0:00interview man talking intro
A medium shot frames an older Caucasian man with short, neatly combed grey hair, seated and looking slightly to the left of the camera, engaged in speaking. He is wearing a dark navy blue collared sweater layered over a crisp white collared shirt, with the top buttons casually unbuttoned. The background is a modern office environment, featuring minimalist wooden shelving units, some green potted plants for decor, and a light-colored wall. Soft, diffused lighting illuminates his face from the front-right, creating subtle shadows that add depth to his features. The overall color palette is professional and calm, dominated by blues, whites, and warm wooden tones. White text overlays appear gradually at the bottom of the screen: "This was in the days", "when the Olympics", "Nick Wheeler.", "Founder", "were basically", "a competition between", and finally "Russia and America.". He occasionally uses gentle hand gestures to emphasize his points.
0:04skyline los angeles 1984
This wide shot showcases the downtown Los Angeles skyline, bathed in the soft, warm light of either sunset or sunrise. The sky transitions gracefully from a delicate pinkish-orange hue near the horizon to a lighter, serene blue overhead. Dominating the middle ground are several tall, rectangular high-rise buildings, constructed primarily from warm brown and grey materials. In the immediate foreground, a scattering of palm trees adds a tropical touch, their silhouettes starkly defined against the luminous city. Prominently overlaid white text reads "Los Angeles", with "1984" situated directly beneath it. An additional caption at the bottom states, "I arrived in Los Angeles". The scene evokes a strong sense of nostalgia and cinematic beauty, with its carefully chosen warm color palette.
0:05young man sitting by wall
A medium shot captures a young Caucasian man with dark brown, slightly shaggy hair, looking directly into the camera with a neutral yet focused expression. He wears a light blue and white striped long-sleeved shirt, with the top buttons unbuttoned to reveal his chest. He leans forward, his forearms resting casually on a light-colored, possibly concrete, wall or railing. To his right, a disposable coffee cup or similar container with the word "Miguel" visible is placed on the wall. The background consists of abundant, lush green foliage, suggesting an outdoor setting such as a balcony or a garden terrace. The scene is brightly illuminated by natural, even lighting. White text overlaid at the bottom of the frame reads "and I'd just left school.".
0:07interview man talking olympics
This medium shot features the older Caucasian man previously seen in Scene 1, continuing his narrative. He is seated comfortably, directing his gaze slightly upward and to the left, his expression thoughtful and reflective. He is dressed in the same navy blue sweater over a white collared shirt, maintaining a consistent professional appearance. The background echoes the modern office setting with its distinct wooden shelving units, tastefully arranged decorative plants, and a clean, light-colored wall. The lighting remains soft and even, gently highlighting the contours of his face. White text appears at the bottom center of the screen, stating: "It happened to be the 1984 Olympics". He periodically moves his head slightly, indicating engagement in his storytelling.
0:09olympic stadium wide shot
A grand wide shot presents a vast Olympic stadium, teeming with both spectators and numerous athletes. The vibrant reddish-brown track is prominently featured in the foreground, ready for competition. The expansive inner field is a brilliant green, densely populated by individuals dressed in white attire, likely participating in an elaborate opening or closing ceremony. The towering grandstands are packed to capacity with a diverse crowd, creating a dynamic texture and emphasizing the immense scale of the event. In the background, a segment of the stadium's classical architecture is visible, adorned with a large, illuminated screen. The lighting suggests an evening setting, with artificial lights casting a glow over the entire scene. The overall mood is one of grand celebration and excitement.
0:10runner crossing finish line
A dynamic medium shot captures a male athlete in a moment of triumph, mid-stride as he powerfully crosses a white finish line tape. He is outfitted in a vibrant red racing singlet, emblazoned with the white text "USA 915", paired with dark athletic shorts. His arms are spread wide in a gesture of celebration and victory. The background portrays a bustling track and field stadium, with spectators in the stands appearing as a blurred, energetic mass. The scene is brightly lit by abundant natural sunlight, indicating a daytime event, which further emphasizes the athlete's triumphant glow. White text overlaid at the bottom of the frame simply reads "The great thing is". The overall visual is one of exhilaration and accomplishment, perfectly capturing the peak of a competitive race.
0:11hamburger assembly slow motion
A highly stylized, slow-motion sequence showcases a hamburger being meticulously assembled, with each ingredient gracefully descending and settling into place against a deep, dark background. The shot initiates with a perfectly toasted brown top bun, followed in sequence by a vibrant red tomato slice, a pristine white onion ring, a rich yellow cheese slice, a savory grilled meat patty, and finally, a bed of fresh, crisp green lettuce. Each component appears exceptionally fresh and arranged with precision. The lighting is direct and acutely focused on the food, enhancing its visual appeal and making it look particularly appetizing. White text appears at the bottom of the screen, first stating "that McDonald's" and then transitioning to "had this promotion". The entire process unfolds with smooth, deliberate motion, creating an engaging and satisfying visual experience.
0:13mcdonalds olympic medals game card
A close-up, slightly angled shot reveals a "McDonald's® Olympic Medals Game" scratch-off card. The card itself is predominantly white, featuring a vivid red triangle positioned in the top left corner and a matching blue triangle in the bottom right. A prominent golden wreath encircles a grey, scratch-off circular area in the center. Bold text, "When the U.S. wins – you win!", is clearly visible. Beneath the scratch-off section, detailed instructions on how to play are printed, including a historical reference to the "1976 Summer Olympics". White text is overlaid directly onto the card, first reading "America won a gold medal,", and subsequently, "you could win a Big Mac.". The lighting is uniform and even, designed to highlight the intricate details and vibrant colors of the card, making it easily legible and visually engaging.
0:16interview man talking russia pullout
A medium shot captures the older Caucasian man, who continues to speak, his expression now more direct and focused, tinged with a slight frown of concern or deep recollection. He is consistently dressed in the navy blue sweater over a white collared shirt. The background remains the familiar modern office setting, characterized by wooden shelving units and decorative plants, maintaining a sense of continuity. The lighting is soft and even, providing consistent illumination without harsh shadows. White text appears at the bottom of the frame, first stating "And Russia pulled out of the Olympics" and then transitioning to "just before.". He occasionally gestures with his left hand, subtly reinforcing his narrative.
0:19interview man with newspaper overlays
This medium shot depicts the older Caucasian man from previous scenes, speaking, but his face is notably obscured by a dynamic overlay of multiple overlapping newspaper and magazine clippings. The most prominent clipping is a "TIME" magazine cover, dramatically titled "OLYMPIC TURMOIL Why the Soviets Said Nyet," featuring an impactful illustration of a bear clutching Olympic rings. Other visible clippings include headlines like "Russians cite threats for Games boycott" and "Soviets pull out of Olympics U.S. calls complaints unfounded." These clippings, each bordered in red, appear to be layered in a pseudo-3D space, rotating and shifting slightly as they are introduced. White text overlays include "And this was", "in the days when the", "Olympics were basically a", "competition between", and "Russia and America.". The underlying background remains the familiar office setting. This composite scene uses visual documents to underscore the historical context of the interviewee's narrative.
0:24interview man talking america wins
In this medium shot, the older Caucasian man continues to speak, now displaying a noticeably more relaxed, almost slightly amused expression, possibly reflecting on the favorable outcome of the events he is describing. He is dressed in the consistent navy blue sweater over a white collared shirt. The background remains the familiar modern office setting, complete with wooden shelving and green potted plants, maintaining visual continuity. The lighting is soft and even, providing a gentle, flattering illumination. White text appears at the bottom of the screen, first stating "So, America ended up winning pretty" and then completing the thought with "much every single gold medal.". He occasionally gestures subtly with his right hand, adding emphasis to his narrative.
0:28runners on track stadium
A wide shot, taken from a high vantage point, overlooks a track and field event within a grand stadium. Two male athletes are actively running on the track, which is a distinctive reddish-brown color marked with crisp white lanes. They are captured mid-race, their forms slightly blurred to convey motion and speed. The stadium stands are densely packed with a large, enthusiastic crowd, appearing as a blurred, textured mass in the light grey seating. A large scoreboard is visible in the background, alongside a tall pole structure topped with a small observation booth. The scene is bathed in bright, natural sunlight, indicating a daytime event. White text at the bottom of the frame reads "So I spent six weeks".
0:29athlete holding medal
A compelling medium shot, captured from behind an athlete in a bustling stadium, shows him raising a gleaming gold medal triumphantly overhead. The athlete is dressed in a dark blue tracksuit accented with vibrant red and white stripes. His back is to the camera, but his right arm is fully extended upwards, proudly displaying the shiny gold medal, which catches the light. The background features the blurred but unmistakably vast stadium, filled with countless spectators in the stands, strongly conveying a moment of significant victory following a competition. The scene is brightly illuminated by abundant outdoor light. White text overlaid at the bottom of the frame states "living on, big fries.".
0:30young man eating fries black white
A close-up, black and white shot features the young Caucasian man previously seen in Scene 3, now immersed in eating french fries within a stadium setting. He is casually dressed in a simple white t-shirt. His expression is entirely focused on the act of eating, with his mouth slightly open as he brings a fry towards it. He holds a small, white carton of fries in his left hand, while his right hand selects a single fry. The blurred background reveals stadium seating packed with people and glimpses of the track, indicating an active live event. The black and white filter lends a distinctive nostalgic or vintage aesthetic to the scene. White text appears at the bottom of the frame, initially "big fries." and then adding "It was a sort of Super Size Me moment.".
0:32american flag waving
A medium shot proudly displays a large American flag, dynamically waving against a bright, subtly hazy blue sky. The flag's iconic red and white stripes, along with the white stars set against a blue field, are clearly visible as it billows gracefully in the wind. The top section of a plain white flagpole is also visible on the left side of the frame, anchoring the flag. The lighting is entirely natural and bright, indicative of outdoor conditions on a clear day. White text overlaid at the bottom of the frame reads "Super Size Me moment.". The scene powerfully evokes feelings of patriotism and the enduring American spirit.
0:33three young men beach car
A wide shot captures three young Caucasian men, appearing to be in their late teens or early twenties, posing confidently by a vintage white car on a rugged, rocky beach. Two of the men are wearing white shorts, while the third is in dark shorts; all are shirtless and sport straw cowboy hats. The background features dark volcanic rocks contrasting with the gentle blue waves of the ocean and a vast, clear blue sky overhead. The scene is brightly illuminated by natural sunlight, imparting a carefree and adventurous atmosphere. White text at the bottom of the frame reads "It was a sort of Super Size Me moment.".
0:34interview man talking road trip
A medium shot shows the older Caucasian man, actively speaking with a direct and engaged expression. He is dressed in the same navy blue sweater layered over a white collared shirt. The background maintains consistency with the modern office setting, complete with wooden shelving units and decorative plants. The lighting remains soft and even, providing a consistent glow. White text at the bottom of the frame reads "We decided we were going to do a road trip.". His gaze is directed towards the off-camera interviewer, indicating a natural conversational flow as he recalls past events.
0:35man walking by tall ship
A medium-wide shot captures a man walking purposefully from left to right in the foreground, dressed in dark, unassuming clothing. Dominating the background is a magnificent, large traditional tall ship, its intricate rigging and towering masts prominently displayed as it remains docked in what appears to be a busy harbor or port. Several other cars are visible in the mid-ground, parked alongside the waterfront. The sky overhead is a bright, clear blue dotted with scattered white clouds, suggesting a pleasant day. The lighting is natural and sunny, illuminating the scene distinctly. White text at the bottom of the frame reads "We drove from Los Angeles to New York". The overall scene evokes a strong sense of travel and adventurous journey.
0:36golden gate bridge
A wide, slightly low-angle shot magnificently showcases the iconic Golden Gate Bridge, its distinctive orange-red towers dramatically stretching upwards into a clear, vibrant blue sky. Numerous cars are visible traversing the bridge, and the intricate network of suspension cables forms a striking pattern against the sky. Rolling hills adorned with lush greenery frame either side of the bridge in the distant background. The lighting is exceptionally bright and sunny, intensely highlighting the bridge's vibrant color in sharp contrast to the deep blue sky. White text at the bottom of the frame reads "We drove from Los Angeles to New York". This scene is a classic travel shot, effectively conveying a sense of monumental scale and an epic journey.
0:37monument valley rock formations
A wide shot presents the awe-inspiring and distinctive rock formations of Monument Valley. Three towering, majestic red-rock mesas stand proudly against a vast, intensely clear blue sky, dominating the horizon. The foreground consists of an arid desert landscape, characterized by reddish-brown earth and sparse, resilient vegetation. The lighting is harsh and bright, typical of a desert environment, creating dramatic contrasts and deep shadows that highlight the rugged textures of the rock faces. White text at the bottom of the frame reads "in a clapped out old". The scene powerfully conveys a sense of wild, natural beauty and the expansive, untamed character of the open American landscape.
0:38statue of liberty under scaffolding
A medium-wide shot focuses on the Statue of Liberty undergoing significant renovation, with much of its form obscured by extensive scaffolding. The statue itself appears to be of a light green or weathered copper color, with the intricate metal framework of the scaffolding densely covering its surface. It stands tall and somewhat indistinct against a slightly overcast, grey sky. In the foreground, water is visible, and a distant shoreline or industrial area can be glimpsed on the left side of the frame. The lighting is diffused due to the overcast conditions, creating a softer, muted overall tone. White text at the bottom of the frame reads "Cadillac that I bought.". The scene captures a unique historical moment of the monument's necessary preservation and upkeep.
0:39three young men on car beach blue sky
This wide shot, reminiscent of Scene 16 but with a more intense color palette and a different angle, showcases three young Caucasian men, shirtless and sporting straw cowboy hats, sitting on and around a vintage white car. Two are casually positioned on the car's hood, while one perches confidently on the roof. They gaze towards the left of the frame with self-assured expressions. The setting is a rocky beach, with vibrant blue ocean waves gently crashing in the background and an intensely clear, deep blue sky stretching overhead. The natural sunlight is exceptionally bright and strong, casting minimal, sharp shadows. White text at the bottom of the frame reads "I remember thinking". The scene exudes a powerful sense of nostalgia, youthful adventure, and a touch of rebellious freedom.
0:41interview man talking america amazing
A medium shot focuses on the older Caucasian man, who is speaking with a warm, genuine smile gracing his face. His eyes are slightly crinkled at the corners, indicating a deep, fond recollection of his memories. He is consistently dressed in the navy blue sweater over a white collared shirt. The background remains the familiar modern office setting, complete with wooden shelving units and green potted plants. The lighting is soft and even, providing a gentle and inviting illumination. White text overlays appear gradually: "Nick Wheeler." (referring to the interviewee), followed by "I remember thinking", then "America was just", and finally "the most amazing place on Earth.". His overall demeanor is reflective, positive, and genuinely heartfelt, as he shares his deep appreciation.
0:43brand logo full
This scene displays a static, dark blue screen serving as a background for white text. At the top, the name "Nick" is presented in a flowing, handwritten style. Below it, "CHARLES TYRWHITT" is displayed prominently in a clean, sans-serif uppercase font, exuding a sense of contemporary professionalism. Finally, beneath this, the surname "Wheeler." is rendered in a matching handwritten style, complementing the first name. The background is a solid, deep navy blue, which provides a stark and elegant contrast, making the white text stand out crisply and clearly. The lighting is uniform, ensuring perfect legibility and a polished presentation of the logo.
0:44brand logo simplified
This scene features a static, dark blue screen. The text "CHARLES TYRWHITT" is centrally displayed in a clean, sans-serif uppercase font, standing out boldly against the deep background. This is a simplified, more minimalist version of the previous logo, focusing solely on the brand name. The background is a solid, deep navy blue, providing a strong, elegant contrast that ensures the white text is perfectly legible and prominent. The lighting is uniform across the screen, contributing to the graphic's polished and clear presentation.
