0:00Rotating Earth
A CGI depiction of Earth rotates slowly against a black background speckled with small white stars, giving it a vast, cosmic feel. The Earth itself is primarily grey and white, showing visible landmasses and swirling clouds, with subtle hints of blue oceans and green land that are somewhat muted. The lighting is soft and even, suggesting a distant sun, casting gentle shadows that define the spherical shape of the planet. The overall mood is serene and immense, emphasizing the planet's isolation in space.
0:01Glitchy News Intro Globe
A stylized, rapidly rotating blue globe with prominent white landmasses (America and Africa are discernible) is centrally positioned against a dark, glowing background of reds and oranges, suggesting a dynamic, almost fiery cosmic theme. Several white, semi-opaque rings orbit the globe, adding to the sense of motion and structure. The entire scene is heavily affected by digital glitches, with horizontal and vertical white and yellow lines, static, and pixelation frequently flashing across the screen, particularly on the left side, mimicking an old analog broadcast. This glitching effect adds a sense of urgency and technological disruption.
0:04Talking Head Introduction
A bald Caucasian man, approximately 50-60 years old, with prominent black-rimmed rectangular glasses, is framed from the chest up, looking directly at the camera. He is wearing a light blue collared shirt. His expression is neutral and professional, as he introduces the segment. The background is a brightly lit, slightly out-of-focus indoor setting, appearing to be a comfortable living room or study, with a window and a bookshelf visible to his left. The lighting is soft and even, suggesting natural light filtering in, creating a calm and inviting atmosphere.
0:05Thanks Essential Workers Graffiti
A close-up shot of a textured red brick wall adorned with chalk graffiti. The message, written in thick, somewhat crude white block letters, clearly states 'THANKS ESSENTIAL WORKERS'. Flanking the text are two charming pink chalk hearts, adding a touch of warmth. The sunlight clearly defines the texture of the bricks and the chalk, suggesting an outdoor setting. The dominant colors are the rich red of the bricks and the stark white of the chalk, with subtle pink accents. A small, red 'the current' logo on a black background is visible in the bottom left corner, indicating a news clip.
0:07Man Overlooking Beach
A medium shot captures a person with dark skin, facing away from the camera, looking out over a breathtaking coastal landscape. They are wearing a black beanie, dark sunglasses, a white long-sleeved shirt, and a brown backpack. The vibrant turquoise ocean stretches into the distance, meeting a white sandy beach and a bustling town nestled along the shore, with buildings visible. The sky above is a clear, bright blue with scattered white clouds. The lighting is bright and natural, indicating a sunny day, creating a sense of awe and tranquility. The 'the current' logo is present in the bottom left, similar to previous scenes.
0:08Split Screen Interview - Dr. Ezekiel Emanuel
A clear split-screen video call features two Caucasian men. On the left, the host (bald, with black-rimmed glasses, wearing a light blue collared shirt) looks directly at the camera with a neutral, professional expression. On the right, Dr. Ezekiel Emanuel, a man with short grey hair and a slightly smiling, engaging expression, is wearing a grey V-neck sweater over a collared shirt, and small white in-ear headphones. He is seated in front of a tall, dark wooden bookshelf, meticulously filled with a variety of books, creating an intellectual backdrop. The lighting is soft and even on both sides, suggesting well-controlled indoor illumination.
0:10Split Screen Interview - Ruffin and Lamar
A three-person split-screen video call is shown. On the left side of the main frame, two Black women, Amber Ruffin and Lacey Lamar, are seated together. The woman on the left has short, curly black hair and wears a grey top with black embellishments, exhibiting a faint, pleasant smile. The woman on the right possesses larger, curly black hair and wears a pink knitted sweater, looking directly ahead with a slightly serious expression. In the bottom right corner, a smaller inset window displays the host (bald Caucasian man with glasses, light blue shirt), looking attentive. The background behind the two women is a light-colored wall with several framed pictures, one clearly featuring 'The Amber Ruffin Show' title. The overall lighting is bright and natural, creating a clear and inviting visual.
0:12Split Screen Interview - Michael Connelly
A split-screen video call features the host and Michael Connelly. On the left, the host (bald Caucasian man with black-rimmed glasses, light blue shirt) looks directly at the camera with a neutral, slightly inquisitive expression. On the right, Michael Connelly, a Caucasian man with white hair and a neatly trimmed white beard, is wearing black-rimmed glasses and a light blue collared shirt. He looks steadily at the camera with a serious and contemplative expression. He is seated in front of a dark, tall bookshelf densely packed with books, suggesting a sophisticated home office or personal library. The lighting is soft and uniform across both screens, providing clear visibility.
0:13Split Screen Interview - Dr. Ibram X. Kendi
A split-screen video call showcases the host and Dr. Ibram X. Kendi. On the left, the host (bald Caucasian man with black-rimmed glasses), now in a vibrant light green collared shirt, looks at the camera with a serious, attentive expression. On the right, Dr. Ibram X. Kendi, a Black man with short dark hair, wearing a maroon collared shirt and white wired earbuds, looks intently at the camera with a focused expression. The background behind the host features a bright, out-of-focus outdoor scene with abundant green trees and foliage, suggesting he is speaking from a garden or yard. Dr. Kendi's background is an indoor setting with a light-colored wall and a white shelf unit. The lighting is bright and natural for both participants, creating a clear and direct visual interaction.
0:15Rick Steves Europe Website
A screen recording displays the 'Rick Steves Europe' website, with a clear layout. The header prominently features 'RICK STEVES EUROPE' in a bold font, while navigation menus are neatly arranged on the left side of the screen. The central content area is dominated by a scenic photograph of Rick Steves, a smiling Caucasian man with glasses, standing cheerfully by a river in what appears to be a historic European city, possibly Florence, given the architectural style and a prominent bridge in the background. Below this image, an 'About Rick Steves' section provides descriptive text. The website's design is professional and clean, characterized by a dominant palette of white and blue, accented by the warm, inviting tones of the featured photograph.
0:16Split Screen Interview - Rick Steves
A lively split-screen video call features the host and Rick Steves. On the left, the host (bald Caucasian man with black-rimmed glasses, light green shirt) looks at the camera with a broad, genuine smile, showing his teeth. On the right, Rick Steves (the Caucasian man from the website image, with short grey hair and a plaid shirt, wearing white wired earbuds) mirrors the host's jovial expression, also smiling broadly and looking directly at the camera. The host's background remains the bright outdoor green foliage, conveying a fresh, natural setting. Rick Steves is in a light-colored indoor space with a framed picture and a cabinet. The lighting is bright and natural for both, contributing to the cheerful and engaging mood of the interview.
0:20Protest Crowd with Flags (Glitch)
A medium shot captures a dense crowd of people, mostly Caucasian adults, gathered outdoors in a protest setting. Many individuals in the foreground are holding American flags and various protest signs. Some wear sunglasses or caps. The background shows more people and what appears to be a large stone building or monument, possibly government-related. The entire image is presented within a distinct white border, typical of a news clip. A 'Global NEWS' logo is subtly placed in the bottom right corner. The scene is heavily overlaid with digital glitches, including horizontal lines, color shifts, and static, reminiscent of an old television broadcast, imparting a sense of instability and urgency to the protest.
0:23Two Men Arguing at Protest
A medium close-up shot focuses on two Caucasian men engaged in what appears to be a heated discussion or argument at an outdoor protest. The man on the left has a long, prominent reddish-brown beard, wears a camouflage cap, sunglasses, and a red long-sleeved shirt that reads 'REPENT' along with other text. He is also wearing a sandwich board sign that clearly states 'REPENT and BELIEVE the GOSPEL'. The man on the right wears a plain blue t-shirt and faces the bearded man directly. In the background, other protesters and signs are visible, hinting at the larger demonstration. A 'Global NEWS' logo is displayed in the bottom right corner. The setting appears to be a city street, well-lit by natural daylight.
0:25Protest with 'End the Shutdown' and 'Give Me Liberty' signs
A wide shot captures a vibrant outdoor protest featuring a large crowd of people, predominantly Caucasian, marching along a street. Numerous individuals are visible, many actively holding various signs. On the left, a sign distinctly reads 'END THE SHUTDOWN.' In the center, another powerful sign declares 'GIVE ME LIBERTY OR GIVE ME DEATH,' with 'DEATH' cleverly crossed out, implying a demand for only 'LIBERTY.' A protester in the foreground wears a striking red, white, and blue stars and stripes shirt. A small child in a stroller can be seen in the lower left corner. The background reveals city buildings and trees under a clear, bright blue sky, creating a stark contrast to the urgency of the protest. The overall color palette is dynamic, dominated by the bright sky and patriotic hues from flags and clothing.
0:28Protest with Trump Banner
A wide shot displays an outdoor protest scene, visually dominated by a massive banner. This banner features a large, striking image of Donald Trump's face superimposed onto an American flag, with bold text below reading 'KEEP AMERICA GREAT' and 'REOPEN NOW'. A dense crowd of people is visible beneath the banner, some enthusiastically waving smaller American flags. Cars are parked along the side of the street. The sky above is a clear, bright blue with a few scattered white clouds. The overall scene is characterized by a strong patriotic color palette of red, white, and blue, set against the bright daylight, conveying a clear political statement.
0:32Woman with 'Social Distancing Communism' Sign
A medium shot centers on a Caucasian woman, appearing to be in her 30s or 40s, with dark hair and dark sunglasses. She stands confidently outdoors on a paved area, possibly a boardwalk or pedestrian street, holding a large, white sign high above her head that boldly declares 'SOCIAL DISTANCING COMMUNISM' in black, blocky letters. She is distinctively dressed in a red, white, and blue American flag-themed dress. Other people are visible in the background, out of focus, suggesting a public gathering. A building with the name 'BJ's BREWHOUSE' is also visible in the background. The lighting is bright and sunny, indicative of midday. The scene has a subtle digital glitch effect, enhancing the appearance of a news clip.
0:36Talking Head - Woman Gesturing
A medium close-up of a Caucasian woman, likely in her 40s-50s, with voluminous dark curly hair and a blue blazer worn over a green and white patterned blouse. She speaks directly into the camera, engaging the viewer with frequent and expressive hand gestures, raising her hands to her temples in thought and then spreading them outwards to emphasize her points. Her facial expression shifts dynamically from serious contemplation to emphatic declaration. The background is a plain, light-colored wall, featuring two large, bright rectangular windows that are largely overexposed and appear white. The lighting is bright and frontal, characteristic of a webcam setup. A small, black 'logi' logo is visible in the bottom right corner, confirming the recording method.
0:44Crowd Cheering for Trump
A wide shot captures a dynamic scene at a political rally. In the background, a group of individuals, including Donald Trump, stand prominently on a stage. An American flag is visible to the left of the stage. The foreground is dominated by the enthusiastic crowd, largely obscured by their raised hands and numerous cell phones, indicating they are actively cheering and recording the event. The stage itself is brightly illuminated by frontal lighting, creating a focal point, while the audience area is comparatively darker. The overall color palette is patriotic, with the prominent reds and blues of the American flag set against a dark background for the stage, enhancing the theatrical feel of the rally.
0:46News Article Screenshot
A screen capture prominently displays a New York Times opinion article, its bold black title reading: 'Trump Is Staking Out His Own Universe of 'Alternative Facts''. A smaller subheading provides additional context, followed by the author's credit, 'By Thomas B. Edsall,' accompanied by a small, framed profile picture of an elderly Caucasian man. The publication date, 'May 13, 2020,' is also clearly visible. Snippets of the article's body text, primarily black on a crisp white background, are shown. Below the article content, the same image from the previous scene is embedded: a wide shot of a political rally with Donald Trump and others on stage, and a crowd in the foreground with raised cell phones. The dominant colors of the scene are white and black from the text and page layout, complemented by the muted colors of the embedded photograph.
0:52Talking Head - Woman Intense Expression
A medium close-up of the same Caucasian woman from Scene 17, with dark curly hair and a blue blazer over a green and white patterned blouse. She speaks with an intense and highly animated expression, using dynamic hand gestures to powerfully emphasize her points, particularly bringing her hands to her temples at one moment to convey deep stress or profound thought. Her facial expressions convey a strong emotional state, likely frustration or concern. The background is a plain, light-colored wall, featuring two large, bright rectangular windows that are largely overexposed and appear white. The lighting is bright and frontal, characteristic of a webcam setup. A small, black 'logi' logo is visible in the bottom right corner, confirming the recording method.
0:58Talking Head - Clive Priddle
A medium close-up of the host, Clive Priddle, a bald Caucasian man with black-rimmed glasses and a light blue collared shirt, speaking directly into the camera. His expression is serious and thoughtful as he discusses a complex topic, likely healthcare facilities. The background is a well-appointed indoor setting, likely a home office or study, with a window and striped curtains visible on the left side. Bookshelves and framed pictures are neatly arranged in the mid-background. The lighting is soft and natural, possibly originating from the window, creating a warm, inviting, and contemplative atmosphere. His posture is engaged and attentive.
1:07Split Screen Interview - Priddle and Woman
A split-screen video call displays two participants. On the left, Clive Priddle (bald Caucasian man with black-rimmed glasses, light blue shirt) looks attentively at the camera with a neutral, engaged expression. On the right, the Caucasian woman from Scene 17 (dark curly hair, wearing a green and white striped shirt) looks directly at the camera, speaking with a focused and articulate expression. The backgrounds remain consistent with their previous appearances: Clive in his indoor study setting, and the woman against a plain white wall with a tall stack of books to her left. The lighting is soft and even across both screens, ensuring clear visibility of both speakers.
1:10Talking Head - Woman from Scene 17
A medium close-up of the Caucasian woman from Scene 17, with her voluminous dark curly hair and a green and white striped shirt, speaking directly into the camera. She maintains consistent eye contact and uses subtle head movements to emphasize her points, conveying a serious and engaged demeanor. Her expression is thoughtful and articulate. The background is a bright indoor setting, featuring a plain white wall and a tall, impressive stack of books neatly arranged to her left, extending from the floor to above her head. A white decorative fireplace mantel is visible behind her, adding a touch of domesticity. The lighting is soft and frontal, typical of a webcam setup, ensuring her face is well-lit and clear.
1:39Glitch Transition
A brief, intense digital glitch transition distorts the screen. It is characterized by rapid, erratic horizontal lines, significant pixelation, and abrupt color shifts, transforming the previous image into abstract, chaotic patterns. This jarring visual interruption serves as a quick, disruptive segue between scenes, creating a sense of digital instability.
1:40Split Screen Interview - Clive and Man Laughing
A vibrant split-screen video call features two men sharing a moment of laughter. On the left, Clive Priddle (bald Caucasian man with black-rimmed glasses, wearing a grey collared shirt with a lime green polo collar) is outdoors, smiling and laughing broadly, his face full of mirth. The background behind him is a bright expanse of green foliage and a rustic wooden house exterior, indicating a sunny, natural setting. On the right, another Caucasian man with glasses and a short beard, dressed in a black suit jacket over a light shirt, also smiles and laughs heartily, looking directly at the camera. His indoor background is a simple, clean white wall. The overall mood of the scene is lighthearted and jovial, emphasized by their shared laughter and bright expressions. The lighting for Clive is bright, natural sunlight, while the other man's lighting is soft and even indoors.
2:28Glitch Transition
A rapid and brief digital glitch transition rapidly replaces the previous image with a burst of static, horizontal lines, and quick color shifts. This jarring visual effect creates a quick, disruptive interruption, similar to a corrupted signal, before transitioning to the subsequent scene.
2:29Trump Protest Ad
A screen capture presents a political advertisement designed to rally support. The central element is a grayscale, close-up image of Donald Trump's face, staring directly at the viewer with a stern and resolute expression. Above his image, bold white text declares 'WILDPROTEST.COM JAN 6 / DC,' indicating a specific event and date. Below his image, in eye-catching bold red text, the directive 'TRUMP WANTS YOU THERE.' is displayed. A 'CLICK to RSVP' button is also prominently featured, inviting engagement. The background behind the image and text is blurred, subtly suggesting a protest or crowd setting. The color palette is stark, dominated by the grayscale of Trump's portrait and the white/red text against a muted, indistinct background.
2:35Talking Head - David Rothkopf
A medium close-up of a Caucasian man, identified by a graphic as David Rothkopf, appearing to be in his 60s, with short, neatly styled grey hair. He is wearing a black zip-up jacket and is seated in a black office chair, speaking directly to the camera with animated and expressive hand gestures. He frequently points and spreads his arms wide to emphasize his points, conveying a serious and engaged demeanor. His facial expressions are earnest and convey conviction. The background is a richly furnished room, likely a home library or study, featuring deep red curtains on the left, a comfortable grey sofa with patterned pillows, a wooden coffee table displaying books, and a large bookshelf filled with numerous books on the right. The lighting is soft and warm, characteristic of indoor artificial lighting, creating a distinguished and intellectual atmosphere. A blue graphic overlay at the bottom identifies him as 'David Rothkopf, Author, 'Traitor''.
3:11Four-Way Split Screen Interview
A dynamic four-way split-screen video call features four distinct participants. In the top left, Clive Priddle (bald Caucasian man with black-rimmed glasses, wearing a dark brown collared shirt) looks attentive in an indoor setting with a window and subtle furniture. The top right shows David Rothkopf (Caucasian man with grey hair, black zip-up jacket) looking serious in his study with red curtains and well-stocked bookshelves. The bottom left features a Caucasian woman with short, light brown hair and a plaid shirt, looking thoughtful against a backdrop of a large, full bookshelf. Finally, in the bottom right, a Black man with a shaved head and beard, wearing a brown collared shirt, speaks with animated hand gestures. He is in an indoor setting with white walls and distinctive framed African-inspired artwork. All participants maintain eye contact with their respective cameras, and the lighting is generally well-distributed across all four segments, creating a balanced and engaging multi-person interview setup.
3:21Wilmington Coup Historical Marker
A clear close-up shot focuses on a dark-colored historical marker with prominent white text, titled 'WILMINGTON COUP.' The marker provides a detailed account of a significant historical event that occurred on November 10, 1898, describing how an armed white mob burned a black-owned newspaper office and subsequently overthrew the city government, motivated by calls for white supremacy and racial prejudice. A distinct gold seal is embedded at the top of the marker. The marker is situated outdoors, with a blurred background of green foliage and a light-colored building, typical of a public historical site. The lighting is natural daylight, ensuring the text is highly legible.
3:29Wilmington Coup Aftermath Photo
A sepia-toned historical photograph captures the grim aftermath of destruction. The central focus is a large, two-story wooden building, visibly damaged and actively on fire, with plumes of smoke rising into the sky. In the foreground, a dense crowd of people, predominantly Caucasian men dressed in period attire (including suits and hats), are gathered, their attention directed towards the burning structure. The street appears to be unpaved, adding to the historical context. The overall tone of the photograph is somber and chaotic, effectively conveying the intensity and tragedy of the event it depicts.
3:35Historical Illustration of Mob Violence
A richly colored, detailed historical illustration depicts a chaotic and violent scene of mob confrontation. Numerous men, predominantly Caucasian and dressed in period clothing, are shown engaged in brutal hand-to-hand combat. Several figures are depicted wielding clubs or makeshift weapons, while others lie fallen on the ground, suggesting injury or death. The background reveals fragments of wooden buildings, placing the violent encounter within a street or town setting. The vibrant colors of the illustration paradoxically highlight the dark and brutal nature of the subject matter, effectively conveying a sense of intense historical brutality and human conflict.
3:43Talking Head - Man from 4-Way Split
A medium close-up of the Black man with a shaved head and a short beard, previously seen in the four-way split screen (Scene 29). He is wearing a brown collared shirt and looks directly at the camera, speaking with a serious and contemplative expression. Occasionally, he looks slightly upwards, as if reflecting deeply on his thoughts. The background is a clean white wall, adorned with two distinct framed African-inspired artworks, adding cultural depth to the simple setting. The lighting is soft and even, suggesting controlled indoor lighting, which highlights his features and thoughtful demeanor. His posture is relaxed but engaged, conveying a sense of considered communication.
3:54Three-Way Split Screen - Black Women Speaking
A three-way split-screen video call features three participants. On the far left, Clive Priddle (bald Caucasian man with black-rimmed glasses, dark brown collared shirt) looks attentive in his indoor setting. In the middle, a Black woman with voluminous curly black hair, wearing clear-rimmed glasses and a grey sleeveless top, speaks directly to the camera with an animated and passionate expression, frequently using hand gestures to emphasize her points. Her background is a plain white wall. On the right, another Black woman with long dreadlocks and a purple shirt, looks serious and attentive, listening intently to the speaker. Her background is also a plain white wall. The middle woman's active gestures and facial expressions convey strong emotion, suggesting a deeply felt discussion. The lighting is bright and even across all three segments, ensuring clear visibility and highlighting the speakers' engagement.
4:17Black Man in Scrubs Photo (Philando Castile)
A still photograph features a Black man, identified as Philando Castile, presented in a close-up shot. He has short, dark hair, wears glasses, and is dressed in a blue scrub top, with an ID badge visible. He looks directly at the camera with a neutral, calm expression. The background suggests an indoor hallway or utility room, with a dark door to his left and light-colored walls. The entire photo is displayed within a subtle digital glitch effect, giving it a somewhat ethereal or broadcast-like quality, with soft, blurry edges around the image. The overall color saturation is slightly muted by this digital overlay, adding a sense of solemnity.
4:23News Article Screenshot - Philando Castile
A screen capture presents an online news article from 'COLORLINES,' prominently titled 'READ: Transcript of the Philando Castile Video.' Below the main title, a poignant subheading states, 'For those who are unable to watch the end of yet another Black life.' The author's name, 'KENRYA RANKIN,' and the publication date and time, 'JUL 7, 2016 11:42AM ET,' are clearly visible. Further down, a smaller, slightly angled image of Philando Castile, the same Black man in scrubs from the previous scene, is embedded. The website's navigation elements, including 'Arts & Culture,' 'COVID-19,' 'Criminalization,' and 'Gender & Sexuality,' are visible at the top. The overall color scheme is clean and stark, dominated by white and black text, complemented by the muted tones of Castile's image, emphasizing the seriousness of the content.
4:33Two-Way Split Screen - Black Women Speaking
A two-way split-screen video call features two Black women in a direct conversation. On the left, a woman with voluminous curly black hair, wearing clear-rimmed glasses and a grey sleeveless top, speaks directly to the camera with an animated and passionate expression, using frequent hand gestures to convey her strong emotions, which appear to be a mix of sadness and frustration. Her background is a plain white wall. On the right, another woman with long dreadlocks and a purple shirt, looks intently at the camera with a serious and attentive expression, listening to the speaker. Her background is also a plain white wall. The speaking woman's dynamic facial expressions and gestures underscore the depth of her feelings, while the listener's focused gaze indicates strong engagement with the emotional topic. The lighting is bright and even across both segments, highlighting their expressions.
4:46Split Screen Interview - Priddle and Kendi (Serious)
A split-screen video call features the host and Dr. Ibram X. Kendi, both maintaining serious expressions. On the left, Clive Priddle (bald Caucasian man with black-rimmed glasses, light green collared shirt) looks at the camera with a serious and attentive expression, reflecting deep engagement. On the right, Dr. Ibram X. Kendi (Black man with short dark hair, wearing a maroon collared shirt and white wired earbuds) also looks directly at the camera with a serious and focused expression as he speaks, conveying profound thought. The backgrounds remain consistent with their earlier appearances: Clive in his indoor study setting, and Dr. Kendi with a light-colored wall and a white shelf unit. The lighting is soft and even across both screens, ensuring clear visibility and emphasizing the gravity of their discussion.
5:17Protest - Black Lives Matter Signs
A medium shot captures a large, diverse crowd of people at an outdoor protest. Many individuals are wearing face masks, reflecting current health precautions. Prominently displayed signs include powerful slogans such as 'BLACK LIVES MATTER' and 'I CAN'T BREATHE.' Several protesters are seen raising their fists in a gesture of solidarity and defiance. The background reveals other protesters and indistinct city buildings, placing the event within an urban context. The lighting is bright and sunny, indicative of daylight. The overall mood is one of serious, collective protest and unwavering solidarity, conveying a strong message of social justice.
5:20Protest - 'I Can't Breathe' Street View
A wide shot encompasses a massive protest filling a broad city street, teeming with numerous people. Many individuals are holding signs, with 'I CAN'T BREATHE' clearly visible on one, serving as a poignant focal point. The street itself stretches wide, flanked by buildings that appear to be under construction or renovation, and traffic lights are visible in the distance, indicating an active urban environment. The entire scene is brightly illuminated by natural daylight, highlighting the sheer scale of the demonstration. The dominant colors are muted urban tones from the buildings and asphalt, contrasted with splashes of color from protesters' clothing and signs, creating a powerful visual of public assembly.
5:22Protest - Black Lives Matter (Evening)
A medium shot focuses on a diverse group of individuals participating in an outdoor protest, seemingly in the late evening or night. Many are wearing face masks, covering their lower faces. Two prominent signs are clearly visible, both emblazoned with 'BLACK LIVES MATTER.' The protesters stand with arms linked, looking forward with determined and resolute expressions. The background is dark and indistinct, with some distant artificial lights providing minimal illumination. The primary lighting is artificial, possibly from streetlights or event lighting, casting a somewhat somber yet determined mood over the scene, emphasizing the unwavering commitment of the demonstrators despite the time of day.
5:24Protest - George Floyd Banner
A medium shot captures a group of diverse people at an outdoor protest, holding a large, prominent banner collectively. The banner prominently features the text 'JUSTICE - I CAN'T BREATHE - JUSTICE GEORGE FLOYD 10/16/1973 - 05/25/2020,' serving as a powerful and emotional centerpiece. Many individuals in the crowd are wearing face masks or clear face shields, indicating health precautions during the demonstration. The background reveals city buildings and a typical street setting. The lighting is bright and natural, indicative of daylight. The overall mood is solemn and resolute, conveying a strong sense of mourning and demand for justice.
5:26Protest - 'I Can't Breathe' Diverse Group
A medium shot frames a diverse group of individuals participating in an outdoor protest. Several people are holding signs, with 'I CAN'T BREATHE' prominently displayed on a cardboard sign, serving as a powerful visual statement. Another sign features a black-and-white portrait of a Black man, likely a victim of police brutality. The protesters look forward with serious and emotional expressions, some raising their hands in solidarity or protest. The background is a blurred cityscape, emphasizing the urban setting of the demonstration. The lighting is bright and natural, indicative of daylight. The collective expressions and signs convey a strong sense of urgency, grief, and demand for change.
5:28Split Screen Interview - Priddle and Kendi (Concluding)
A brief, concluding split-screen video call is shown. On the left, Clive Priddle (bald Caucasian man with black-rimmed glasses, light green collared shirt) looks at the camera with a serious and attentive expression. On the right, Dr. Ibram X. Kendi (Black man with short dark hair, maroon collared shirt, and white wired earbuds) also looks at the camera with a serious and focused expression. This brief shot serves as a quick final segment of their conversation. The backgrounds are consistent with their earlier appearances: Clive in his indoor study setting, and Dr. Kendi with a light-colored wall and a white shelf unit. The lighting is soft and even across both screens, maintaining a professional and engaged atmosphere.
5:30Talking Head - Man in 'GOD IS DOPE' Shirt
A medium close-up of a Black man with a smoothly shaved head and a short, neatly trimmed beard, appearing to be in his late 30s or early 40s. He is wearing a white t-shirt with the bold, colorful text 'GOD IS DOPE' printed across the chest in red, yellow, and green letters. He speaks directly to the camera with a bright, enthusiastic smile, frequently gesturing with his hands to emphasize his points, conveying a warm and engaging personality. The background is a warm-toned wooden bookshelf, meticulously filled with neatly arranged white books and a few minimalist decorative objects. The lighting is soft and warm, likely from indoor artificial sources, creating a comfortable and inviting atmosphere.
5:49Split Screen Interview - Priddle and 'GOD IS DOPE' Man
A lively split-screen video call features Clive Priddle and the man in the 'GOD IS DOPE' shirt. On the left, Clive Priddle (bald Caucasian man with black-rimmed glasses, dark blue polo shirt) smiles broadly and looks at the camera with an amused expression. On the right, the Black man with the shaved head and beard, wearing the 'GOD IS DOPE' t-shirt, is equally animated, smiling, and gesturing enthusiastically. At one point, he looks upwards and raises both hands, conveying a sense of joy or gratitude. The backgrounds are consistent with their solo appearances: Clive in his indoor setting with a plain white wall, and the other man in front of his wooden bookshelf filled with white books. The lighting is bright and cheerful on both sides, enhancing the positive and engaging interaction between the two speakers.
6:08Woman Serious Expression
A close-up shot captures a young Caucasian woman with long, flowing brown hair, looking intently and directly at the camera with a serious, almost somber expression. Her gaze is piercing and conveys deep thought or concern. Her face is softly illuminated from the front, creating gentle highlights and shadows that define her features. The background is completely dark and out of focus, enhancing the dramatic effect and drawing all attention to her expressive face. The overall mood is contemplative and introspective, inviting the viewer to ponder her feelings.
6:09Statue of Liberty Glitch
A brief, medium shot displays the iconic Statue of Liberty, silhouetted against a muted, hazy blue sky. The image is heavily distorted by significant digital glitches, characterized by prominent horizontal lines, abrupt pixelation, and chaotic color shifts that sweep across the screen. Despite the extensive digital interference, the distinctive silhouette and torch of the statue remain recognizable, lending a sense of troubled iconography. The glitches create a jarring and unsettling visual effect, suggesting disruption or a corrupted signal, contrasting with the symbol's usual stoicism.
6:10Person in Face Shield (Blurred)
A heavily blurred and extensively glitchy close-up shot shows a person's upper body. They are wearing a clear face shield over a mask, which obscures most of their facial features, and a hat or cap is visible on their head. The image is indistinct due to the extreme blurring and digital artifacts, making it difficult to discern specific details about the individual. The colors are muted and smeared across the frame. This scene conveys a strong sense of anonymity, protection, and widespread technological disruption, creating an unsettling and abstract visual experience.
6:12Abstract Glitch Motion Blur
A rapid and abstract sequence of digital glitches combined with intense motion blur fills the entire screen. The visual consists of wildly shifting pixelated patterns, dynamic horizontal lines, and indistinct, streaky shapes, predominantly in muted blue and grey tones. This fast-paced and chaotic transition creates a jarring, disorienting effect, mimicking a complete digital breakdown or a rapid, uncontrolled data stream. The lack of discernible objects emphasizes the abstract nature of the visual, serving as an energetic and disruptive interlude.
6:13Vintage Protest - Race Mixing
A brief, grainy, historical shot, presented in either black and white or sepia tone, depicts a vintage protest. Several people are visible, holding signs aloft with clearly discernible, politically charged slogans such as 'RACE MIXING IS COMMUNISM' and 'STOP THE RACE MIXING.' The faces of the protesters are somewhat obscured by the graininess and historical quality of the footage, but they appear to be Caucasian. The entire image is overlaid with digital glitches, similar to the video's introduction, adding a layer of contemporary distortion to the historical content, suggesting a commentary on historical prejudices.
6:14Abstract Glitch Transition
Another short, rapid, and abstract digital glitch transition takes over the screen. It is characterized by dynamic patterns of shifting pixels, intense horizontal lines, and streaks of blue and grey colors, creating a strong sense of digital distortion and fast, erratic movement. This quick burst of visual noise serves as an abrupt and disruptive transition, further emphasizing the theme of technological interference and instability within the video's broader narrative. The colors are predominantly cool and muted, contributing to an overall sense of digital chaos.
6:16The Current Logo Reveal
A clean, bright white screen serves as the backdrop for the prominent display of the logo 'the current.' The word 'the' is styled in a smaller, red rectangular box, vertically aligned on the left side, preceding 'current,' which is rendered in a larger, elegant black serif font. The simplicity of the white background allows the distinct typography and color of the logo to stand out. This scene represents a clear and professional branding moment, marking a definitive end or transition point in the video with a polished and impactful visual identity.
6:20The Current Logo Glitch
The 'the current' logo (black text, red 'the' box) is displayed on a slightly grey-blue background, but it is heavily affected by digital glitches. Horizontal and vertical lines, static, and rapid color shifts move chaotically across the logo, giving it a distorted and disrupted appearance. This scene presents a final, glitchy rendition of the branding, reiterating the theme of digital interference and concluding the video with a sense of visual instability, much like the intro. The muted blue-grey background adds to the electronic, disrupted aesthetic.
6:22Black Screen
A completely black screen, devoid of any visual content. This serves as a final, definitive endpoint, signaling the absolute conclusion of the video. The absence of light and image creates a stark and unambiguous cut-off, allowing for a moment of quiet reflection or simply the end of the presentation.
