0:00unboxing shutterfly box An overhead, medium close-up shot shows a pair of hands beginning to open a rectangular, bright red Shutterfly box. The box is positioned diagonally across a soft, cream-colored, heavily textured knit blanket, which fills the entire background. The Shutterfly logo in white is visible on the top of the box. White text overlays the video: 'POV: Shutterfly just launched new wedding invites' at the top, and 'planning a wedding can be a lot' at the bottom. The lighting is bright and even, highlighting the knit texture and the vibrant red of the box. There is no significant camera movement.
0:01placing cake invite An overhead, close-up shot focuses on a white, rectangular wedding invitation with rounded corners being carefully placed onto the cream-colored, textured knit blanket. The invitation features an elegant black line-art illustration of a multi-tiered wedding cake with ribbons, along with black script and serif text for 'Anna + Phillip' and event details. The overall color palette is minimalist white and black. The lighting is soft and natural. White text overlay at the bottom continues from the previous scene: 'but honestly the easiest thing you can cross off your to do list'. The camera remains static.
0:02placing nautical invite An overhead, close-up shot continues, with a second wedding invitation, featuring a navy blue line-art border of nautical elements like shells, starfish, and seaweed on a white background, being placed onto the textured blanket. It is gently laid on top of or next to the previously placed cake invitation, creating a small stack. The same white text overlay 'but honestly the easiest thing you can cross off your to do list' persists at the bottom. The lighting remains soft and even. The camera is static.
0:03placing photo invite An overhead, close-up shot shows a third wedding invitation being placed onto the stack of invitations on the textured blanket. This invitation prominently features a full-color photograph of a smiling couple (Anna and Phillip) embracing outdoors, occupying the upper half of the card. Elegant script and serif text below the photo announce 'Join us for the wedding of' with event details. The white text overlay at the bottom now reads 'is creating your wedding invites'. The scene maintains soft, even lighting and a static camera.
0:04holding cake invite An overhead, close-up shot of two hands holding up the white, rectangular wedding invitation with the black line-art wedding cake design. The hands are positioned at the bottom edge of the card, supporting it from underneath. The invitation is centered in the frame, with the textured blanket visible as a soft background. The text overlay at the bottom states 'with Shutterfly'. The lighting is consistent, and the camera is static, focusing on the detail of the card and hands.
0:04holding green floral invite An overhead, close-up shot shows two hands holding up a different wedding invitation. This card features a pale green background with a subtle, intricate floral and botanical pattern, framing a central white, scalloped rectangular panel where the names 'ANNA DAVIS AND PHILLIP MICHAEL' and wedding details are printed in black serif font. The hands are at the bottom of the frame, supporting the card. The textured cream blanket serves as the background. The text overlay 'with Shutterfly' remains at the bottom. Lighting is soft and even, and the camera is static.
0:05holding maroon text invite An overhead, close-up shot captures two hands holding up a white wedding invitation with a very clean and minimalist design. The names 'PHILLIP & ANNA' and event details ('September 27th, 2027') are prominently displayed in a rich maroon color using a mix of elegant script and serif fonts. The hands are visible at the bottom of the frame, supporting the card against the textured cream blanket background. White text overlay at the bottom now reads 'they just launched all new designs to elevate your invites'. The camera is static, and lighting is soft.
0:06holding red striped back An overhead, close-up shot shows two hands holding up the reverse side of a wedding invitation card. This side features a solid reddish-brown color with subtle vertical striped texture. The hands are at the bottom of the frame, supporting the card, while the textured cream blanket forms the background. The white text overlay 'they just launched all new designs to elevate your invites' persists at the bottom. The camera remains static, and the lighting is soft and even.
0:07holding couple photo invite An overhead, close-up shot features two hands holding up another wedding invitation with a prominent full-color photo of a smiling couple. This photo shows the woman with long brown hair, wearing a white sweater, and the man with dark hair and a beard, embracing. The photo occupies the top portion of the card, while elegant script text 'join us for the wedding of' is layered over the lower part of the photo and extends into the white space below, followed by event details. The textured cream blanket is the background. The text overlay 'they just launched all new designs to elevate your invites' continues at the bottom. The camera is static.
0:08holding nautical blue invite An overhead, close-up shot presents two hands holding up a white wedding invitation with a distinct nautical theme. The border features intricate navy blue line-art illustrations of various sea creatures and marine elements, including shells, starfish, and coral, encircling the central white area with wedding text. The hands support the card from below, against the textured cream blanket. The text overlay now says 'and I'm obsessed with every single one'. The camera remains static, and the lighting is soft.
0:08holding nautical pattern back An overhead, close-up shot displays two hands holding up the reverse side of the nautical wedding invitation. This side features a repeated pattern of small, navy blue line-art shells and starfish arranged in horizontal wavy lines across a white background. The hands support the card from below, with the textured cream blanket visible behind. The text overlay 'and I'm obsessed with every single one' continues at the bottom. The camera is static, and the lighting is soft.
0:09holding blank black card An overhead, close-up shot shows two hands holding up a plain, matte black, rectangular card with rounded corners. The card appears blank or features a very subtle texture, highlighting its minimalist design. The hands are positioned at the bottom, supporting the card against the textured cream blanket. The text overlay at the bottom now states 'the customization process is so easy'. The lighting is even, and the camera is static.
0:10holding bow invite An overhead, close-up shot displays two hands holding up a white wedding invitation. The card features an elegant silver line-art illustration of a bow at the very top, followed by the names 'ANNA DAVIS' and 'PHILLIP MICHAEL' in a classic black serif font, and event details below. The design is simple and sophisticated. The hands support the card from below, with the textured cream blanket in the background. The text overlay 'the customization process is so easy' continues at the bottom. The camera is static, and the lighting is soft.
0:11holding couple photo gold text invite An overhead, close-up shot shows two hands holding up a wedding invitation featuring a captivating full-color photo of a smiling couple embracing, similar to previous shots. This card stands out with elegant gold script text, 'the Wedding of', beautifully overlaying the bottom portion of the couple's photo and the white space below it, accompanied by names and event details. The textured cream blanket fills the background. The white text overlay at the bottom reads 'and the quality is truly unmatched'. The camera is static, and the lighting is soft and flattering.
0:12holding geometric pattern back An overhead, close-up shot presents two hands holding up the reverse side of the wedding invitation from the previous scene. This side features a subtle dark gray geometric cross-hatch or diamond pattern on a charcoal or dark grey background. The hands are at the bottom of the frame, supporting the card, while the textured cream blanket is in the background. The white text overlay 'and the quality is truly unmatched' continues at the bottom. The camera is static, and the lighting is even.
0:12holding ornate floral invite An overhead, close-up shot shows two hands holding up a beautiful wedding invitation with an ornate, vintage-inspired design. The card features a cream-colored background with an intricate border of delicate orange-brown and green floral motifs, framing a central panel. The names 'ANNA DAVIS AND PHILLIP MICHAEL' and wedding details are printed in a reddish-brown serif font. The hands support the card from below against the textured cream blanket. The text overlay at the bottom now says 'I love that there are so many different styles'. The camera is static, and the lighting is soft.
0:13fanned out invitations An overhead, wide shot initially shows a fanned-out arrangement of several different wedding invitations spread across the soft, cream-colored, heavily textured knit blanket. Various designs are visible, including the cake, nautical, couple photo, green floral, and maroon text cards, showcasing the range of styles. The camera performs a slow, subtle zoom out, gradually revealing more of the blanket and the full spread of cards. Towards the end of the scene, a pair of hands enters the bottom of the frame and begins to gather the fanned cards into a neat stack. The white text overlay at the bottom reads 'so no matter your vibe or aesthetic, there's truly something for everyone'. The lighting is consistent and soft.
0:20stack of invitations An overhead, close-up shot focuses on two hands holding a neatly stacked pile of all the different wedding invitations previously shown. The hands slightly fan out the stack to briefly highlight the various edges and designs, then bring them back together, showcasing the variety in a consolidated form. The textured cream blanket provides a soft, consistent background. The white text overlay 'there's truly something for everyone' remains at the bottom. The camera is static, and the lighting is bright and even.
