0:00drummer energetic close up
The scene opens with a dynamic close-up shot of a male drummer. He is positioned slightly to the right of the frame, angled towards the left, with his hands actively striking the drum kit. The background is a mix of vibrant, somewhat blurred colors, predominantly red and green, suggesting a performance stage with theatrical lighting. The lighting casts dramatic shadows and highlights, emphasizing his intense focus and energetic performance. The overall color palette is saturated and dark, creating a high-energy, performance-oriented mood. The camera is static, focusing on the drummer's upper body and the drum set. There are no visible texts or graphics.
0:01vocalist serious close up
This scene presents a tight close-up of a vocalist, framed from the chest up, looking directly into the camera. The background is dark and indistinct, with soft washes of red and blue/teal light illuminating the edges, creating a dramatic and moody atmosphere. The lighting is low-key, with key lights from the front and slightly above, casting subtle shadows that highlight facial contours. The color palette is dark with neon accents. No specific actions are performed beyond maintaining a steady gaze. The camera remains static throughout this shot, ensuring full focus on the character's expression. No text or graphics are present on screen.
0:02clown on tricycle church aisle
The scene is a wide shot looking down the main aisle of a church, creating a sense of depth and symmetry. A person dressed as a clown is seated on a small tricycle in the center of the aisle, facing the camera. The church interior features dark wooden pews on both sides of the aisle, leading up to an altar area. Stained-glass windows with vibrant red, green, and yellow panels adorn the sides, creating colorful light reflections. The altar area at the back has a large, dark, abstract sculpture or art piece. Overhead, a single blue light illuminates the altar. The lighting is dim overall, creating a solemn yet colorful atmosphere. A blue balloon is visible on the left and a red balloon on the right, tied to the pews. The camera is static, capturing the full scene. No text or graphics are present.
0:04guitarist and drummer performance
A dynamic medium shot captures a male guitarist passionately playing his electric guitar, dominating the left and center of the frame. In the background, slightly out of focus, the drummer from the first scene is visible, energetically playing his kit. The setting appears to be a stage or performance space, indicated by the vibrant, color-changing lights that cast a glow on the performers and the background. The lighting is bright and theatrical, with a strong pink and blue hue illuminating the scene. The color palette is energetic and lively, matching the fast-paced music. The camera exhibits a slight handheld quality, adding to the raw energy of the performance. No specific text or graphics are visible.
0:06vocalist singing energetically
This scene is a medium close-up of the vocalist, similar to the earlier close-up but now showing more of the upper torso and with a different expression. The background remains dark and abstract, with subtle hints of red and blue ambient lighting creating a dramatic edge. The lighting emphasizes the vocalist's face, with a strong key light from the front. The color palette is primarily dark with sharp, cool-toned lighting. The vocalist is actively singing with an open mouth, conveying a sense of emotional intensity. The camera is static, maintaining a steady focus on the performer's face. No text or graphics are present in this shot.
0:07vocalist text overlay
A close-up shot of the vocalist's face, intentionally blurred and slightly shaky, indicating a rapid transition or a subjective perspective. The background remains dark and indistinct, with faint cool and warm light sources creating a moody atmosphere. The lighting is dynamic, reflecting off the glasses with bright flares. The primary visual element is the white text overlay: "CALLING ALL CAPTAINS" in a handwritten, slightly bouncy font, centrally placed over the vocalist's face. The camera performs a slight, quick zoom out and then back in, adding to the dynamic and energetic feel of the scene, aligning with the musical rhythm. The color palette is dark with highlights from the stage lighting and the bright white text.
0:08clown text overlay
This scene revisits the wide shot of the clown on the tricycle in the church aisle. The clown is still seated centrally, facing the camera. The environment is the same as before, with dark wooden pews, stained-glass windows, and the altar at the far end, illuminated by a blue light. The red and blue balloons are still visible. The lighting is dim and atmospheric, emphasizing the cool blue light around the altar. The white text overlay "CALLING ALL CAPTAINS" is present, positioned over the clown's body, maintaining a consistent brand aesthetic with the previous scene. The camera is static, providing a full view of the church aisle and the clown. The color palette combines the earthy tones of the church with the vibrant clown costume and the cool blue lighting.
0:10vocalist looking up text overlay
A close-up shot of the vocalist, this time looking upwards with an open-mouthed expression. The shot is intentionally blurred and fast-paced, creating a sense of urgency or rapid movement. The background is dark and nondescript, with flashes of red and teal light on the periphery. The lighting is dramatic, highlighting the vocalist's face from below with a warm red glow. The white text overlay "NEW EP" is prominently displayed in the center of the screen, consistent in font style with the previous text. The camera motion is a quick blur, emphasizing the transition and the energetic nature of the video. The color palette is dark, dominated by deep shadows and stark red and teal lighting accents, with the bright white text as a focal point.
0:11clown pointing text overlay
This is a medium close-up shot of the clown, now standing or kneeling slightly off-center to the left, looking directly at the camera. The background is the same church setting, with the wooden pews and stained glass slightly out of focus. The lighting is brighter than in previous clown shots, with warmer tones emphasizing the colorful costume. The clown performs a distinct action, pointing one finger upwards. The white text overlay "NEW EP" appears over the scene, reinforcing the message. The camera is static, allowing for a clear view of the clown's expression and gesture. The vibrant colors of the clown costume contrast with the more subdued, traditional church background, while the text provides a modern graphic element.
0:13vocalist looking up again text overlay
A medium close-up shot of the vocalist, clearer than the previous blurry shots, looking upwards with an intense, pained expression. The framing includes their upper torso and head. The background is a dark, indistinct room, possibly the same stage area, with subtle hints of red and blue light on the edges, creating a dramatic and somewhat somber atmosphere. The lighting is predominantly dark, with a light source from below or the front accentuating the upward gaze. The white text overlay "The Things That I've Lost" is displayed prominently in the center of the frame in a clean, sans-serif font, reflecting a more reflective mood. The camera is static, focusing on the vocalist's expression and the thematic text. The color palette is muted and dark, with the bright white text standing out as a central graphic element.
0:16glowing cloud prop close up
This scene features a close-up shot of a unique prop: an artificial cloud, glowing with internal lights. The cloud is textured and voluminous, exhibiting a vibrant blue/teal hue with hints of pink or warm orange light emanating from within or behind it. It is mounted on a dark, slender pole, suggesting it's a lamp or a stage decoration. The background is completely dark and out of focus, making the glowing cloud the sole subject of attention. The lighting is internal and ambient, giving the cloud a soft, ethereal glow. The color palette is dominated by electric blues, teals, and soft pinks against a black backdrop, creating a mystical and contemplative mood. The camera is static, providing a clear, steady view of the glowing cloud. There are no visible texts or graphics.
0:18vocalist looking forward text overlay
A rapid, blurred close-up shot of the vocalist's face, looking directly forward. The motion is extremely fast, almost a blur, creating a sense of momentum or a quick transition. The background is dark and undefined, with subtle hints of warm red lighting on the right side. The lighting is dramatic and fleeting due to the speed of the shot. The white text overlay "OUT NOW" in a clear, bold sans-serif font is centrally placed, demanding attention. The camera executes a fast panning motion from right to left, adding to the dynamic and energetic feel, leading into the next scene. The color palette is dark with a fleeting red highlight and the stark white text.
0:20band and coffin church wide shot text overlay
A wide, establishing shot of the band performing inside the church. The camera is positioned at the back of the church, looking down the aisle towards the altar. The band members are spread across the altar area, actively playing their instruments. In the center foreground of the altar, a white open coffin is prominently displayed, adorned with flowers. The glowing blue cloud prop from an earlier scene hangs above the coffin. A large wooden cross is mounted on the wall behind the altar. The church interior with its pews and stained-glass windows is clearly visible. The lighting is a mix of ambient, somewhat dim church lighting and vibrant, color-changing stage lights on the band. The white text overlay "OUT NOW" is centrally placed, aligning with the release message. The camera is static, capturing the entire dramatic scene. The color palette is a mix of traditional church browns and reds with modern, electric stage lighting, and the stark white text.
0:22microphone close up text overlay
A very close-up shot focuses on a hand holding a microphone, specifically highlighting the pop filter and grille. The background is extremely blurred and indistinct, suggesting an indoor setting with hints of light. The lighting is soft and even, emphasizing the textures of the microphone. The primary elements are the square "NEW DAMAGE" logo, featuring a dark, textured background with the words 'NEW' and 'DAMAGE' in contrasting white text, and a speech bubble with the text: "Is this thing on?" in a casual white font. The camera is static, providing a clear, detailed view of the hand and microphone. The color palette is muted, focusing on skin tones, black, and silver, with the sharp white text and logo providing visual contrast.
0:23clown finger gun text overlay
The final scene is a medium close-up of the clown, now with a finger-gun gesture pointing to their temple. The background is subtly blurred but shows hints of the church setting with wooden structures and a blue balloon on the right. The lighting is dramatic, with a warm key light highlighting the clown's face and costume. The same "NEW DAMAGE" logo from the previous scene is centrally placed over the clown's chest area. The clown's expression is a wide, unsettling grin, contrasting with the 'finger gun' gesture. The camera is static for the duration of the shot, capturing the final impactful image before fading to black. The color palette is vibrant and dramatic, mixing the primary colors of the clown suit with the darker, atmospheric church background, emphasized by the prominent logo.
