0:00french toast garnishing and cutting
A close-up, slightly high-angle shot focuses on a thick slice of golden-brown French toast on a white ceramic plate, positioned centrally on a light-colored wooden table. A pat of square, pale yellow butter rests melted on top. In the background, two dark green glass bottles, labeled 'GRAZA' with yellow labels, stand partially visible. One is 'Frizzle' High Heat Cooking Oil, the other 'Sizzle' Virgin Olive Oil. Bright sunlight streams in from a window to the right, creating strong highlights and shadows on the table and food. Initially, a chef's knife in a human hand, with a silver blade and black handle, is seen pressing into the butter. Subsequently, a thin stream of white glaze zig-zags across the French toast, followed by a golden-brown stream of maple syrup. The knife and a silver fork then cut into the French toast, revealing its soft, spongy interior and the melted butter and syrup seeping into it. The overall color palette is warm, with golden browns, white, and the dark green of the bottles contrasted by the bright sunlight. Text overlays appear at various times during the segment, reading 'alright', 'important question for you', 'are you a breakfast on Thanksgiving type person', and 'and then follow up question are you a sweets for breakfast type person'.
0:07cutting challah bread
An overhead medium close-up shot captures two hands, one holding a braided, golden-brown challah loaf on a light wooden cutting board. The other hand holds a silver chef's knife with a black handle, smoothly slicing through the bread. The bread reveals a soft, white interior with a few air pockets. In the upper left background, two dark green 'GRAZA' olive oil bottles are visible, casting shadows from the bright natural light entering from the right. The wooden surface has a visible grain pattern. The scene is well-lit with natural light, creating clear shadows. The dominant colors are the warm browns of the bread and table, with green accents from the bottles. Text overlays read 'take both those answers' and 'and then throw them out the window because regardless'.
0:11holding sliced bread
A close-up shot focuses on a light-skinned hand, wearing a red and white striped sweater, holding up two thick slices of challah bread. The slices have a light golden-brown crust and a soft, white interior. The background is a white cutting board, brightly lit. The natural light creates soft shadows, highlighting the texture of the bread. The color palette is dominated by the warm tones of the bread and the bright white of the cutting board and sweater. Text overlay reads 'this pumpkin pecan Hong Kong toast'.
0:11spreading first layer filling
A close-up shot from a slightly high angle shows a light-skinned hand using a small silver knife to spread a thick, light brown, pasty substance – presumably pumpkin pecan butter – onto a slice of challah bread. The bread rests on a white cutting board, with another slice visible to its right. The background shows the wooden table and partially visible 'GRAZA' olive oil bottles. Bright sunlight casts distinct shadows, and the scene is warm-toned. Text overlay reads 'is a no skip recipe'.
0:13sandwiching bread
A quick close-up shot shows a light-skinned hand, wearing a red and white striped sweater, gently placing a second slice of challah bread on top of the first slice, which is already coated with the pumpkin pecan butter. The bread is positioned on a white cutting board. The focus is on the action of creating the sandwich. Lighting is bright, casting soft shadows. The color palette remains warm, with emphasis on the bread's tones. No text overlays are present.
0:13spreading second layer filling
A close-up shot from a slightly high angle shows a light-skinned hand using a small silver knife to spread the same thick, light brown, pasty substance (pumpkin pecan butter) onto the top slice of the now-assembled challah bread sandwich. The bread rests on a white cutting board. The background shows the wooden table and partially visible 'GRAZA' olive oil bottles. Bright sunlight casts distinct shadows, and the scene is warm-toned. Text overlay reads 'is a no skip recipe'.
0:14sandwich assembly complete
A close-up shot shows two light-skinned hands, one wearing a red and white striped sweater, pressing two thick slices of challah bread together to form a substantial sandwich. The inner sides of the bread are coated with a thick, light brown spread, visible as the slices are brought together. The bread sits on a white cutting board, bathed in bright natural light from the right, creating soft highlights and shadows. The background includes the wooden table and out-of-focus 'GRAZA' olive oil bottles. The overall color palette is warm, focusing on the golden-brown and white of the bread and the creamy brown of the filling. Text overlay reads 'one sure to make any Thanksgiving guest go'.
0:16placing empty bowl
A close-up shot features two light-skinned hands, wearing a red and white striped sweater, carefully placing an empty, clear glass bowl onto a light wooden table. The bowl is transparent, and the wooden grain of the table is clearly visible beneath it. In the background, two dark green 'GRAZA' olive oil bottles are positioned, catching the bright natural light from a window on the right, which creates strong shadows and highlights. The scene is brightly lit and focuses on the preparation process. Text overlay reads 'I'll find room in my stomach'.
0:17cracking eggs
A close-up shot captures two raw eggs being cracked into a clear glass bowl. The camera is positioned slightly above the bowl, looking down. The first egg splashes into the bowl, followed by the second. The yellow yolks and clear whites are clearly visible against the transparent glass. The background consists of a light wooden table and out-of-focus 'GRAZA' olive oil bottles. Bright natural light illuminates the scene, making the liquid ingredients glisten. The colors are yellow, clear, and the warm brown of the wood. Text overlay reads 'and what makes it so good is yes'.
0:18two egg yolks in bowl
A close-up, slightly high-angle shot shows two bright yellow egg yolks sitting within a clear pool of egg whites in a transparent glass bowl. The bowl is on a light wooden table. A hand briefly hovers near the bowl, suggesting an upcoming action. In the background, two dark green 'GRAZA' olive oil bottles are blurred but identifiable, catching sunlight from the right. The scene is well-lit, emphasizing the fresh ingredients. The color palette is bright yellow, clear white, and warm wood tones. Text overlay reads 'using fresh challah and your own pumpkin pie spice blend'.
0:19pouring milk into eggs
A close-up, high-angle shot shows a stream of white liquid, presumably milk or cream, being poured from a measuring cup into a clear glass bowl containing two egg yolks and whites. The liquid splashes onto the eggs, beginning to mix with them. The bowl rests on a light wooden table. The background features blurred 'GRAZA' olive oil bottles. The scene is brightly lit by natural light. The primary colors are white, yellow, and the natural wood tones. No text overlays are present.
0:20adding pumpkin pie spice
A close-up, high-angle shot shows a generous amount of dark brown powder, identified as pumpkin pie spice, being sprinkled into the clear glass bowl containing eggs and milk. The spice falls over one of the egg yolks and mixes with the white liquid. The bowl is on a light wooden table, with blurred 'GRAZA' olive oil bottles in the background. Natural light illuminates the scene, highlighting the texture of the spice. The colors are dark brown, yellow, white, and warm wood tones. Text overlay reads 'one that uses plenty of cardamom'.
0:21adding sugar or salt
A close-up, high-angle shot shows a small silver spoon, held by a light-skinned hand, dispensing white granular substance, likely sugar or salt, into the clear glass bowl. The substance falls onto the dark brown spices and wet ingredients below. The bowl is on a light wooden table, with blurred 'GRAZA' olive oil bottles in the background. Natural light illuminates the scene, making the granules glisten. The colors include white, dark brown, yellow, and the warm wood of the table. Text overlay reads 'but also Graza's'.
0:22adding pumpkin puree
A close-up, high-angle shot captures a dollop of thick, orange-brown pumpkin puree being added from a spoon into the clear glass bowl containing the wet and dry ingredients. The puree lands next to an egg yolk and the spices. The bowl is on a light wooden table, with blurred 'GRAZA' olive oil bottles in the background. The scene is brightly lit by natural light. The color palette includes the vibrant orange-brown of the puree, dark brown, yellow, white, and the warm wood tones. Text overlay reads 'Frizzle fry oil and'.
0:24mixing batter
A close-up, high-angle shot shows a silver fork vigorously mixing all the ingredients in the clear glass bowl. The mixture transforms into a smooth, thick, light brown batter. Egg yolks, milk, spices, and pumpkin puree are completely incorporated. The bowl rests on a light wooden table, with blurred 'GRAZA' olive oil bottles in the background. Natural light illuminates the mixing process, creating reflections on the liquid surface. The predominant color is the creamy light brown of the batter, accented by the yellow, green, and wood tones. No text overlays are present.
0:25graza frizzle oil bottle
A medium close-up shot focuses on a light-skinned hand, wearing a red and white striped sweater, holding a dark green 'GRAZA' brand bottle of 'Frizzle' High Heat Cooking Oil. The yellow label is clearly visible, featuring a cartoon character and bold black text. The bottle has a yellow squeeze top. The background is a blurred kitchen stovetop with red and green pot lids visible. The lighting is bright and even, highlighting the product. The color palette includes dark green, bright yellow, red, and the metallic grey of the stovetop. Text overlay reads 'And before you say anything negative about using olive oil for frying'.
0:26pouring oil into pan
A medium close-up shot shows the dark green 'GRAZA' Frizzle oil bottle, held by a light-skinned hand, pouring golden-yellow cooking oil into a silver saucepan. The saucepan is on a black stovetop, with blurred red and green pot lids in the background. The oil forms a consistent stream and collects at the bottom of the pan. Bright, even lighting illuminates the action. The color palette is golden yellow, silver, dark green, and black, with hints of red and green in the background. No text overlays are present.
0:28checking oil temperature
A close-up shot shows a red digital meat thermometer, held by a light-skinned hand, inserted into the golden-yellow cooking oil in a silver saucepan. The thermometer displays a reading of '351.5 F'. The oil in the pan reflects the light, and small bubbles indicate it's heating up. The black stovetop is visible, with blurred red and green pot lids in the background. The scene is brightly lit, emphasizing the cooking process. The color palette includes red, silver, golden yellow, and black. Text overlay reads 'their Frizzle oil tastes totally neutral'.
0:29dipping bread in batter
A close-up shot from a slightly high angle shows a light-skinned hand dipping a thick challah bread sandwich, already filled with pumpkin pecan butter, into the rich brown batter in a clear glass bowl. The bread is slowly submerged and coated. The bowl is on a light wooden table, with blurred 'GRAZA' olive oil bottles in the background. Natural light creates soft highlights on the liquid and bread. The color palette is warm brown, white, and yellow from the background elements. Text overlay reads 'and can stand up to high temperatures'.
0:30coated bread lifted
A close-up shot shows a light-skinned hand lifting a completely coated challah bread sandwich from the rich brown batter in a clear glass bowl. The bread is thick and now thoroughly covered in the creamy, pumpkin-pecan-spice batter, with excess dripping back into the bowl. The bowl is on a light wooden table, with blurred 'GRAZA' olive oil bottles in the background. Natural light illuminates the glistening batter. The color palette is dominated by the deep, creamy brown of the batter, contrasted with the lighter wooden table. Text overlay reads 'better than some canola oils'.
0:31placing bread in hot oil
A close-up shot from a slightly high angle shows a light-skinned hand carefully lowering the batter-coated challah bread sandwich into a silver saucepan filled with bubbling, golden-yellow hot oil. The oil immediately reacts, forming intense bubbles around the bread as it makes contact. The saucepan is on a black stovetop, with blurred red and green pot lids in the background. The scene is brightly lit, emphasizing the cooking process. The color palette includes golden yellow, silver, brown, and black. Text overlay reads 'in other words it's not only safe to use'.
0:32frying french toast
A close-up, high-angle shot shows the thick, batter-coated challah bread frying in a silver saucepan filled with vigorously bubbling, golden-yellow hot oil. The bread, now becoming golden-brown, occupies most of the frame. Halfway through the scene, a pair of silver metal tongs, held by a light-skinned hand, flips the bread over, revealing the other side also browning. The oil continues to bubble intensely around the bread. The saucepan is on a black stovetop, with blurred red and green pot lids in the background. The bright lighting highlights the cooking process and the rich golden color of the oil. The color palette is golden yellow, brown, silver, and black. Text overlay reads 'but recommended for this super easy'.
0:37removing fried toast
A close-up shot shows a light-skinned hand using silver metal tongs to lift the perfectly golden-brown, fried challah bread (French toast) from the hot, bubbling oil in the silver saucepan. Excess oil drips off the French toast as it's raised. The saucepan is on a black stovetop. The French toast looks crispy on the outside and plump. The lighting is bright, emphasizing the golden color of the fried food. The color palette is golden brown, silver, and black. Text overlay reads 'quick to throw together'.
0:38french toast final garnishing
A close-up, slightly high-angle shot focuses on a thick slice of golden-brown French toast on a white ceramic plate, positioned centrally on a light-colored wooden table. A pat of square, pale yellow butter is carefully placed on top of the hot French toast by a human hand using a knife, allowing it to begin melting. Then, a thin stream of white glaze zig-zags across the French toast, creating a decorative pattern. In the background, two dark green glass bottles, labeled 'GRAZA' with yellow labels, stand partially visible. Bright sunlight streams in from a window to the right, creating strong highlights and shadows. The overall color palette is warm, with golden browns, white, and the dark green of the bottles contrasted by the bright sunlight. Text overlay reads 'and fully dressed to impress breakfast'.
0:40syrup drizzle
A close-up, slightly high-angle shot focuses on a thick slice of golden-brown French toast on a white ceramic plate. A pat of melted square, pale yellow butter and zig-zagged white glaze are already on top. A thin, glistening stream of golden-brown maple syrup is poured over the French toast, cascading down its sides and pooling slightly on the plate. In the background, two dark green glass bottles, labeled 'GRAZA' with yellow labels, stand partially visible. Bright sunlight streams in from a window, creating strong highlights. The overall color palette is warm, with golden browns, white, and the dark green of the bottles. Text overlay reads 'so wear yourself a bottle'.
0:42cutting into french toast again
A close-up shot provides a detailed view of a light-skinned hand, holding a silver chef's knife and a silver fork, cutting into the golden-brown French toast on a white ceramic plate. The French toast is already covered in melted butter, white glaze, and syrup, which has pooled at the bottom of the plate. As the knife cuts, the soft, creamy interior of the French toast is revealed, along with the pumpkin pecan filling within the challah bread. The melted butter and syrup ooze out. The background shows blurred 'GRAZA' olive oil bottles and the wooden table, brightly lit. The dominant colors are warm browns, white, and the glistening golden syrup. Text overlay reads 'unbutton that top button of your pants'.
0:44woman eating french toast
A medium shot captures a young woman, seated at a light wooden table, bringing a forkful of the French toast to her mouth and eating it with evident enjoyment. She is wearing a festive red and white striped V-neck sweater over a white top. Her short, dark brown hair frames her face, and she expresses pleasure after tasting the food. On the table to her left, three 'GRAZA' brand olive oil bottles (two green, one dark green) are clearly visible, serving as product placement. The background consists of a light-colored wall with a subtle artwork and a doorway. The scene is brightly lit by natural light, creating a cheerful, inviting atmosphere. The color palette is vibrant red and white from her sweater, warm brown from the table, and green from the bottles. Text overlays read 'and get ready for a really stellar start to your holiday season'.
