0:00intro glitch abstract
The scene opens with a rapidly flashing and distorted black screen. White and yellow horizontal lines, reminiscent of static or data corruption, streak across the frame. On the left side, there's a vertical bar composed of small, vibrant yellow and blue rectangular segments that flicker erratically. A similar, though less prominent, vertical bar appears on the right side. The overall aesthetic is one of digital disruption and noise, with a stark black background dominating the composition. The lighting is harsh and inconsistent, typical of a digital glitch effect. The color palette is primarily black and white, with accents of bright yellow and blue from the vertical bars. No clear objects or characters are discernible, only abstract visual interference.
0:01podcast title card
A title card is displayed against a dark grey gradient background, fading from darker at the top to lighter at the bottom. In the center, the word "current" is prominently featured in large, elegant white serif font, with the 'c' being an uppercase 'C'. The preceding word "the" is vertically oriented in smaller red serif text, nestled within a red square that serves as the 't' in "the current". Below the main title, the word "PODCAST" is written in smaller, white sans-serif capital letters, horizontally aligned. A thin red horizontal line extends from the right of "PODCAST" and also from the top-left corner, framing the title. In the bottom right corner, a 'Listen on Apple Podcasts' graphic with the familiar purple Apple Podcasts icon and white text is visible. The scene has a clean, modern, and professional aesthetic, with a cool grey and red color palette. Slight glitch effects are present, with horizontal lines occasionally flickering across the text.
0:04animated earth in space
An animated, realistic depiction of Earth slowly rotates in the vast darkness of space. The planet is primarily covered in dark grey and white, suggesting clouds and landmasses, with hints of blue oceans. Small, twinkling white stars are scattered across the black background. The lighting appears to emanate from an unseen light source to the upper left, casting subtle shadows and highlighting the planet's surface. The overall mood is serene and cosmic, with a monochromatic color scheme dominated by black, grey, and white. The camera offers a wide perspective, showing the Earth as a solitary sphere against the cosmic backdrop.
0:05animated globe abstract
An abstract, stylized 3D globe rotates and shifts in the center of the frame. The continents are depicted in light grey against a blue background, suggesting water. Several semi-transparent grey rings or bands encircle the globe, moving independently and creating a dynamic, futuristic feel. The scene is slightly distorted with glitching horizontal lines and subtle static, giving it a digital and unstable appearance. The color palette is predominantly blues and greys. The camera maintains a medium close-up on the globe, focusing on its rotation and the abstract elements surrounding it.
0:06man face blue filter
A close-up shot of an older Black man's face, possibly John Lewis, is presented with a strong blue filter applied, giving the image a cool, somber tone. His expression is serious and direct, with a focused gaze. The image is pixelated and heavily stylized with prominent horizontal glitch lines that flicker across the screen, obscuring parts of his face. The background is indistinct, blurred by the glitch effect and filter. The dominant colors are shades of blue, grey, and black, contributing to a dramatic and introspective mood. The framing is tight on the man's face, emphasizing his features despite the digital distortion.
0:06protest footage black white
The scene displays grainy, black and white archival footage of a chaotic public gathering or protest. Several individuals are visible in the foreground, some appearing to be falling or being pushed to the ground amidst a crowd of people. Others are standing or walking in the background. The actions suggest a moment of conflict or struggle. The lighting is natural, but the black and white rendering makes it difficult to discern specific details. The overall color palette is limited to shades of grey, black, and white, enhancing the historical and dramatic feel of the footage. The camera captures a medium shot of the unfolding events, emphasizing the movement and interaction of the people.
0:09gradient transition
A quick transitional shot featuring a smooth gradient from bright white on the left to a light, pastel blue on the right. The transition is clean and subtle, suggesting a shift in mood or topic. There are no discernible objects, characters, or text. The lighting is uniform and soft across the gradient. The color palette is entirely composed of white and a light blue hue, creating a calm and airy atmosphere. The camera is static, simply presenting the color transition.
0:09street poster text
The scene is a street-level shot focusing on a utility pole with a stenciled poster affixed to it. The poster is beige or faded white with an illustration of a man's face, possibly John Lewis, with one hand resting on his chin, conveying a thoughtful or weary expression. Above the illustration, red text reads "More Has To Be Done" in a bold, capitalized font. The background shows an urban street with cars and a person walking in the distance, indicating an outdoor, daytime setting. In the bottom left corner, the red "the current" podcast logo is overlaid. The lighting is bright and natural, suggesting an overcast or evenly lit day. The color palette includes the beige of the poster, red text, and the muted tones of the street and buildings, alongside the vibrant red of the logo. The camera is static, capturing the poster and its immediate surroundings.
0:10three person video call introduction
A three-person video call interface is displayed, with three rectangular video feeds arranged on a dynamic, animated blue and grey background that resembles swirling clouds. The top-left panel features Clive Priddle, a bald white man in his 50s-60s wearing black-rimmed glasses and a light blue collared polo shirt. He has a slight smile and is looking directly at the camera, addressing the audience. The background behind him is a brightly lit indoor space with light-colored walls and a woven tapestry or wall hanging. The top-right panel shows Kabir Sehgal, a man with dark hair and a red polo shirt, sitting in a room with dark green walls, a white sloped ceiling, and a ceiling fan. He is looking down and to the side, appearing attentive. The bottom-right panel displays Gretchen Young, a woman with long, curly brown hair and glasses, wearing a white t-shirt. She is seated on a light blue couch or bench, with a white tiled wall behind her. She is also looking down, listening intently. Text overlays at the bottom of each panel introduce the speakers and their affiliations, with Clive Priddle's full name and title ('VP, Publisher, Public Affairs'), Kabir Sehgal's name and title ('Author, 'Carry On''), and Gretchen Young's full name and title ('VP, Executive Editor, Grand Central Publishing'). The lighting across all panels is bright and clear, indicating well-lit indoor environments. The overall color palette is blue, grey, green, white, and red, with distinct color separation between the panels and the animated background. The camera is static, capturing the composite video call interface.
0:24book cover john lewis carry on
A full-screen static image displays the book cover for "JOHN LEWIS CARRY ON: REFLECTIONS FOR A NEW GENERATION". The cover features a vibrant illustration of an older Black man, identified as John Lewis, seated in a dark chair, wearing a dark suit and a blue tie. He has a calm, reflective expression. Large, stylized blue and dark green tropical leaves frame him on either side, against a light, off-white background. The title text is large and clear, with "JOHN LEWIS" in a smaller, dark serif font, and "CARRY ON" in a much larger, white serif font with a strong drop shadow, making it stand out. Below this, "REFLECTIONS FOR A NEW GENERATION" is in a smaller, white sans-serif font. The illustration is rich in color, with deep blues and greens contrasting with the man's dark attire and the light background. The lighting is soft and even, highlighting the details of the illustration. The overall aesthetic is one of dignity and inspiration, commemorating the legacy of John Lewis.
0:29three person video call discussion
The scene returns to the three-person video call interface, mirroring the previous setup. Three rectangular video feeds are presented on an animated blue and grey background with swirling cloud-like patterns. Clive Priddle, the bald white man with glasses and a light blue polo shirt, is again in the top-left panel, actively speaking and looking directly at the camera with an engaged expression. Kabir Sehgal, with dark hair and a red polo, remains in the top-right panel, still attentive and occasionally adjusting his gaze. Gretchen Young, with long brown hair, glasses, and a white t-shirt, is in the bottom-right panel, listening. The name and title overlays for each person are still visible at the bottom of their respective panels. The lighting is consistent, providing a clear view of each participant in their indoor settings. The color scheme is maintained with blue, grey, green, white, and red tones. The camera is static, presenting the composite video call layout.
0:59gretchen young speaking full screen
Gretchen Young is shown in a full-screen, medium close-up shot, speaking directly to the camera. She is a white woman with long, curly, dark brown hair that cascades over her shoulders and falls over her chest. She wears dark-rimmed glasses and a simple white short-sleeved t-shirt. A delicate silver necklace with a small pendant is visible around her neck. She sits comfortably on a light blue upholstered bench, which forms the lower part of the frame. Behind her, a white tiled wall with horizontal grout lines extends across the frame, giving the impression of a kitchen or diner booth. To the left, a window provides natural light, and to the right, a floral curtain with red and green patterns adds a touch of color. Her facial expression is animated and engaged as she speaks, often smiling and occasionally gesturing with her hands to emphasize points. The lighting is bright and natural, coming from the left, illuminating her face and the room. The dominant colors are white, light blue, and a subtle floral pattern, creating a relaxed and inviting atmosphere.
4:12three person video call interchange
The scene returns briefly to the three-person video call interface. The layout remains consistent with three rectangular video feeds against an animated blue and grey background. Clive Priddle is in the top-left, still talking or having just finished. Kabir Sehgal is in the top-right, now looking more directly at the camera, preparing to speak. Gretchen Young is in the bottom-right, listening. The name and title overlays are present. The lighting and color palette are consistent with previous multi-person shots. The camera is static, showing the combined video feed.
4:15kabir sehgal speaking full screen
Kabir Sehgal is featured in a full-screen, medium close-up shot, speaking directly to the camera. He is a man with short, dark, slightly wavy hair and a short, neatly trimmed dark beard. He wears a bright red collared polo shirt. He is seated in a room with distinctive architectural features: the walls are painted a dark, forest green, contrasting with a white sloped ceiling that has exposed wooden beams or structural elements painted white. A white ceiling fan with multiple blades is mounted centrally on the ceiling, and several track lights with white casings are also visible. A bed with white bedding is partially visible in the background to the right. Kabir's facial expression is thoughtful and engaged, and he uses moderate hand gestures to convey his points. The lighting is bright and even, appearing to be overhead, illuminating his face. The color palette is dominated by the deep green of the walls, the white of the ceiling, and his red shirt, creating a focused and slightly academic atmosphere.
