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Laura Geller Beauty

AI Analysis

Transcript

0:00This is what your liquid foundation is doing to your face.

0:03I'm using blue face paint so you can finally see what liquid foundation has been doing to your skin.

0:07Watch what happens when I apply this to my skin. See how it's just settling into every single fine line and wrinkle?

0:13It's showing every pore, every bit of texture and just looks so gross and cakey.

0:16And when you try to blend it out, it's just going deeper and deeper into those wrinkles, making it look even worse.

0:23This right here is exactly what liquid foundation does to mature skin.

0:26You want your foundation to look like skin, not like paint sitting on your face.

0:30So do this instead.

0:31This is the one that I like to use, it's Laura Geller's Baked Balance and Brighten Foundation.

0:35And here's how I would apply it.

0:36So take the retractable kabuki brush and just swirl it around and then you want to apply it all over the face going upward and outward.

0:44It truly feels so lightweight and lovely on the skin, it doesn't feel like you're wearing anything.

0:49These marble swirls in it are very color correcting and actually match to any kind of skin tone, so whether you have redness,

0:55or age spots or fine lines, it really just takes care of all of it.

1:00And you see how it's not settling into these fine lines at all?

1:04It just kind of glosses over them, it makes this beautiful finish that is very luminous.

1:11It's not cakey, it's not matte, it's not powdery.

1:14It's just your own skin, but a little bit better.

1:18This isn't a normal powder foundation.

1:22This is actually a cream base originally and then they

Text on Screen

0:00This is what your liquid foundation is

0:02doing to your face

0:03I'm using blue face paint so you can finally see

0:05what liquid foundation has been doing to your skin

0:08Watch what happens when I apply this to my skin

0:10See how it's just settling

0:12into every single fine line and wrinkle?

0:13It's showing every pore,

0:15every bit of texture

0:17and just looks so gross and cakey

0:19when you try to blend it out, it's just going

0:21deeper and deeper into those wrinkles,

0:23making it look even worse

0:26This right here is exactly

0:27what liquid foundation does to mature skin

0:29You want your foundation to look like skin

0:31not like paint sitting on your face

0:33So do this instead

0:34This is the one that I like to use

0:37it's Laura Geller's

0:38Baked Balance n Brighten Foundation

0:40and here's how I would apply it.

0:42So take the retractable kabuki brush

0:45and just swirl it around

0:47and then you want to apply it all over the face

0:49going upward and outward

0:52It truly feels so lightweight

0:55and lovely on the skin

0:58It doesn't feel like you're wearing anything

1:00These marble swirls in it

1:02are very color correcting

1:04and actually match to any kind of skin tone

1:07So whether you have redness

1:09or age spots or fine lines

1:12it really just takes care of all of it

1:16and you see how it's not settling

1:18into these fine lines at all

1:21It just kind of glosses over them

1:23It makes this beautiful finish

1:26that is very luminous

1:28It's not cakey, it's not matte

1:30it's not powdery,

1:32It's just your own skin, but a little bit better

1:35This isn't a normal powder foundation

1:37This is actually a cream base originally

Scenes (11)

0:00intro blue face paint explanation

A medium close-up shot features a Caucasian woman in her 30s with her hair tied back in a messy bun, facing the camera directly. She wears a cream-colored ribbed tank top. Her entire face is covered in a vibrant, turquoise blue face paint, except for her eyes, eyebrows, and lips. She points to her painted face with her right index finger, which is also partially covered in blue paint. The background consists of dark gray shelving units with a few decorative items, including a gold ornate candle holder visible on the right. The lighting is bright and even, casting minimal shadows. Her expression is serious but engaging, with her lips slightly parted as if speaking. Text overlay appears at the bottom: 'This is what your liquid foundation is'. The dominant colors are the bright blue of the paint, the woman's fair skin and light brown hair, and the dark gray background.

0:02applying blue face paint to hand

The camera maintains a medium close-up of the woman. She is now holding a light blue tube of face paint with black accents, squeezing a dollop of the bright turquoise blue paint onto the back of her left hand. Her left hand is adorned with two rings on her ring finger, one a gold band and the other a diamond ring. Her fingernails are painted a muted pink-red, matching the color on her right hand. The background remains the dark gray shelving units. The lighting is consistent, providing a clear view of the action. Her expression is attentive and focused on the task. The text overlay changes from 'This is what your liquid foundation is doing to your face' to 'I'm using blue face paint so you can finally see what liquid foundation has been doing to your skin'.

0:07demonstrating blue face paint on face

The camera is in a close-up on the woman's face, which is now speckled with small dots of turquoise blue face paint. She begins to spread the paint over her skin with her right fingertips, demonstrating how it appears to settle into fine lines and pores. Her fingers are also covered in the blue paint. Her expression shifts from neutral to a slight grimace as she emphasizes the effect of the paint. The background remains the dark gray shelving. The bright, even lighting highlights the texture of the paint on her skin. Text overlays appear: 'Watch what happens when I apply this to my skin', then 'See how it's just settling into every single fine line and wrinkle?', and finally 'It's showing every pore, every bit of texture'. The scene focuses on the visual effect of the paint settling into the skin's texture.

0:15blue face paint cakey effect

The camera maintains a close-up on the woman's face, now fully covered in the bright turquoise blue paint, which appears thick and uneven, highlighting facial lines and pores. Her expression is one of slight distaste as she continues to blend the paint with her fingers, showing how it exacerbates the appearance of wrinkles. Her fingers are heavily coated in the blue paint. The dark gray shelving serves as the background. The bright lighting accentuates the cakey texture of the paint on her skin. Text overlays describe the undesirable effects: 'and just looks so gross and cakey', then 'when you try to blend it out, it's just going deeper and deeper into those wrinkles, making it look even worse'. A magnified circular graphic appears on the lower left of her cheek at 0:23, showing an extreme close-up of the textured, blue-painted skin, with a white arrow pointing from the magnified circle to her cheek, reinforcing the idea of paint settling into skin texture. Her head slightly tilts and she speaks directly to the camera.

0:26blue face paint comparison talking head

A medium close-up shot frames the woman, who is still wearing the full turquoise blue face paint. She looks directly at the camera with a firm and informative expression, gesturing with her hands. Her hands, partially covered in blue paint, emphasize her points. The background is the same dark gray shelving with a gold decorative item. The bright, even lighting continues to illuminate the scene. Text overlays appear: 'You want your foundation to look like skin' then 'not like paint sitting on your face'. The contrast between the unnatural blue paint and the ideal 'skin-like' finish is highlighted.

0:30introducing new foundation product

The camera remains in a medium close-up. The woman's face is now clear of the blue paint, revealing her natural complexion, which appears fresh and well-maintained. Her hair is still in a bun, and she is wearing the same cream tank top and jewelry. She holds up a round, black compact with a clear top, allowing a glimpse of the product inside. She presents it to the camera with a confident, friendly smile. The background is unchanged: dark gray shelving units. The lighting is soft and flattering. Text overlays appear: 'So do this instead', then 'This is the one that I like to use it's Laura Geller's' and finally 'Baked Balance n Brighten Foundation'. The overall mood is positive and instructional.

0:34demonstrating foundation application

The scene is a medium close-up of the woman demonstrating how to apply the foundation. She holds a small, black and gold kabuki brush in her right hand and the open black compact foundation in her left. She swirls the brush into the foundation, then applies it to her face in upward and outward motions, blending it seamlessly into her skin. The background remains the dark gray shelves. The lighting is bright and even. Her expression is focused and instructional, with a pleasant smile. Text overlays appear: 'and here's how I would apply it', then 'So take the retractable kabuki brush and just swirl it around', 'and then you want to apply it all over the face going upward and outward', and finally 'It truly feels so lightweight and lovely on the skin It doesn't feel like you're wearing anything'. The overall impression is one of ease and effectiveness of the product.

0:49foundation color correcting properties

The camera maintains a medium close-up of the woman. She holds the open compact, showcasing the marble-swirled pattern of the foundation, then begins applying it to her under-eye area and cheekbones with the kabuki brush. Her movements are gentle and precise. The background is the familiar dark gray shelving. The lighting remains bright and consistent. Her expression is attentive and she smiles confidently while explaining the product's benefits. Text overlays appear: 'These marble swirls in it are very color correcting and actually match to any kind of skin tone', then 'So whether you have redness or age spots or fine lines it really just takes care of all of it'. The focus is on the color-correcting and natural coverage aspects.

0:59foundation not settling into lines

The camera maintains a medium close-up of the woman's face, now fully made up with the foundation. She points to her cheek and under-eye area with her right index finger, which has clean nails painted a muted pink-red, to demonstrate that the product does not settle into fine lines. She holds the open compact in her left hand. The background is the consistent dark gray shelving. The lighting is bright and showcases her smooth complexion. Her expression is confident and pleased with the results. Text overlays appear: 'and you see how it's not settling into these fine lines at all It just kind of glosses over them'. The scene emphasizes the smooth finish and lack of caking.

1:05luminous skin finish description

The camera remains in a medium close-up, focusing on the woman's face and upper torso. She gestures with both hands, holding the kabuki brush in her right hand and the open compact foundation in her left. Her movements are expressive as she describes the product's finish. Her complexion appears radiant and smooth. The background is the dark gray shelving. The lighting is bright and highlights her skin's luminous quality. Her expression is joyful and enthusiastic. Text overlays appear: 'It makes this beautiful finish that is very luminous It's not cakey, it's not matte it's not powdery It's just your own skin, but a little bit better'. She conveys a sense of natural enhancement.

1:14powder foundation cream base explanation

The camera maintains a medium close-up. The woman holds the open compact foundation in her left hand, rotating it slightly to showcase the product. She then uses her right hand to swirl the kabuki brush into the compact, demonstrating the application technique once more. Her expression is informative and engaging. The background is the dark gray shelving. The lighting is consistent and bright. Text overlays appear: 'This isn't a normal powder foundation This is actually a cream base originally and then they'. The scene highlights the unique formulation of the product.

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