered

0:31see how the under-eye brightened?

0:33Look at the difference on that

0:34this is such a

0:35holy grail foundation

0:36I'm telling you

0:37because it is undetectable

0:39It does not look like I'm wearing makeup

0:40Okay so now I'm going to take

0:42some highlight

0:43I'm going in

0:44with my two highlighters

0:46I'm creating interest right here

0:48And it lifts the cheekbone

0:49Because it's a baked pigment

0:51it will never settle into your laugh lines

0:54So I'm actually going to go in

0:56with the highlighter and create a little bit of interest

0:58above the lip

0:59So it looks like

1:01I got these big full

1:02pouty lips

1:03And then that kind of discoloration is not showing anymore

1:06which makes me very happy

1:07I love it

1:08and look it's

1:09very subtle

1:10When you're working with big shadows, baked bronzers, baked highlighters

1:14it's so much easier to have this magical soft glow

Scenes (5)

0:00intro talking head with comment overlay

The scene opens with a medium close-up shot of a woman speaking directly to the camera. She has her dark hair pulled back neatly, showing hints of grey at the roots, and is wearing a simple black t-shirt. Her face is made up with natural-looking makeup, including defined brows and long lashes. A speech bubble overlay on the top left corner displays a viewer's comment: 'Reply to Tabitha001's comment: Why is it that every time I get my make up professionally done I just look older?'. The background is a clean, bright white wall, with a golden etagere shelf visible on the left and a branch of an olive tree with green leaves on the right, providing a natural accent. The lighting is soft, bright, and even, illuminating her face without harsh shadows, giving a fresh and clean aesthetic. Her expression is friendly and engaging as she talks, occasionally nodding or using subtle hand gestures just outside the frame. The overall color palette is neutral with touches of green and gold.

0:04makeup demonstration foundation application left side

This scene is a medium close-up, slightly angled to the right, focusing on the woman's face and her hands as she demonstrates makeup application. She holds an open compact of Laura Geller Baked Balance-n-Brighten Foundation in her right hand, featuring a swirled pattern of light brown and beige tones. Her left hand uses a retractable makeup brush with a golden ferrule and soft, fluffy brown bristles to apply the product to her left cheek and forehead. Her eyes are open and focused, occasionally looking down at her reflection (implied) or at the product. The background remains consistent with a clean white wall, a golden shelf, and olive branches. The lighting is bright and soft, enhancing the detail of the makeup and her skin texture. Text overlays appear on the bottom of the screen, explaining the product and technique: 'So you're going to go in with Laura Geller's Baked Balance-n-Brighten Foundation', 'see all the different tones', 'You're gonna blend everything out', 'even above the lid, above the lip'. The primary action is the controlled, gentle blending of the foundation onto her skin.

0:15makeup demonstration foundation application right side

The camera maintains a medium close-up, now focusing more on the right side of the woman's face. Initially, she points to her right under-eye area, specifically highlighting the start of a 'dark circle' near her nose bridge, using her right index finger. Her expression is informative and direct. Subsequently, she takes the retractable makeup brush, which is golden and brown, and applies the foundation to her right under-eye area and upper eyelid. Her movements are careful and precise, blending the product into her skin. Her eyes are open, focused on the application. The background remains the same, with the white wall, golden shelf, and olive branches. The bright, even lighting ensures clarity of the makeup application. Text overlays guide the viewer: 'Look at this side', 'See how my dark circle actually starts up here', 'So you want to just get that brush', 'definitely want to have some foundation going in there', 'and this brush is so soft, it feels so good'.

0:26face comparison with foundation

This scene is a direct medium close-up on the woman's face, designed to highlight the 'before and after' effect of the foundation. The left side of her face is visibly covered with the foundation, appearing smoother and more even-toned, while the right side shows some natural redness and less coverage, representing the 'before' state. She points to her jawline on the left with her left index finger, then gestures towards her under-eye area, emphasizing the brightening effect. Her expression is one of satisfaction and demonstration, with wide-open eyes looking directly at the camera. The background is unchanged, featuring the white wall, golden shelf, and olive branches. Soft, frontal lighting accentuates the difference in her complexion. Text overlays appear at the bottom: 'Look at the difference', 'Doesn't look like I'm wearing makeup but everything is covered', 'see how the under-eye brightened?', 'Look at the difference on that', 'This is such a holy grail foundation, I'm telling you, because it is undetectable', 'It does not look like I'm wearing makeup'.

0:40makeup demonstration highlighter application

The scene features a medium close-up on the woman, who is now holding a rectangular makeup palette in her left hand, positioned near her face. The palette contains several circular pans of baked makeup, including various shades of highlighters and a vibrant pink blush. She uses a small, dual-ended makeup brush with an orange-brown handle and dark bristles to apply a light, shimmering highlighter from the palette onto her right cheekbone. Her actions are precise, carefully sweeping the brush. She also applies highlighter just above her upper lip to create an illusion of fuller lips. Her expression is focused, demonstrating the technique while speaking. The background remains consistent with the white wall, golden shelf, and olive branches. The lighting is soft and even, highlighting the subtle glow of the applied product. Text overlays provide instructional details: 'Okay so now I'm going to take some highlight', 'I'm going in with my two highlighters', 'I'm creating interest right here', 'And it lifts the cheekbone', 'Because it's a baked pigment, it will never settle into your laugh lines', 'So I'm actually going to go in with the highlighter and create a little bit of interest above the lip', 'So it looks like I got these big full pouty lips', 'And then that kind of discoloration is not showing anymore, which makes me very happy', 'I love it and look, it's very subtle', 'When you're working with baked shadows, baked bronzers, baked highlighters, it's so much easier to have this magical soft glow'.

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