0:00ocean water surface
A dynamic close-up shot of dark teal ocean water, gently rippling and moving across the frame. The camera is positioned very low, almost at water level, capturing the subtle undulations and reflections on the surface. The background above the water is out of focus, appearing as a dark, indistinct blur, suggesting either nightfall or deep ocean expanse. The lighting is dim, emphasizing the deep, cool blue and green tones of the water. There are no distinct actions other than the natural movement of the water. The color palette is predominantly deep teal and dark blues, creating a serene and mysterious atmosphere.
0:01man in ocean silhouette A medium shot captures a man in silhouette, standing chest-deep in the ocean. He is viewed from behind, facing away from the camera, with his arms slightly outstretched and holding an object, possibly a snorkel or diving mask, in his left hand. The setting is sunset or twilight, with the horizon glowing in hues of orange and soft blue, creating a vibrant backdrop against his dark figure. The water around him reflects the dimming sky, appearing dark blue. Gentle waves lap around his torso. The overall mood is peaceful and contemplative. The color palette transitions from deep blues in the water to a soft, warm gradient on the horizon.
0:04underwater bubbles
An underwater shot filled with numerous small, white bubbles rising towards the surface. The water is murky and dark, with a greenish-gray tint, suggesting depth or less clarity. The bubbles vary in size, creating a dynamic, effervescent texture throughout the frame. Light filters from above, illuminating some of the bubbles and creating subtle highlights. The camera is positioned looking upwards, capturing the ascent of the bubbles. The scene has an ethereal and slightly disorienting quality due to the dense bubble field. The dominant colors are muted greens, grays, and whites from the bubbles.
0:06ocean surface reprise
A close-up shot of dark teal ocean water, gently rippling and moving across the frame. The camera is positioned very low, almost at water level, capturing the subtle undulations and reflections on the surface. The background above the water is out of focus, appearing as a dark, indistinct blur, suggesting either nightfall or deep ocean expanse. The lighting is dim, emphasizing the deep, cool blue and green tones of the water. There are no distinct actions other than the natural movement of the water. The color palette is predominantly deep teal and dark blues, creating a serene and mysterious atmosphere.
0:07man in water talking A medium close-up shot shows a man partially submerged in the ocean, with the water reaching his chest. He is viewed in profile, looking towards the right side of the frame with a contemplative and slightly serious expression. The sky above the horizon is a soft twilight blue, fading into a darker shade overhead. His hair is wet and slicked back, and his skin appears wet. Subtitles appear on screen, stating 'When I was young' and 'I was scared of the ocean'. The lighting is soft and natural, with a gentle glow illuminating his face from the front. The color palette is dominated by cool blues and greens from the sky and ocean, contrasting with the warm tones of his skin.
0:10turtle bracelet closeup An extreme close-up shot focuses on a man's forearm, revealing a dark braided bracelet adorned with a small, metallic sea turtle charm. The arm has visible hair and is slightly tanned. The background is softly blurred, showing indistinct hues of green and blue, suggesting an outdoor, possibly waterside, setting. The lighting is soft and natural, highlighting the texture of the bracelet and the subtle gleam of the turtle charm. The composition draws attention directly to the unique accessory. The color palette is earthy browns and greens of the arm and bracelet, contrasted by the cool, soft background.
0:11underwater turtle silhouette An underwater wide shot, filmed from below, captures the silhouette of a large sea turtle swimming upwards towards the surface. The bright sun above the water creates a powerful lens flare, backlighting the turtle and turning it into a dark, majestic shape against the glowing surface. The water around is a clear, vibrant turquoise-blue, with visible light rays penetrating from above. Subtitles appear, stating 'Now', 'in the ocean', and 'I'm at peace'. The sense of depth is palpable, and the turtle's slow, graceful movement conveys tranquility. The color palette is a striking contrast of dark silhouette against brilliant turquoise and white sunlight.
0:14aerial island boat intro A high aerial wide shot reveals a stunning tropical island from above. The island features pristine white sand beaches forming a delicate curve, dense green foliage of trees in the center, and a shimmering turquoise ocean extending outwards. A small white boat is seen moving away from the island, leaving a foamy white wake on the incredibly clear, shallow waters where coral reefs are subtly visible beneath the surface. White text overlays introduce the video: 'WHERE WORLDS MEET' followed by 'SEASON 2, EPISODE 1'. The sky is bright blue with scattered white clouds. The overall lighting is bright and sunny, highlighting the vibrant natural colors. The camera slowly zooms out, enhancing the scale of the beautiful landscape.
0:19beach palm trees sunrise A wide shot captured at ground level, looking through the dark silhouettes of several tall palm trees towards a sunny beach and the sparkling ocean beyond. The sun is low on the horizon, creating a warm, golden glow and strong lens flares as it peeks through the palm fronds. The foreground features a neatly manicured green lawn, contrasting with the natural sand of the beach. Text overlays identify the location: 'JUMEIRAH THANDA ISLAND' and 'TANZANIA'. The lighting is atmospheric, with strong backlighting creating dramatic shadows and highlights. The color palette shifts from dark greens and blacks of the palms to golden yellows and blues of the sky and ocean.
0:23sheikh fahim beach walk A medium shot frames a man, identified by an on-screen text overlay as 'His Excellency SHEIKH FAHIM', walking deliberately along a sandy beach. He is seen in profile, looking out towards the ocean with a focused and composed expression. The sky behind him is a soft, diffused blend of blues and pinks, characteristic of dawn or dusk. He wears a simple white, short-sleeved collared shirt. The lighting is gentle and even, casting soft shadows. The color palette is serene, with muted blues and beiges. The camera slightly tracks his movement, maintaining the framing as he walks.
0:26palm fronds sunlight A close-up shot focuses on the vibrant green fronds of a palm tree. Sunlight streams through the leaves from the top right, creating striking lens flares and bright highlights along the edges of the fronds. The background is a bright, indistinct blur of light and sky. The composition emphasizes the natural beauty and texture of the palm leaves. The color palette is dominated by various shades of green, contrasted sharply by the bright white and golden light.
0:28aerial sailboat island A wide aerial shot presents a beautiful sailboat navigating the incredibly clear, turquoise waters near a tropical island. The island, with its white sand and lush green trees, is visible in the background under a bright blue sky with sparse white clouds. The sailboat is a traditional design with a single white sail. White text overlay appears, stating: 'The first turtle I ever saved wasn't supposed to survive'. The lighting is bright and sunny, illuminating the vibrant blues of the ocean. The camera is static, providing a panoramic view.
0:31man on sailboat sunlit A medium shot of Sheikh Fahim standing on a sailboat, looking out towards the ocean. He is positioned under a partial canopy structure, with bright sunlight streaming in from the right, illuminating his face and casting a warm glow. He wears a white button-down shirt and sunglasses. The ocean water is visible in the background, sparkling under the sun. White text overlay is present: 'wasn't supposed to survive'. His expression is calm and attentive. The lighting is high contrast, with deep shadows and bright highlights. The color palette is warm, with golden light dominating the scene.
0:33men on sailboat pointing A medium shot on a sailboat shows two men in white shirts. The man in the foreground, Sheikh Fahim, wears sunglasses and is actively pulling on a rope. The man behind him, also in white, points towards something off-camera. The sky is a bright, clear blue, and the ocean is visible in the background. White text overlay states: 'I was freediving when I saw her'. The lighting is bright and even, highlighting their movements. The composition focuses on their interaction and the ropes, suggesting activity and purpose. The color palette is bright blues and whites.
0:36underwater turtle struggling An underwater POV shot depicts a sea turtle struggling on the sandy ocean floor. The water is a clear, bright turquoise, with rays of sunlight filtering from above. The turtle appears to be entangled or disoriented, making awkward movements. Text overlays convey its plight: 'struggling to reach the surface', 'Fishing line', and 'Wrapped forty times around her flipper'. The sandy bottom shows gentle ripples. The lighting is natural and bright, revealing the details of the turtle and its predicament. The color palette is dominated by vibrant blues of the water and the natural greens and browns of the turtle and sand.
0:39man grabbing turtle from boat A vertical video frame, shot from an overhead perspective on a boat, shows a man (Sheikh Fahim) in a black wetsuit reaching into the clear, greenish-blue ocean water. He is actively trying to grab hold of a struggling sea turtle, which is visible near the surface. Water splashes and ripples around them from the struggle. The edge of the white boat is visible in the foreground. White text overlay describes the situation: 'Wrapped forty times around her flipper'. The lighting is bright and natural, reflecting off the water. The composition is dynamic, capturing the intensity of the moment. The color palette is blues and greens of the ocean, with the dark wetsuit and the turtle's natural colors.
0:41man holding turtle in water A vertical video frame, shot from an overhead perspective on a boat, shows a man (Sheikh Fahim) in a black wetsuit holding a large sea turtle in the clear, greenish-blue ocean water. He has a firm, gentle grip on the turtle, which appears calmer now. White text overlay states: 'I cut her free'. Water splashes around them. The edge of the white boat is visible in the foreground. The lighting is bright and natural. The color palette remains blues and greens of the ocean, with the dark wetsuit and the turtle's natural colors. The scene conveys a sense of relief and accomplishment.
0:43man selfie after rescue A vertical video frame, shot in a close-up, selfie-style perspective, features the man (Sheikh Fahim) on a boat. He is wearing a black wetsuit, slightly wet hair, and sports a subtle, content smile. The clear blue sky is visible in the upper background, with parts of the boat's structure (possibly a canopy) also in frame. White text overlay indicates: 'I named her Farah'. The lighting is bright and sunny, illuminating his face. The color palette is primarily blue from the sky, contrasting with the dark wetsuit and his skin tone. The scene has an intimate and personal feel.
0:44turtle face closeup A vertical video frame captures an extreme close-up of the rescued sea turtle's face, held gently by human hands (partially visible). The turtle's large, expressive eyes are wide open, looking directly at the camera. Its skin shows natural textures and patterns of green and beige. A small amount of sand or debris is visible on its head. The background is blurred, showing light blue sky and parts of the boat's structure. White text overlay appears: 'Joy'. The lighting is bright and natural, highlighting the turtle's features. The color palette is natural greens, browns, and blues, creating a poignant and gentle mood.
0:46sailboat sparkling ocean A medium shot shows a traditional sailboat gracefully moving across the sparkling ocean. The sun is high, creating brilliant reflections and shimmering light on the water's surface, almost obscuring the distant horizon with its glare. The boat has a single, large, light-colored sail. The sky is bright and clear with scattered clouds. The overall lighting is intense and sunny, conveying a feeling of warmth and openness. The color palette is dominated by vibrant blues of the ocean and the dazzling white and yellow of the sun's reflection. The camera is static, capturing the peaceful movement of the boat.
0:49man on boat silhouette A close-up shot of the man (Sheikh Fahim) on a boat, captured in silhouette. He is looking towards the right side of the frame, with his face obscured by shadow. The bright sun is positioned directly behind him, creating a strong rim light around his figure and a powerful lens flare on the right. White text overlay appears: 'When Jumeirah asked me to be Ambassador of their turtle rehabilitation program'. The scene has an atmospheric and slightly dramatic quality due to the backlighting. The color palette is defined by the stark contrast between the dark silhouette and the bright, glowing background.
0:51man saving baby turtle A vertical video frame, shot in a close-up from a slightly elevated angle, shows the man (Sheikh Fahim) in a dark short-sleeved top with a camouflage pattern, sitting on a boat. He is carefully holding a small, baby sea turtle and meticulously removing a tangle of white fishing line from its flippers. His focused expression conveys care and concentration. White text overlay states: 'I had one condition'. The background shows a white bench and parts of the boat. The lighting is bright and natural, illuminating the intricate task. The color palette is a mix of the dark top, white fishing line, and the natural hues of the turtle and boat.
0:54man untangling turtle line A vertical video frame, shot in a close-up, focuses on the hands of the man (Sheikh Fahim) as he meticulously untangles a long, white fishing line from the flipper of a small, baby sea turtle. The turtle is held gently in his lap. The fishing line is prominently visible, wrapped multiple times. White text overlay states: 'Let me actually change things'. The background is out of focus, showing parts of the man's dark clothing and the boat. The lighting is bright and natural, emphasizing the delicate nature of the task. The color palette highlights the contrast between the white line and the turtle's natural green-brown shell.
0:56man with large turtle tank A vertical video frame, captured in a medium shot, shows the man (Sheikh Fahim) standing by a large, shallow white tank, gently holding a sizable sea turtle submerged in water. He is leaning over the tank, smiling softly as he supports the turtle. He wears a dark blue polo shirt and dark pants. The background reveals an industrial-looking room with blue walls, pipes, and equipment, suggesting a rehabilitation center. White text overlay states: 'They gave me the freedom to build real solutions'. The lighting is bright and functional, typical of an indoor facility. The color palette is cool blues and whites, with the natural greens and browns of the turtle.
0:59team carrying turtle beach A vertical video frame, captured in a medium shot, shows a diverse group of four individuals on a sandy beach, carrying a large blue sack, likely containing a sea turtle. Two men at the front are wearing blue polo shirts and grey pants, while a woman in a black wetsuit assists from the back, and another man in a white t-shirt follows behind. They are walking towards the ocean, which is visible in the background under a bright sky. The lighting is bright and sunny. The color palette consists of blues, whites, and the natural tones of the sand and ocean. The scene conveys teamwork and dedication.
1:01turtle release beach A vertical video frame, captured in a wide shot from a low angle, shows a large sea turtle crawling across a sandy beach towards the gentle waves of the ocean. A small group of people, dressed in casual resort wear, stand in the background, observing the turtle's journey. Palm trees and beach umbrellas are visible further in the distance. White text overlay appears: 'Twenty years'. The sky is bright and clear with scattered clouds. The lighting is sunny and natural, emphasizing the pristine beach environment. The color palette is bright blues, whites, and natural sand tones.
1:03tracked turtle underwater A vertical video frame, captured in a wide shot, shows a sea turtle swimming gracefully in clear, blue ocean water. A tracking device is clearly visible attached to the back of its shell. The camera is positioned slightly below the surface, looking up towards the light, with the water surface reflecting distortions. White text overlay appears: 'More than 2,000 turtles saved'. The lighting is bright and natural, with sunlight filtering through the water. The color palette is dominated by the clear blue of the ocean and the natural greens and browns of the turtle.
1:05turtle swimming deep ocean A vertical video frame, captured in a wide shot, shows a sea turtle swimming away into the deep blue expanse of the ocean. The camera is positioned underwater, looking slightly upwards towards the lighter surface, though the surface itself is out of frame. The water is clear and vibrant blue, with faint light rays filtering through. The turtle is smaller in the frame, emphasizing the vastness of the ocean. The lighting is natural and diffuse. The color palette is predominantly deep blues and the muted greens/browns of the turtle. The scene evokes a sense of freedom and natural habitat.
1:07helicopter taking off A vertical video frame, captured in a wide shot from a low angle, looks up at a dark, sleek helicopter taking off into a cloudy sky. The helicopter is silhouetted against the bright, overcast sky. Its rotors are spinning rapidly, creating a blur. The clouds are dense and grey, with patches of lighter sky visible. The lighting is soft and diffused, typical of an overcast day. The color palette consists mainly of blues, grays, and the dark silhouette of the helicopter. A distinct whirring sound of the helicopter blades is audible.
1:10man exiting helicopter A close-up shot of a man (Sheikh Fahim) in a white, light-colored shirt and sunglasses, stepping out of a modern, dark blue helicopter. He is partially obscured by the open door of the aircraft, and his movement is dynamic as he exits. The interior of the helicopter and part of its sleek exterior are visible. The lighting is bright and clear, highlighting the gloss of the helicopter and the man's attire. The color palette features the dark blue of the helicopter, the white of his shirt, and the bright blue sky reflecting in the windows.
1:12man walking from helicopter A wide shot, captured from a low angle, shows a man (Sheikh Fahim) walking away from a large, dark blue helicopter on a wooden landing platform. He is dressed in a light-colored shirt, jeans, and sunglasses, carrying a small bag over his shoulder. Another person, possibly a crew member, is partially visible near the helicopter's open door. The sky above is bright blue with fluffy white clouds. Lush green plants are visible in the foreground, framing the lower part of the shot. The lighting is bright and sunny, creating a sense of arrival. The color palette is vibrant, with blues of the sky and helicopter, greens of the foliage, and the natural tones of the wooden platform.
1:15luxury bedroom ocean view An interior wide shot showcases a luxurious bedroom with a grand white four-poster canopy bed draped with sheer white fabric. The room features high, vaulted wooden ceilings and large windows that offer a breathtaking view of a tropical beach and the turquoise ocean beyond. Elegant lamps and tasteful decor, including white and patterned throw pillows, adorn the room. The lighting is bright and inviting, with natural sunlight streaming in through the windows, creating a serene and opulent atmosphere. The color palette is predominantly white and light browns of the wood, complemented by the vibrant blues and greens seen through the windows.
1:18man talking casual outdoors A close-up shot shows a man (Sheikh Fahim) engaged in conversation with an unseen individual, seen from a slight profile. He wears a light beige, collared short-sleeved shirt and has sunglasses perched on his head. He is smiling warmly as he speaks. The background is softly blurred, showing lush green foliage and hints of white architectural elements, suggesting an outdoor, tropical resort setting. White text overlay appears: 'I grew up in Dubai'. The lighting is soft and natural, emphasizing his friendly expression. The color palette is earthy and green, with warm skin tones.
1:20man woman on boat looking out A medium shot shows a man (Sheikh Fahim) and a woman on a boat. Sheikh Fahim is in the foreground, wearing a black wetsuit, looking intently towards the right with a serious expression. A woman is seated behind him, slightly out of focus, wearing sunglasses and a light blue top, also looking in the same direction. The ocean is visible in the background. White text overlay states: 'Spent every weekend on the beach'. The lighting is bright and natural, with soft light on their faces. The color palette is cool blues of the water, contrasting with their clothing and skin tones.
1:22man freediving rocky bottom An underwater POV shot shows a man (Sheikh Fahim) freediving over a rocky ocean floor. He is wearing a dark wetsuit and a diving mask with a snorkel. He is swimming horizontally, his body streamlined, with his fins gently propelling him. The water is a clear, deep blue, with visibility extending into the distance. White text overlay appears: 'But when you travel you realize something'. The lighting is natural, with diffused sunlight from above. The color palette is deep blues of the water, dark tones of his wetsuit, and the natural textures of the brown and green rocks on the seabed.
1:24underwater coral reef fish An underwater wide shot reveals a vibrant coral reef teeming with marine life. Various types of coral, in shades of green and brown, form intricate structures on the ocean floor. Numerous small fish, appearing dark with yellow accents, swim around and among the coral. The water is clear and blue, with faint light rays filtering from above. White text overlay states: 'The love for the ocean isn't Emirati'. The lighting is natural and bright, showcasing the rich biodiversity. The color palette is a lively mix of blues, greens, browns, and the iridescent colors of the fish.
1:27clownfish anemone closeup An underwater close-up shot focuses on a small, light orange clownfish nestled amongst the flowing tentacles of a brown sea anemone. The anemone's tentacles are dense and sway gently in the water. The water background is a dark, indistinct blue. White text overlay appears: 'It's not Tanzanian'. The lighting is soft and natural, emphasizing the intricate details of the fish and anemone. The color palette is warm browns and oranges of the anemone and fish, contrasted with the darker blue background, creating a cozy and intimate feel.
1:29man freediving profile An underwater medium shot shows the man (Sheikh Fahim) freediving in profile, moving horizontally through the clear blue water. He wears a dark wetsuit, diving mask, and snorkel. The background is a soft blue, with hints of indistinct rock formations or coral. White text overlay states: 'It's human'. The lighting is diffuse and natural, creating a serene underwater environment. The color palette consists of deep blues, the dark tones of his gear, and the subtle greens and browns of the distant seabed. His movements are calm and purposeful.
1:31two men freediving stillness An underwater medium shot shows two men freediving, with the man (Sheikh Fahim) in the foreground, his back to the camera. He wears a dark wetsuit, mask, and snorkel. Another freediver is visible in the mid-ground, slightly out of focus. They are swimming over an indistinct, rocky ocean floor. White text overlays appear: 'Different worlds' and 'Same stillness'. The water is clear and a vibrant blue. The lighting is diffuse natural light. The color palette is predominantly deep blues, dark tones of their wetsuits, and muted greens/browns of the seabed. The scene evokes a sense of shared experience and tranquility.
1:34man whale shark encounter An underwater wide shot captures a magnificent whale shark swimming horizontally, accompanied by a lone freediver (Sheikh Fahim) in the distance. The whale shark, with its distinctive spotted pattern, dominates the left side of the frame. The freediver is further back and to the right, appearing small next to the massive creature. The water is a deep, clear blue, with diffused natural light. White text overlays appear: 'when somebody spots their first whale shark' and 'That's what connects us'. The scale difference between man and shark is dramatic, creating a sense of awe. The color palette is deep blues and the dark, spotted pattern of the whale shark.
1:38whale shark swimming away An underwater wide shot continues to show the whale shark swimming gracefully into the deep blue ocean, with the freediver (Sheikh Fahim) following at a distance. The whale shark, with its distinctive spotted pattern, is moving away from the camera, revealing its immense size. The freediver is further back and to the right, maintaining a respectful space. The water is clear and a profound blue, with soft, diffused natural light. The scene emphasizes the vastness of the ocean and the serene co-existence. The color palette is deep blues and the intricate patterns of the whale shark.
1:41man in ocean looking at island A medium shot captures the man (Sheikh Fahim) partially submerged in the ocean, holding his snorkeling gear. He is looking towards the right side of the frame, where a distant tropical island with lush green trees and a white sandy beach is visible. The water around him is a choppy blue, suggesting gentle waves. The sky above the island is bright and clear with scattered clouds. The lighting is bright and natural. The color palette features the blues of the ocean and sky, contrasting with the green of the island and the dark of his wetsuit. His expression is contemplative as he gazes at the land.
1:43aerial jumeirah thanda island A high aerial wide shot reveals the heart-shaped Jumeirah Thanda Island, surrounded by brilliantly clear turquoise waters. The island's dense green foliage stands out against the white sandy beaches that form its perimeter. The water immediately surrounding the island is incredibly shallow and transparent, revealing intricate coral reef formations beneath the surface. White text overlay appears: 'Jumeirah Thanda Island sits in a marine reserve'. The sky above is a bright, clear blue. The lighting is bright and sunny, enhancing the vibrant natural colors. The camera slowly zooms out, emphasizing the pristine and protected nature of the island.
1:47conch shell beach sunset A close-up shot focuses on a beautifully patterned conch shell lying on damp, golden sand at the edge of the ocean. In the softly blurred background, gentle ocean waves lap against the shore, and the warm glow of a sunset (or sunrise) is visible on the horizon. White text overlays describe the natural environment: 'Five hectares of protected ocean' and 'Nesting beaches'. The lighting is warm and golden, creating a soft, inviting atmosphere. The color palette is dominated by the earthy tones of the shell and sand, contrasted by the warm glow and muted blues of the distant ocean.
1:49untouched coral reef An underwater wide shot showcases a thriving coral reef with numerous small fish swimming actively above and around it. The coral formations are varied in shape and texture, predominantly in shades of brown and beige, indicating a healthy ecosystem. The water is exceptionally clear and blue, with diffused natural light filtering from the surface above. White text overlay states: 'Untouched coral'. The scene emphasizes the rich biodiversity and untouched nature of the marine environment. The color palette is a vibrant mix of blues, browns, and the subtle iridescence of the fish.
1:51aerial luxury villa pool A high aerial shot captures a luxurious white villa nestled on a tropical island, surrounded by lush green vegetation. The villa features multiple levels and balconies. In the foreground, a large, uniquely shaped swimming pool with clear turquoise water is visible, surrounded by wooden decking and a green lawn. White text overlays highlight the exclusivity: 'One villa', 'Five suites', and 'That's it'. The lighting is bright and sunny, creating sharp contrasts between light and shadow. The color palette is dominated by the crisp white of the villa, the vibrant greens of the foliage, and the inviting turquoise of the pool.
1:55beach camp sunset A wide shot captures a serene beach scene at dusk. In the foreground, a makeshift camp with an orange tent-like structure is set up, adorned with string lights. A lone figure is visible in the distance, walking along the shore, silhouetted against the fading light of the sky. A tall palm tree frames the left side of the shot. The sky transitions from a soft teal to warm orange and pink hues near the horizon, with dramatic clouds overhead. The lighting is soft and ambient, creating a tranquil and atmospheric mood. The color palette is rich with twilight blues, oranges, and deep greens.
1:57man talking dinner tent A medium shot captures the man (Sheikh Fahim) seated at a table under an ambiently lit tent structure at night. He is animatedly talking and gesturing with both hands, his expression engaging and passionate. A plate with some food is visible in front of him. An ornate, glowing lantern hangs above the table, casting warm light. White text overlays appear: 'Most private islands are about escape' and 'This one's about connection'. The background is dark and blurred, with hints of other people. The lighting is warm and intimate from the lantern. The color palette is rich with warm oranges, reds from the tent, and dark backgrounds, highlighting the man's face.
2:00man smiling dinner closeup A close-up shot of the man (Sheikh Fahim) seated at a table under a tent at night. He initially looks down with a gentle smile, then looks up and directly at an unseen interlocutor, his smile broadening into a warm, genuine expression. White text overlays transition on screen: 'to the ocean', 'to the land', and 'to what matters'. The lighting is warm and intimate, casting soft glows on his face. The background is softly blurred, showing hints of another person. The color palette is warm, focusing on his skin tones and the ambient lighting. The scene conveys authenticity and heartfelt sentiment.
2:03luxury room art decor An interior wide shot of a tastefully decorated luxury room. The focal point is a large, abstract painting in shades of teal and green on the wall. Below it, a white console table is adorned with various white ceramic sculptures and two prominent circular decorative pieces resembling shell wreaths. A vibrant green potted plant sits on a wooden coffee table in the foreground. The lighting is soft and elegant, with some natural light filtering in, creating a sophisticated and serene ambiance. The color palette is cohesive, featuring teal, green, white, and warm wood tones, reflecting an on-brand aesthetic.
2:06infinity pool ocean sunset A wide shot captures a luxurious infinity pool overlooking the ocean at sunset. The pool's edge appears to merge seamlessly with the vast sea beyond. The sky is painted with warm golden and soft blue hues, and the setting sun casts a dazzling reflection on the water's surface. Tall palm trees frame the sides of the shot, adding to the tropical ambiance. White text overlay appears: 'luxury and the wild'. The lighting is warm and dramatic, highlighting the serene beauty of the transition from day to night. The color palette is rich with golden oranges, soft blues, and the dark silhouettes of the palms.
2:09aerial island sunset A high aerial wide shot reveals a tropical island at sunset, nestled in the ocean. The sun, a bright golden orb, is low on the horizon, casting a long, shimmering reflection across the water towards the camera. The island itself is a dark silhouette of dense trees and a narrow white beach. The sky is a dramatic mix of soft blues, grays, and golden light around the sun. White text overlay states: 'Arabian warmth on an African shore'. The lighting is warm and atmospheric, creating a powerful sense of place and tranquility. The color palette is a beautiful blend of deep blues, golden yellows, and dark natural tones.
2:12people coral restoration beach A close-up shot focuses on multiple hands, possibly of different individuals, working with small, broken coral pieces on a sandy beach. One hand holds a small piece of coral, while others are visible in the background, engaged in similar activities. A woman with glasses is partially visible, observing the work. White text overlay appears: 'This place is about something bigger'. The setting is bright and outdoors, likely a sunny beach. The lighting is natural and highlights the textures of the coral and sand. The color palette is earthy browns and whites of the coral and sand, with hints of green from nearby foliage.
2:15coral attached frame underwater A close-up underwater shot shows small coral fragments attached with white zip ties to a metal frame, possibly for coral regeneration. The frame is submerged in clear blue water, with a blurry background of more water. White text overlay states: 'Every guest who stays'. The lighting is natural and bright, illuminating the coral and the frame. The color palette is vibrant blues of the water, contrasting with the orange-brown hues of the coral fragments and the white of the zip ties. The scene emphasizes precision and care in marine conservation efforts.
2:17man working coral frame underwater An underwater medium shot shows a man (Sheikh Fahim) in a dark wetsuit and diving mask, working on a coral regeneration frame on the ocean floor. He is kneeling, carefully tending to the coral fragments attached to the metal structure. The seabed is sandy with some scattered rocks. White text overlay appears: 'and every member of the team here supports marine conservation'. The water is clear and blue, with diffused natural light. The color palette consists of deep blues, dark tones of his wetsuit, and the natural browns and greens of the coral and seabed. His movements are precise and dedicated.
2:20sparkling ocean surface closeup A close-up shot focuses on the sparkling surface of the ocean water, viewed from just below the surface, looking upwards. Ripples and distorted reflections of light create a dynamic and abstract pattern of bright white streaks against the dark teal water. White text overlay states: 'Every meal considers the ocean'. The lighting is bright from above, creating strong highlights and contrasts. The color palette is dominated by deep teal, bright whites, and shimmering blues. The scene creates a sense of natural movement and depth.
2:23dolphins in ocean A medium shot captures three dolphins gracefully breaching the surface of the ocean. The water is a deep blue-green, with gentle waves. The sky above is overcast with soft gray and white clouds. White text overlay appears: 'Every experience respects it'. The lighting is diffuse due to the clouds, creating a soft, natural look. The color palette is cool blues and grays, with the darker bodies of the dolphins. The scene evokes a sense of wildlife appreciation and respect for nature.
2:26man pulling sailboat rope A close-up shot of the man (Sheikh Fahim) on a sailboat, actively pulling a blue rope with both hands. He wears sunglasses, a white short-sleeved shirt, and a small bracelet on his right wrist. His face is in profile, turned slightly upwards, with a focused and happy expression, showing a slight smile. The large, light-colored sail is visible in the blurred background. The lighting is bright and sunny. The color palette is warm, with the white shirt, tanned skin, and the blue rope. The scene conveys active enjoyment and engagement.
2:29beach house hammock A wide shot of a charming, rustic-style beach house nestled among tall trees on a sandy beach. The house has a steep, thatched roof and wooden walls with multiple windows. A white woven hammock is strung between two trees in the sandy foreground, inviting relaxation. The sky above is bright blue with scattered white clouds. The lighting is bright and natural, highlighting the textures of the wood and sand. The color palette is natural greens of the trees, browns of the house, and the soft white of the hammock and sand. The scene evokes tranquility and a sense of secluded paradise.
2:31man walking beach sunset threats A wide shot of the man (Sheikh Fahim) walking slowly along a sandy beach at sunset, seen from a distance. He is a dark silhouette against the vibrant, dramatic sky. The sky is filled with heavy, dark clouds tinged with orange and pink from the setting sun, creating a powerful and somewhat ominous atmosphere. The ocean waves gently lap the shore in the background. White text overlays appear: 'Today the threats keep growing' and 'Plastic, warming waters'. The lighting is atmospheric and low-key, emphasizing the silhouettes and the vastness of the environment. The color palette is deep blues, grays, and fiery oranges of the sky.
2:34man on beach sunset threats closeup A medium shot of the man (Sheikh Fahim) standing on a beach at sunset, looking out towards the ocean with a serious, pensive expression. He is wearing a white short-sleeved shirt. The sky is dark and cloudy with hints of orange glow from the setting sun, creating a somber mood. White text overlay states: 'Ghost nets'. The lighting is dim and atmospheric, with soft light on his face. The color palette is muted blues, grays, and dark oranges, reflecting the serious tone. The camera slowly zooms in on his face, emphasizing his contemplative state.
2:36two people holding turtle beach A medium shot shows two people, a man (Sheikh Fahim) and a woman, standing on a sandy beach, gently holding a sea turtle together. They are both wearing white short-sleeved shirts with the Jumeirah logo and a turtle rehabilitation project emblem. The woman is smiling at the man, who is focused on the turtle. The ocean is visible in the background. White text overlay appears: 'I could focus on the losses'. The lighting is bright and sunny. The color palette features white shirts, natural sand tones, and the blue-green of the ocean. The scene conveys partnership and shared purpose.
2:38tracked turtle underwater swimming A vertical video frame, captured in a wide shot, shows a sea turtle swimming gracefully over a sandy ocean floor. The water is clear and light green, with gentle ripple patterns visible on the sand below. The turtle has a tracking device attached to its shell. White text overlays track its journey: 'Instead I check Farah's tracker', 'She's still out there', and 'Still swimming'. The lighting is bright and natural, illuminating the underwater scene. The color palette is light greens and blues of the water, with the natural greens, browns, and dark patterns of the turtle. The scene is peaceful and reassuring.
2:41two people beach one turtle saved A medium shot captures a woman (same as before) with her arm around the man (Sheikh Fahim) on a sandy beach. She is smiling and talking to him, while he looks towards the distance. Both are wearing white short-sleeved shirts with the Jumeirah logo. The background is a bright, slightly blurred beach scene with other indistinct figures. White text overlay states: 'One turtle saved'. The lighting is bright and sunny. The color palette features white shirts, natural sand tones, and the blue-green of the ocean in the distance. The scene conveys camaraderie and a sense of shared success.
2:43man cap sunglasses hope A close-up shot of the man (Sheikh Fahim) wearing a white and black baseball cap with Arabic script, and reflective blue sunglasses. He is looking downwards, then raises a hand to his face, as if in contemplation or emotion, and slightly rubs his nose before looking up. His expression is thoughtful and slightly emotional. White text overlay appears: 'Multiply that by 2,000'. The background is blurred, suggesting an outdoor, bright environment. The lighting is bright and natural, highlighting the details of his cap and sunglasses. The color palette is bright whites, blues, and the warm tones of his skin.
2:46man pensive hope closeup A close-up shot of the man (Sheikh Fahim) in a white short-sleeved shirt, looking to the side with a pensive and hopeful expression. His hand rests gently on his arm. The background is blurred, showing soft, muted colors of a sunset sky. White text overlay states: 'That's hope'. The lighting is soft and atmospheric, highlighting the contours of his face and his thoughtful gaze. The color palette is dominated by soft blues, grays, and the warm tones of his skin. The scene conveys a deep sense of optimism and reflection.
2:49end card brand message A plain black screen with elegant white text centrally displayed. The text initially reads: 'Where the world meets,'. After a brief pause, the second line appears: 'and you belong.'. The font is clean and modern. The scene is static, allowing the message to be the sole focus. The color palette is stark black and white, creating a sophisticated and impactful visual. This functions as a strong closing statement.
A plain black screen with elegant white text centrally displayed. The text first shows 'JUMEIRAH' in a stylized font, followed by 'HOTELS & RESORTS' appearing directly below it. The scene is static, serving as a clear brand identification. The color palette is stark black and white, presenting a minimalist and premium aesthetic. This is the final branding element of the video.
