0:00pit lane car wheel The scene opens with a low-angle shot focusing on the large, black Pirelli tire of a sleek Formula 1 race car, partially obscured by the legs of a person in black trousers on the right. The car is dark with golden accents, featuring 'IWC' and 'EA SPORTS' branding clearly visible on its body. In the background, there's a white and purple banner displaying 'THE TEMPLE OF SPEED' and 'FORMULA 1' logos, indicating a pit lane or garage area. The lighting is bright and natural, suggesting an outdoor, sunny environment. The overall color palette is dominated by black, white, and gold, with hints of purple from the banner. The camera is static, capturing the detail of the tire and the car's aerodynamic design.
0:01driver glove detail This is an extreme close-up shot of a white racing glove, featuring a detailed graphic of a classic analog watch on its wrist area. The graphic depicts a circular watch face with hour markers and hands, and the 'IWC' logo. The glove is seen moving, specifically adjusting or touching something within a dark, confined space, likely the cockpit of a race car. The background is dark and out of focus, drawing full attention to the glove and its intricate design. The lighting is soft but clear, highlighting the textures of the fabric and the watch graphic. The dominant colors are white, black, and silver from the watch graphic, emphasizing precision and brand identity.
0:02driver adjusting visor The camera provides a first-person perspective from inside the cockpit of a Formula 1 car, looking out through the driver's helmet visor. A gloved hand, similar to the one in the previous scene, reaches up to adjust the dark visor of a black and gold racing helmet. The helmet itself features prominent 'Shark Ninja', 'Expensify', and 'IWC' branding. The background is slightly blurred but appears to be an outdoor race track environment with distant grandstands and possibly other cars or personnel. The lighting is bright and even, indicating daytime. The scene emphasizes the preparation and focus of a race car driver, connecting the precision of the watch brand to the high-stakes world of racing. The colors are predominantly black, gold, and white, with the natural greens and grays of the track in the background.
A wide-angle POV shot from inside the cockpit of a Formula 1 car positioned on the starting grid of a race track. Several other F1 cars are visible in front, lined up, with personnel and barriers on either side. The track extends far into the distance under a bright, overcast sky. The foreground of the car shows various controls and the steering wheel, indicating the driver's position. White text overlay at the bottom reads: 'We wanted to capture the'. The colors are natural greens of the track, gray asphalt, and the various liveries of the F1 cars. The lighting is bright and even, typical of an outdoor daytime race.
0:04director talking head 1 A medium shot of Joseph Kosinski, a white male with dark hair, wearing a black long-sleeved shirt. He is seated in a dark blue theater seat, leaning slightly forward with one arm resting on the armrest. The background consists of rows of empty, dark blue theater seats, receding into a softly lit darkness. The lighting is focused on him, with a soft fill light from the front, creating a dramatic yet clear illumination. His expression is serious and thoughtful as he speaks. White text overlay continues the sentence: 'most authentic racing film ever.' The color palette is dark and cool, with the deep blues of the seats and his black shirt contrasting with his fair skin.
0:07race starting lights A close-up shot of the vertical array of starting lights at a race track. All five pairs of red lights are illuminated, signaling the imminent start of a race. The background is a clean, bright white, contrasting sharply with the dark gray structure holding the lights. The lighting is even and highlights the vivid red glow of the lights. The scene is devoid of any other elements, focusing solely on the iconic race start signal. The color palette is dominated by the intense red of the lights against the stark white and dark gray. This shot conveys tension and anticipation.
0:08driver focused in cockpit 2 The camera returns to a close-up, first-person perspective from inside the Formula 1 car's cockpit, similar to an earlier shot. The driver's helmet, black and gold with 'IWC' branding, is prominent. The driver's eyes are visible through the visor, intensely focused forward, conveying concentration and determination. The dark interior of the cockpit frames the helmet, with glimpses of the blurred track ahead. The lighting is bright and even, highlighting the golden details of the helmet. The color scheme is predominantly black and gold, with the driver's eyes as a focal point.
0:09f1 cars starting grid A wide, slightly elevated shot captures a grid of Formula 1 cars, neatly arranged in two columns on a vast asphalt race track. A red safety car leads the formation, followed by approximately 20-30 F1 cars, all black with gold accents and various sponsor logos. In the background, large grandstands are visible, filled with a crowd of spectators, under a bright, partly cloudy sky. The track is marked with white lines and distance indicators ('50', '100', '150'). The lighting is natural and bright, highlighting the scale of the event. The dominant colors are the black of the cars, gray of the track, green of the grass verges, and the diverse colors of the distant crowd, conveying the excitement and magnitude of a race start.
0:10f1 car speeding low angle A dynamic, low-angle shot captures a single Formula 1 car speeding along a race track from left to right. The car, primarily black with gold accents and the number '7' visible, is captured with significant motion blur, emphasizing its incredible speed. The background, including a green wall or barrier and distant structures, is heavily blurred. The camera is very close to the track surface, giving a visceral sense of speed. The lighting is bright and natural, indicating daytime. The dominant colors are black, gold, and the greens of the track, conveying excitement and high performance.
0:11two f1 cars racing A thrilling low-angle shot shows two Formula 1 cars racing side-by-side on a track, with one car slightly ahead and to the right of the frame, and another just behind it and to the left. Both cars are dark with gold accents and sponsor logos, including 'IWC' on the front wing of the leading car. They are moving at high speed, evidenced by the motion blur in the background, which includes green barriers and distant track structures. The camera is positioned very close to the track, enhancing the sense of speed and intensity. The lighting is bright and natural, and the color palette is dominated by black, gold, and vibrant greens, creating an exciting and competitive atmosphere.
0:12driver focused in cockpit 3 The camera returns to a close-up, first-person perspective from inside the Formula 1 car's cockpit. The driver's helmet, black and gold with 'Shark Ninja', 'Expensify', and 'IWC' branding, is prominent. The driver's eyes are visible through the visor, intensely focused forward, conveying deep concentration. The blurred track ahead is visible through the visor. White text overlay at the bottom reads: 'So for us, this was really something'. The lighting is bright and even. The color scheme is predominantly black and gold, with the driver's eyes as a focal point, emphasizing the mental intensity required in racing.
0:13ceo talking head 1 A medium shot features Christoph Grainger-Herr, the CEO of IWC Schaffhausen, a white male with short, neat brown hair, wearing a dark green polo shirt and a watch on his left wrist. He is speaking directly to the camera, gesturing with his hands. He is positioned in a modern watch manufacturing facility, visible through a large glass partition behind him. In the blurred background, other technicians in white lab coats are seen working at brightly lit workstations. The lighting is bright and even, giving a clean, professional aesthetic to the environment. White text overlay on the bottom reads: 'where right from the get go we said we want to be a part of'. The dominant colors are the dark green of his shirt, the white of the lab coats, and the light grays and blues of the factory interior, conveying professionalism and precision.
0:16pit stop tire change A dynamic, low-angle shot captures the frenetic activity of a Formula 1 pit stop. Several pit crew members, dressed in black racing overalls and helmets, are actively changing a large tire on a race car. One crew member is seen rolling a tire into position, while others are kneeling and working on the car. The scene is fast-paced and chaotic, emphasizing teamwork and precision under pressure. The car is dark with golden accents. The background is blurred, focusing on the action in the pit lane. The lighting is bright and natural. White text overlay at the bottom reads: 'because of our heritage in racing.'. The color palette is dominated by black, white, and gold, conveying professionalism and intense activity.
0:18pit stop front wing detail A close-up, low-angle shot shows a pit crew member, wearing black overalls and gloves, kneeling and meticulously working on the front right wheel area of a Formula 1 car during a pit stop. The car's front wing, featuring a prominent 'IWC' logo and part of the gold nose cone, is clearly visible. Another pit crew member's legs are also visible in the foreground. The lighting is bright and natural, and the scene is sharply focused on the intricate mechanics and the precise work of the crew. The color palette emphasizes black, gold, and the bright yellow of the tire sidewall markings, highlighting the detailed engineering and branding.
0:20director talking head 2 A medium shot of Joseph Kosinski, a white male with dark hair, wearing a black long-sleeved shirt, sitting in a dark blue theater seat. He is speaking directly to the camera, with a calm and reflective expression, occasionally gesturing with his right hand. The background consists of rows of empty, dark blue theater seats, receding into a softly lit darkness. The lighting is focused on him, with soft fill light, creating a clear and articulate portrayal. White text overlay on the bottom reads: 'I think of something that'. The color palette is consistent with the previous talking head shot, dominated by dark blues and black, with his fair skin providing a contrast.
0:24pit stop front tire change A dynamic shot captures a Formula 1 car entering the pit box and undergoing a rapid tire change. The camera is positioned low, emphasizing the speed of the action. Pit crew members are seen in a blur of activity, removing and attaching tires. The car's front wing, with 'IWC' branding and a golden section, is prominent. The lighting is bright and natural, enhancing the intensity of the scene. White text overlay reads: 'is engineered to perfection.' The color palette is dominated by black, gold, and white, with motion blur conveying extreme speed and efficiency. The car is rapidly lowered onto its new tires.
0:27female pit crew member A medium close-up shot focuses on a female pit crew member, a white woman with blonde hair tied in a ponytail, wearing a white team shirt and large black over-ear headphones with a microphone. She is intensely focused, adjusting her microphone with a serious and determined expression. Her eyes are looking off-camera, towards the race track or monitor. The background is brightly lit and out of focus, suggesting a pit wall or control room environment. The lighting is bright and even. White text overlay reads: 'And I certainly think that reflects'. The color palette is dominated by white, black, and her blonde hair, emphasizing professionalism and concentration in a male-dominated field.
0:29f1 car pov on track A dynamic first-person perspective (POV) shot from inside the cockpit of a Formula 1 car as it speeds down a race track. The car's internal structure and parts of the helmet are visible in the foreground, framing the view of the asphalt track and surrounding green run-off areas. Barriers and distant grandstands are blurred by speed. The sky above is bright and clear, indicating daytime. The lighting is natural and intense, highlighting the speed. White text overlay reads: 'all the qualities of Formula 1.'. The color palette includes the black of the car, grey of the track, and vibrant green, conveying exhilaration and high performance.
0:31director talking head 3 A medium shot of Joseph Kosinski, a white male with dark hair, wearing a black long-sleeved shirt, seated in a dark blue theater seat. He is speaking directly to the camera, with a calm and reflective expression. The background consists of rows of empty, dark blue theater seats, receding into a softly lit darkness. The lighting is focused on him, with soft fill light, creating a clear and articulate portrayal. There is no text overlay in this specific segment, but it continues the narrative. The color palette remains dark and cool, with the deep blues of the seats and his black shirt.
0:32f1 car passing low angle An extremely low-angle shot, seemingly from ground level, captures a Formula 1 car speeding past from left to right. The car is a blur of black and gold, emphasizing its high velocity. The background features a large, distant crowd of spectators in grandstands and green trees under a bright blue sky with sparse clouds. The foreground is a blurred red strip, possibly a track barrier or curbing. The lighting is bright and natural. The shot conveys extreme speed and the excitement of a race from a unique perspective. The colors are predominantly black, gold, green, and the reddish-brown of the foreground, with the distant crowd adding texture.
0:33f1 car pov on track 2 A dynamic first-person perspective (POV) shot from inside the cockpit of a Formula 1 car as it speeds along a winding race track. The car's internal structure and parts of the helmet are visible in the foreground, framing the view of the asphalt track. Other F1 cars are visible ahead and to the sides, navigating turns. Advertising banners for 'QATAR AIRWAYS' are visible along the track barriers. The sky above is bright and clear, indicating daytime. The lighting is natural and intense. White text overlay reads: 'The F1 Movie project was particularly interesting'. The color palette includes the black of the car, grey of the track, and vibrant green, with the red and white curbing, conveying the fast-paced action of racing.
0:34two f1 cars racing side by side An elevated side shot captures two Formula 1 cars racing closely on a wide track, coming out of a corner. The lead car is black and gold, with 'IWC' branding visible. The car behind it is black and white, with 'Haas' branding. The track has distinct red and white curbing, and lush green run-off areas. Distant grandstands and trees are visible under a bright, partly cloudy sky. The cars are in rapid motion, but the camera captures them clearly, emphasizing their aerodynamic forms. White text overlay reads: 'because it really feeds two of our main aspects of IWC.'. The lighting is bright and natural. The color palette is dominated by black, gold, red, white, and green, illustrating the vibrant racing environment.
0:35ceo talking head 4 A medium shot features Christoph Grainger-Herr, a white male with short, neat brown hair, wearing a dark green polo shirt and a watch. He is speaking directly to the camera, with an engaging expression and active hand gestures. He is positioned in a modern watch manufacturing facility, visible through a large glass partition behind him. In the blurred background, other technicians in white lab coats are seen working at brightly lit workstations. The lighting is bright and even, giving a clean, professional aesthetic to the environment. The text overlay from the previous scene is no longer present. The dominant colors are the dark green of his shirt, the white of the lab coats, and the light grays and blues of the factory interior, conveying professionalism and precision.
0:39ceo walking factory hallway An over-the-shoulder shot follows Christoph Grainger-Herr, a white male in a dark green polo shirt, as he walks down a wide, clean, modern factory hallway. The hallway has a polished gray floor and white walls. On the left, there are organized shelves filled with small components, possibly watch parts. On the right, large, sophisticated industrial machinery is visible, indicating advanced manufacturing. The ceiling is brightly lit with numerous square lights. White text overlay on the bottom reads: 'Number one, we are the engineers of watchmaking. We've always made instrument watches.' The lighting is very bright and even, creating a pristine and high-tech atmosphere. The dominant colors are gray, white, and the dark green of his shirt, suggesting an organized and efficient industrial setting.
0:41ceo walking factory office An over-the-shoulder shot follows Christoph Grainger-Herr, a white male in a dark green polo shirt, as he walks through a modern, open-plan office or manufacturing area. The space is bright and features large glass walls or partitions, behind which other employees are seen working at desks. The floor is polished and reflective. The lighting is very bright and even, with square ceiling lights creating a clean and spacious feel. White text overlay on the bottom reads: 'And for us, making performance instruments'. The color palette is dominated by white, light gray, and the dark green of his shirt, reflecting a sophisticated and professional work environment.
0:43ceo examining watch part A close-up shot focuses on Christoph Grainger-Herr, a white male, wearing a dark green polo shirt, as he meticulously examines a small, intricate component. He uses a jeweler's eye loupe, which is attached to his eyeglasses, to inspect the part held carefully between his gloved fingers. His expression is one of intense concentration and precision. The background is softly blurred, showing hints of the clean, brightly lit factory environment. The lighting is bright and focused, highlighting the delicate task. White text overlay on the bottom reads: 'that are robust and reliable'. The color palette is dominated by the dark green of his shirt, the silver of the loupe, and the metallic sheen of the component, emphasizing fine craftsmanship and attention to detail.
0:45ceo walking past watch display An over-the-shoulder shot shows Christoph Grainger-Herr, a white male in a dark green polo shirt, walking past a sleek, dark display case that features a large, close-up image of an IWC watch. The display case is part of a modern, brightly lit factory environment with white walls and a polished gray floor. Square ceiling lights illuminate the space. White text overlay on the bottom reads: 'is something that is right at the heart of our DNA.' The lighting is bright and even. The color palette is cool and industrial, with dark grays, white, and the dark green of his shirt, subtly featuring the black and silver of the watch display.
0:47ceo talking head 5 A medium shot features Christoph Grainger-Herr, a white male with short, neat brown hair, wearing a dark green polo shirt and a watch. He is speaking directly to the camera, with a confident and engaging expression, actively using hand gestures. He is positioned in a modern watch manufacturing facility, visible through a large glass partition behind him. In the blurred background, other technicians in white lab coats are seen working at brightly lit workstations. The lighting is bright and even, giving a clean, professional aesthetic to the environment. White text overlay on the bottom reads: 'But then IWC has always been around great storytelling as well.' The dominant colors are the dark green of his shirt, the white of the lab coats, and the light grays and blues of the factory interior, conveying professionalism and precision.
0:52f1 car approaching turn A wide, slightly elevated shot captures a single Formula 1 car, dark with golden accents, as it drives around a wide, sweeping turn on a race track. The car is relatively distant but clearly visible against the green run-off areas and the grey asphalt. In the background, there are empty grandstands and some trees under a bright, partly cloudy sky. The camera tracks the car as it navigates the turn. White text overlay on the bottom reads: 'So to combine really that performance'. The lighting is natural and bright, showcasing the open and expansive nature of the track. The color palette is dominated by greens, grays, and the black and gold of the car, conveying the graceful power of racing.
0:54f1 car overhead turn A dynamic overhead shot captures a Formula 1 car, predominantly black and gold with sponsor logos including 'Expensify' and 'Shark Ninja', speeding around a tight corner on a race track. The track surface, with its black asphalt and white lines, is clearly visible, along with the green run-off areas and white curbing. The car is seen from an angle that highlights its full form as it navigates the bend. White text overlay on the bottom reads: 'and excitement of Formula 1'. The lighting is bright and natural, indicating daytime. The color palette features strong contrasts between the black car, green grass, and white track markings, conveying speed, agility, and the strategic nature of racing.
0:57f1 car side track A mid-level side shot captures a Formula 1 car, predominantly black and gold with sponsor logos including 'Expensify', 'Shark Ninja', 'IWC', and 'AMG', speeding down a race track from left to right. The background, including a green barrier and distant track elements, is blurred by the car's high speed. The car's sleek profile and large wheels are prominently displayed. White text overlay on the bottom reads: 'with the great storytelling of Hollywood'. The lighting is bright and natural. The color palette emphasizes the black and gold of the car against the green and gray of the track, conveying speed and advanced design.
0:59ceo talking head 6 A medium shot features Christoph Grainger-Herr, a white male with short, neat brown hair, wearing a dark green polo shirt and a watch. He is speaking directly to the camera, with a confident and engaging expression, actively using hand gestures. He is positioned in a modern watch manufacturing facility, visible through a large glass partition behind him. In the blurred background, other technicians in white lab coats are seen working at brightly lit workstations. The lighting is bright and even, giving a clean, professional aesthetic to the environment. White text overlay on the bottom reads: 'was just a perfect fit.'. The dominant colors are the dark green of his shirt, the white of the lab coats, and the light grays and blues of the factory interior, conveying professionalism and precision.
1:40f1 cars close racing A dramatic low-angle shot shows three Formula 1 cars racing extremely closely together on a track, almost touching. The leading two cars, one black and gold, the other blue and black with the number '9', are side-by-side, while a third car trails closely. 'QATAR AIRWAYS' branding is visible on the track barrier. The cars are in rapid motion, and the camera is positioned to emphasize the intensity and danger of close racing. The lighting is bright and natural. The color palette features the black, gold, and blue of the cars, contrasting with the white and red of the track, creating a high-energy and competitive atmosphere.
1:42f1 cars winding track A high-angle shot captures three Formula 1 cars racing on a wide, winding track. The track features prominent red, white, and gray curbing, and vast green run-off areas. In the background, large grandstands are visible under a bright, overcast sky. The cars are in rapid motion, but clearly distinguishable as they navigate the curves. The camera provides a broad view of the race, highlighting the track layout and the cars' movement. The lighting is bright and natural. The dominant colors are the vivid red and white of the curbing, the lush green of the grass, and the grays of the track and sky, conveying the scale and dynamism of an F1 race.
1:44damson idris talking head 1 A medium shot of Damson Idris, a young Black male with short, dark, textured hair, wearing a dark gray open shirt over a black t-shirt. He is seated on what appears to be empty stadium seating, leaning forward with his arm resting on his knee. He is looking off-camera and speaking. The background is a blurred, brightly lit nighttime stadium interior, possibly an empty ice rink or arena, creating a unique and slightly dramatic setting. The lighting is soft and ambient, with some bokeh effects from distant lights. White text overlay on the bottom reads: 'IWC is such a heritage brand.'. The color palette is muted, with dark grays and blacks, contrasting with the soft, warm bokeh lights in the background.
1:47damson idris racing suit 1 A medium shot of Damson Idris, a young Black male with short, dark hair, wearing a white racing suit. He stands with his arms crossed over his chest, looking off-camera to his right, with a serious and contemplative expression. The racing suit features numerous sponsor logos, including 'IWC', 'AMG', 'Shark Ninja', 'Pirelli', and 'OMP'. A large, silver studio softbox is visible in the blurred background to his right, indicating a professional photoshoot or filming setup. The background is a plain, light gray studio wall. The lighting is soft and even, typical of studio lighting. White text overlay on the bottom reads: 'They're innovative.'. The color palette is clean, dominated by white, gray, and black, with the colorful logos adding small accents.
1:49damson idris racing suit 2 A close-up shot of Damson Idris, a young Black male, wearing a white racing suit and a dark-faced IWC watch on his left wrist. He stands with his arms crossed over his chest, looking directly into the camera with a determined expression. His short, dark hair is neatly styled. The racing suit features numerous sponsor logos, including 'IWC'. The background is a plain, light gray studio wall, softly lit. The lighting is soft and even, highlighting his features and the details of the watch and suit. White text overlay on the bottom reads: 'They're forward thinking, definitely.' The color palette is clean and monochromatic, emphasizing white, gray, and black, making the watch a subtle but noticeable detail.
1:51f1 car pov chasing A dynamic first-person perspective (POV) shot from inside the cockpit of a Formula 1 car, showing it chasing several other F1 cars on a race track. The cars ahead are slightly blurred, emphasizing speed. The background features various track elements, including barriers and distant buildings, all blurred by rapid motion. The sky is bright and slightly hazy. The lighting is bright and natural. The shot conveys the intense, high-speed action of a race. The color palette is dominated by the dark colors of the cars, grey of the track, and the muted tones of the distant structures, creating a sense of urgency and pursuit.
1:52f1 car passing grandstand A wide, slightly elevated shot captures a Formula 1 car speeding along a race track, passing a large grandstand filled with cheering spectators. The car is black and gold, moving quickly, creating a slight blur. The grandstand is a prominent feature, with multiple levels of seating packed with people, and 'ROLEX' branding visible on a green tower. 'PIRELLI' banners line the track. The lighting is bright and natural, indicating daytime. White text overlay on the bottom reads: 'When you see this huge production coming together,'. The color palette is vibrant with the reds and blues of the crowd, the green of the grass and tower, and the black and gold of the car, conveying the excitement and energy of a live race event.
1:54driver in pit garage A medium shot captures the race car driver, Damson Idris, wearing a black and gold racing helmet, standing in a brightly lit pit garage. He is seen talking to two male pit crew members, one of whom is holding a tablet. The background features various garage equipment, including monitors showing race data, and other personnel. The environment is clean and modern, suggesting a high-tech support facility. The lighting is bright and industrial, with white overhead lights. White text overlay on the bottom reads: 'the level of detail,'. The color palette is dominated by black, white, and gold, with the blue of the monitor screens adding a small accent, conveying a serious and professional atmosphere.
1:56driver in cockpit focused 4 A close-up, first-person perspective (POV) shot from inside the cockpit of a Formula 1 car. The driver's black and gold helmet, with 'Shark Ninja' and 'IWC' branding, is prominent. The driver's eyes are visible through the visor, intensely focused forward. The dark interior of the cockpit frames the helmet. White text overlay on the bottom reads: 'the attention to every single element of authenticity,'. The lighting is bright and even. The color scheme is predominantly black and gold, with the driver's eyes as a focal point, conveying extreme concentration and the human element of precision racing.
1:57f1 pit stop overview A slightly elevated wide shot provides an overview of a Formula 1 pit stop at night. Multiple pit crew members, in black overalls, are swarming around a race car, rapidly changing tires and making adjustments. The car is black and gold, and its rear brake lights are illuminated. The background shows blurred lights from the pit lane and distant stadium lights, creating a dynamic, high-energy atmosphere. White text overlay on the bottom reads: 'it's actually very, very similar'. The lighting is a mix of artificial overhead lights and the ambient glow of the track. The dominant colors are black, gold, and the bright red of the brake lights, conveying the organized chaos and intense teamwork of a night pit stop.
A close-up shot focuses on a large, round analog clock mounted on a white wall in what appears to be a garage or workshop. The clock has a black face with white numbers, and features the prominent 'IWC' logo at the 12 o'clock position. The hands indicate approximately 8:50. The background includes a metal roll-up garage door, slightly blurred. The lighting is even and functional. White text overlay on the bottom reads: 'to what you see in an F1 garage.' The color palette is monochromatic, with black, white, and gray, emphasizing the classic design of the clock and the clean industrial setting.
2:00iwc watch display case A close-up, slightly elevated shot captures a sleek, black carrying case filled with multiple IWC watches. The watches are arranged neatly in individual compartments, showcasing a variety of styles, including chronographs and watches with leather or rubber straps. Some watches feature gold cases, while others are silver. The background is softly blurred, possibly a table in a workshop. The lighting is bright and even, highlighting the intricate details and craftsmanship of each timepiece. White text overlay on the bottom reads: 'And what you see also here'. The color palette is rich, with the black of the case and straps contrasting with the silver, gold, and various watch faces, emphasizing luxury and precision.
2:02ceo talking head 7 A medium shot features Christoph Grainger-Herr, a white male with short, neat brown hair, wearing a dark green polo shirt and a watch. He is speaking directly to the camera, with a confident and engaging expression, actively using hand gestures. He is positioned in a modern watch manufacturing facility, visible through a large glass partition behind him. In the blurred background, other technicians in white lab coats are seen working at brightly lit workstations. The lighting is bright and even, giving a clean, professional aesthetic to the environment. White text overlay on the bottom reads: 'in watch manufacturing'. The dominant colors are the dark green of his shirt, the white of the lab coats, and the light grays and blues of the factory interior.
2:03split screen watchmaker driver 1 A split-screen composition contrasting the precision of watchmaking with the intensity of racing. On the left, a close-up shows a white female watchmaker with long, dark hair, wearing a white lab coat, using an eye loupe to meticulously work on a tiny watch component. Her 'IWC' branded lab coat is visible. On the right, a close-up shows a race car driver in a black and gold helmet (with 'Shark Ninja' and 'IWC' branding) looking intensely forward from inside the cockpit. White text overlay on the bottom reads: 'where teams that are working'. The lighting on both sides is bright and even. The color palette emphasizes the clean whites and intricate metallics on the left, contrasting with the dark blacks and golds of the racing gear on the right, highlighting parallels in precision and focus.
2:04split screen factory track 1 A split-screen composition comparing watch manufacturing with F1 racing. On the left, a medium-wide shot shows two male employees in a modern, brightly lit watch manufacturing facility, walking and talking. The background reveals a clean, industrial space with glass partitions and machinery. On the right, a close-up shows a race car driver in a black and gold helmet looking intensely forward from inside the cockpit, with 'IWC' branding visible on the helmet. White text overlay on the bottom reads: 'at a high performance level,'. The lighting on both sides is bright and even. The left side features cool, industrial tones, while the right side has dark blacks and golds, drawing a visual connection between the two high-performance worlds.
2:06split screen machinery car lift A split-screen composition. On the left, a close-up shot shows intricate watchmaking machinery, with small metallic components and precise moving parts in action. The machinery is complex and highly detailed. On the right, a close-up shot shows a Formula 1 car being rapidly raised by a hydraulic jack during a pit stop, highlighting the swift mechanical action. White text overlay on the bottom reads: 'perfectly in sync, perfectly together,'. The lighting is bright and industrial on both sides. The color palette features the metallic grays and silvers of the machinery on the left, contrasting with the black and gold of the F1 car on the right, drawing a parallel between mechanical precision in two different domains.
2:08split screen factory track 2 A split-screen composition. On the left, a wide shot captures a modern, brightly lit watch manufacturing facility with multiple rows of technicians in white lab coats working at workstations, creating a sense of organized efficiency. On the right, a medium-wide shot shows an F1 car speeding down a race track, seen from a side angle, creating motion blur. White text overlay on the bottom reads: 'everything is organized like clockwork.' The lighting is bright and even on both sides. The left side features cool, industrial whites and grays, while the right side has dark blacks and golds of the car against green, visually linking the methodical processes of manufacturing with the dynamic action of racing.
2:10split screen watchmaker driver 2 A split-screen composition, mirroring an earlier shot, contrasting precision watchmaking with racing focus. On the left, a close-up shows a male watchmaker with a beard and glasses, wearing a white lab coat, using an eye loupe to meticulously work on a tiny watch component. On the right, a close-up shows a race car driver in a black and gold helmet looking intensely forward from inside the cockpit, with 'IWC' branding visible. There is no text overlay. The lighting is bright and even on both sides. The color palette emphasizes the clean whites and intricate metallics on the left, contrasting with the dark blacks and golds of the racing gear on the right, reinforcing the theme of shared precision and high-performance standards.
2:11split screen machinery driver pov A split-screen composition. On the left, a close-up shows intricate watchmaking machinery, with small metallic components and precise moving parts in action. On the right, a dynamic first-person perspective (POV) shot from inside the cockpit of a Formula 1 car as it speeds down a track, with another F1 car visible ahead. The background on the right is blurred by speed. There is no text overlay. The lighting is bright and industrial on both sides. The color palette features metallic grays and silvers on the left, contrasting with the dark blacks and golds of the F1 car interior and track on the right, continuing the visual comparison of mechanical excellence.
2:12ceo talking head 8 A medium shot features Christoph Grainger-Herr, a white male with short, neat brown hair, wearing a dark green polo shirt and a watch. He is speaking directly to the camera, with a confident and engaging expression, actively using hand gestures. He is positioned in a modern watch manufacturing facility, visible through a large glass partition behind him. In the blurred background, other technicians in white lab coats are seen working at brightly lit workstations. The lighting is bright and even, giving a clean, professional aesthetic. There is no text overlay. The dominant colors are the dark green of his shirt, the white of the lab coats, and the light grays and blues of the factory interior.
2:13watch on helmet sunset A close-up shot captures a hand wearing a stylish IWC watch on its wrist, holding a racing helmet. The watch has a dark face with silver markings and a dark leather or rubber strap. The helmet is dark with golden accents and 'Expensify' branding. The background is a soft, warm bokeh blur of a sunset, creating an atmospheric and aspirational feel. The lighting is golden and diffused, emphasizing the luxury of the watch and the allure of racing. The color palette is warm, with the gold of the sunset and helmet contrasting with the dark tones of the watch and helmet, evoking a sense of achievement and style.
2:14jerry bruckheimer talking head 1 A medium shot of Jerry Bruckheimer, an older white male with shoulder-length wavy blonde hair, wearing a black suit jacket and a black button-down shirt. He is speaking directly to the camera with a calm and confident expression. The background is a plain, dark blue or dark gray wall, softly lit, creating a professional and focused atmosphere. White text overlay on the bottom reads: 'IWC has been a partner with us on Top Gun'. Below that, his name and role are displayed: 'JERRY BRUCKHEIMER PRODUCER'. The lighting is even and highlights his features. The color palette is dark and serious, with black and dark blue dominating, allowing his fair skin and blonde hair to stand out.
2:17f1 car pov on track 3 A dynamic first-person perspective (POV) shot from inside the cockpit of a Formula 1 car as it speeds down a race track, with other F1 cars visible ahead. The car's internal structure and parts of the helmet are visible in the foreground. The background, including track barriers and distant buildings, is blurred by high speed. White text overlay on the bottom reads: 'and again on Formula 1.'. The lighting is bright and natural. The color palette is dominated by the dark colors of the cars, grey of the track, and muted background tones, conveying the high-speed and competitive environment of racing.
2:19driver in cockpit focused 5 A close-up, first-person perspective (POV) shot from inside the cockpit of a Formula 1 car. The driver's black and gold helmet, with 'Shark Ninja' and 'Expensify' branding, is prominent. The driver's eyes are visible through the visor, intensely focused forward. The dark interior of the cockpit frames the helmet. There is no text overlay. The lighting is bright and even. The color scheme is predominantly black and gold, with the driver's eyes as a focal point, conveying extreme concentration and mental readiness.
2:20f1 car night track A wide shot captures a single Formula 1 car, black and gold with sponsor logos, racing on a track at night. The car is brightly illuminated against the darker surroundings. The track is lined with 'etisalat' branding on red barriers. The car moves from right to left, navigating a turn. The lighting is dramatic, with bright artificial lights highlighting the track and car, contrasting with the dark night sky. The color palette is striking, with the glowing red of the banners, the bright white of the track lines, and the black and gold of the car, conveying the thrilling atmosphere of night racing.
2:22iwc watch on f1 car A close-up shot of an IWC watch, featuring a gold-toned case, a dark face with silver details, and a black rubber strap. The watch is carefully placed on the glossy, black and gold-patterned engine cover of a Formula 1 car. The car's surface reflects the light, and a subtle British flag graphic with 'PEARCE' text is visible in the background. The lighting is bright and focused, highlighting the luxurious details of the watch and its placement on the high-performance vehicle. White text overlay on the bottom reads: 'They made a precision watch for us'. The color palette is rich, with the gold of the watch and car contrasting with the black, conveying luxury, precision, and an exclusive collaboration.
2:24jerry bruckheimer talking head 2 A medium shot of Jerry Bruckheimer, an older white male with shoulder-length wavy blonde hair, wearing a black suit jacket and a black button-down shirt. He is speaking directly to the camera with a calm and confident expression, occasionally making subtle hand gestures. The background is a plain, dark blue or dark gray wall, softly lit, creating a professional and focused atmosphere. White text overlay on the bottom reads: 'and it's a beautiful timepiece. And we're really lucky that they were able'. The lighting is even and highlights his features. The color palette is dark and serious, with black and dark blue dominating, allowing his fair skin and blonde hair to stand out.
2:27jerry bruckheimer talking head 3 A medium shot of Jerry Bruckheimer, an older white male with shoulder-length wavy blonde hair, wearing a black suit jacket and a black button-down shirt. He is speaking directly to the camera with a calm and confident expression. The background is a plain, dark blue or dark gray wall, softly lit, creating a professional and focused atmosphere. White text overlay on the bottom reads: 'to create something so special for this movie.' The lighting is even and highlights his features. The color palette is dark and serious, with black and dark blue dominating, allowing his fair skin and blonde hair to stand out.
2:30men in pit garage A medium shot captures three men in what appears to be a sleek, modern pit garage or high-tech workshop. The man on the left, a white male with short dark hair, wears a light suit jacket over a white polo shirt and is looking down at a counter. The man in the middle, a white male with a cap and sunglasses, wears a pink striped polo shirt and backpack. The man on the right, Jerry Bruckheimer, an older white male, wears a dark shirt and sunglasses. They are all looking at something on a white counter or table. The background is a clean white wall with horizontal LED light strips and a subtle 'APXGP' logo. A glimpse of a white car is in the foreground. The lighting is bright and even, creating a sophisticated and exclusive atmosphere. The color palette is predominantly white, gray, and black, with the pink polo shirt adding a touch of color.
2:32hands holding watch A close-up shot focuses on a pair of hands, likely male, carefully holding an IWC watch. The watch features a gold-toned case, a dark face with intricate details, and a black rubber strap. The hands are fair-skinned and appear to be presenting the watch for inspection. The background is blurred, showing hints of clothing (possibly a white sleeve). The lighting is bright and highlights the luxurious and detailed craftsmanship of the timepiece. The color palette is dominated by the gold and black of the watch, contrasting with the light skin tone of the hands, emphasizing the exclusivity and beauty of the product.
2:34ceo talking head 9 A medium shot features Christoph Grainger-Herr, a white male with short, neat brown hair, wearing a dark green polo shirt and a watch. He is speaking directly to the camera, with a confident and engaging expression, actively using hand gestures. He is positioned in a modern watch manufacturing facility, visible through a large glass partition behind him. In the blurred background, other technicians in white lab coats are seen working at brightly lit workstations. The lighting is bright and even, giving a clean, professional aesthetic to the environment. White text overlay on the bottom reads: 'I think the activity and the way we'. The dominant colors are the dark green of his shirt, the white of the lab coats, and the light grays and blues of the factory interior, conveying professionalism and precision.
