0:00man hitting chair intro
A medium shot shows a man standing in what appears to be a workshop, forcefully striking the tufted backrest of a light brown leather lounge chair with an axe. The chair is positioned centrally in the foreground, with its wooden legs resting on a concrete floor. The background is dim, revealing stacked wooden pallets and various tools on a workbench to the left, and a large black board to the right. The lighting is artificial, casting soft shadows. An overlay in yellow and white text covers the lower third of the screen, reading 'POLY & BARK' in large yellow letters and 'lyon lounge chair' in smaller white letters. The overall color palette is warm, dominated by the brown leather and natural wood tones, contrasted with the man's dark clothing and the industrial workshop setting.
0:02man hitting chair welcome
This is a medium shot of the same man in the workshop, continuing to strike the light brown leather lounge chair with an axe. He is positioned behind the chair, leaning forward, and looking directly at the camera with a determined expression, mid-action. The workshop background remains consistent, with wooden pallets, tools, and a large black board visible in the dim lighting. The lower third of the screen features a yellow and white text overlay 'POLY & BARK lyon lounge chair'. Additionally, white text appears above the chair, stating 'welcome to the chopping block'. The scene's mood is assertive and engaging, with the warm brown and natural wood colors providing a rustic feel.
0:03chair in store shelf background products
A static wide shot captures the full leather lounge chair, now appearing intact and pristine, positioned on a light gray patterned rug. The chair is a classic Chesterfield design with tufted light brown leather. Behind it, a tall industrial-style shelving unit made of dark pipes and wooden shelves fills the background. These shelves are neatly arranged with various leather goods, including bags, wallets, and accessories in different shades of brown, black, and some red. The lighting is bright and even, highlighting the chair and the products on the shelves. White text overlays the bottom of the screen, reading 'where brands send me their leather products'. The scene has a clean, organized, and professional feel, emphasizing the quality of the leather products.
0:05chair in store shelf background review text
The scene maintains the previous static wide shot of the pristine light brown leather lounge chair on a patterned rug, with the industrial-style shelving unit filled with leather goods in the background. The lighting remains bright and even. The text overlay at the bottom of the screen has changed to 'in exchange for my unfiltered review'. The focus is on the chair as a product awaiting evaluation, set against a backdrop of similar high-quality leather items. The visual composition is clean and presents the chair in a professional retail or studio environment.
0:06close up chair texture intro
A close-up shot focuses intently on the tufted surface of the light brown leather lounge chair. The camera angle is slightly overhead, looking down at the intricate button tufting and the rich texture of the leather. The warm, natural brown color dominates the frame, with subtle variations in shade highlighting the contours and folds created by the tufting. The lighting is soft but direct, emphasizing the texture and quality of the material without harsh shadows. White text overlay 'this is the' appears in the lower left corner. The environment outside the chair is completely out of focus, drawing all attention to the leather itself.
0:07close up chair texture name
This close-up shot continues to highlight the light brown tufted leather of the lounge chair, but with a slightly wider angle that shows more of the chair's top and side. The camera captures the rich texture and natural variations in the leather, emphasizing its quality. The lighting is bright and natural, accentuating the warm brown tones and the depth of the tufting. The background is softly blurred, keeping the focus entirely on the chair's material. White text overlay 'Lyon Lounge Chair by Poly & Bark' is prominently displayed at the bottom, identifying the product and brand. The scene effectively showcases the chair's aesthetic appeal and material detail.
0:09man explaining bags
A medium shot frames the man from the chest up, standing in the workshop. He is holding a small black leather bag in his left hand and a larger, off-white designer tote bag in his right. He gestures with the bags while talking directly to the camera, maintaining eye contact. The background features the workshop environment, including wooden workbenches, stacked boxes, and a large black board. The lighting is clear and professional, illuminating the man and his demonstration items. White text overlay 'as you know I usually cut expensive designer bags without hesitation' is displayed at the bottom of the screen. The scene is instructional and engaging, as the man explains his typical approach to evaluating leather goods.
0:13man explaining sadness
The medium shot continues, showing the man speaking directly to the camera in the workshop setting. He shifts the bags in his hands, replacing the black bag with the white tote, and then placing the black bag in front of it, as if comparing them or setting them aside. His expression changes to one of slight sadness or reluctance as he makes his statement. The workshop background remains visible, including workbenches and boxes. The white text overlay at the bottom now reads 'but this one makes me really sad'. The man's body language and facial expression convey his emotional attachment or respect for the specific leather item (the chair, implied from the previous scene) compared to the designer bags he typically deconstructs without hesitation.
0:16hands pulling padding 1
A tight close-up shot focuses on the man's hands as he begins the deconstruction of the chair. His hands, adorned with a beaded bracelet on the right wrist and a ring on his right ring finger, are seen forcefully pulling white, soft padding material out from beneath the light brown leather upholstery on the armrest of the chair. The leather, with its rich texture, is prominent in the foreground, and hints of the internal wooden frame are visible beneath the padding. The lighting is direct and bright, highlighting the action and the textures of the materials. The color palette is dominated by the warm brown of the leather and the stark white of the padding, with brief glimpses of natural wood.
0:17hands pulling padding 2
This tight close-up shot continues to showcase the man's hands actively tearing at the chair's upholstery. The framing is very similar to the previous shot, focusing on the forceful removal of white, soft padding from the armrest, revealing more of the internal structure. The light brown leather is pulled back, showing the raw, unfinished edges and staples holding it to the wooden frame. The lighting is intense, emphasizing the textures of the torn padding and the grain of the wood beneath. The action is dynamic and central to the frame. The color scheme is earthy, with browns and whites dominating, alongside the light, natural wood color.
0:19hands tearing cardboard
A close-up shot captures the man's hands rapidly tearing away pieces of cardboard from the chair's internal structure. The cardboard, a dull beige-brown, is being ripped off to reveal more of the wooden frame underneath. The man's hands move quickly and efficiently, demonstrating a practiced technique. The background is a blur of the workshop, with hints of wood and tools. The lighting is bright and focused on the hands and the material being deconstructed. The color palette is earthy, with the brown of the cardboard and wood contrasting with the man's black shirt and apron. The scene emphasizes the structural layers of the furniture.
0:21hands cutting threads
A very tight close-up shot focuses on the man's hands using small, sharp snips to cut thin, white synthetic threads or wires from the internal wooden frame of the chair. Fluffy white stuffing is visible around the wires, alongside segments of the light natural wooden frame. The camera is positioned directly above the action, giving an overhead perspective. The lighting is bright and highly detailed, bringing out the fine textures of the threads and wood grain. The colors are predominantly white, light brown (wood), and the metallic silver of the snips. The scene highlights the intricate internal construction and meticulous deconstruction process.
0:22hands peeling leather
A close-up shot shows the man's hands peeling back a large, thick section of light brown leather from the internal frame of the chair. The leather, appearing substantial and supple, is being carefully detached, revealing the raw edges and the underlying structure. The camera captures the texture of the leather as it folds and separates. The background is a blur of the workshop, emphasizing the hands and the material. The lighting is bright and clear. The dominant colors are the warm brown of the leather and the lighter tones of the exposed wooden frame. The scene conveys the physical process of dismantling the chair's covering.
0:23man explaining good leather question
A medium shot frames the man from the chest up, standing behind a workbench in a bright, clean workshop. He is wearing a black t-shirt and a light brown apron. He gestures with his hands while speaking directly to the camera, addressing the audience. The background features shelving units filled with various leather bags and accessories, indicating a specialized leather crafting environment. The lighting is even and bright, giving the scene a professional and informative feel. White text overlay 'so now you're thinking how can I tell if this is good leather?' poses a question relevant to his demonstration. The scene sets up the educational segment of the video.
0:26man explaining grain
The medium shot of the man continues in the workshop, framed from the chest up behind a wooden workbench. He points with both hands to a large piece of light brown leather laid flat on the table, demonstrating his points about its quality. The background shelves are still visible with leather products. White text overlay 'first if you can see the grain the variations and little imperfections that's a good sign' appears at the bottom. The lighting remains bright and even, accentuating the details of the leather. The man's gestures are precise and educational, making the scene informative and clear.
0:33man explaining grain strength
In a medium shot, the man is still behind the workbench in the workshop. He picks up and holds a portion of the light brown leather, demonstrating its texture and flexibility as he speaks. He cradles the leather in his hands, emphasizing its properties. The background shelves with leather products are visible, contributing to the setting. White text overlay 'the grain is the strongest part of the leather and if it's on there intact that will hold the leather together for a longer period of time' explains the importance of the leather's grain. The lighting is consistent and bright. The man's hands are central to the demonstration, actively engaging with the material.
0:41man explaining acetone test
The medium shot continues in the workshop, with the man behind the workbench. He gestures over the leather on the table, then picks up a clear plastic squeeze bottle with a red pointed cap. He holds the bottle up, demonstrating his intention to use it. The background shelving units with leather products are still in view. White text overlays 'at first glance I can already see it's a minimally finished item let's apply some acetone to confirm that'. The lighting remains bright. The man's actions transition from verbal explanation to preparing for a practical test, building anticipation for the demonstration.
0:47acetone test close up 1
A tight close-up shot focuses directly on a piece of light brown leather where a clear liquid (acetone) has been applied. A hand, holding a small tool resembling a spatula or brush, is actively rubbing the liquid across the leather surface, causing it to darken and show a deeper, richer brown color. The texture of the leather, with its natural grain, is highly visible under the direct, bright lighting. A bright yellow rectangular overlay with black text 'ACETONE TEST' is positioned at the top left. White text at the bottom reads 'as we already know this leather doesn't have almost anything on it this is a super tiny layer of aniline finish'. The action is precise and illustrates the chemical reaction between the acetone and the leather's finish.
0:54man explaining aniline finish
The medium shot returns to the man behind the workbench in the workshop. He gestures with his hands, rubbing his thumb and forefinger together, illustrating the 'super tiny layer' of finish he just demonstrated with the acetone test. The large piece of leather is still visible on the table in front of him. The background shelves with leather products are present, providing context. White text overlay 'this is a super tiny layer of aniline finish with some waxes on top' reinforces his explanation. The bright, even lighting ensures clarity. The man's facial expression is confident and knowledgeable as he explains the technical aspects of the leather's treatment.
0:59man explaining leather amount and cost
A medium shot shows the man in the workshop, speaking to the camera. A large, folded piece of light brown leather, likely part of the chair's upholstery, is placed on the workbench in front of him, dominating the lower foreground. He gestures expansively with his hands, emphasizing the significant quantity of leather involved. The background includes the shelves stocked with leather products and a glimpse of a wine bottle on the left. The lighting is bright and even. White text overlay appears, first stating 'there is an insane amount of leather in this chair as you can see I can calculate about 60 square foot which is a full cow hide', then updating to 'you need to make a chair of this sort in my opinion just the leather cost alone is around $250-$300 for a project like this'. A bright yellow graphic overlay 'Leather Cost: $250-300' appears above the text. The scene focuses on the scale and economic value of the leather used.
1:55man in deconstructed chair comfort
A wide shot shows the man sitting cross-legged inside the partially deconstructed leather lounge chair, which is surrounded by pieces of foam, cardboard, and other upholstery debris on the concrete floor of the workshop. The chair's internal wooden frame is exposed, and white padding is partially removed, making it look skeletal. The man is still wearing his apron and appears comfortable. An axe with a long wooden handle leans against the chair's right armrest. The background is the same workshop, with pallets and a black board. White text overlay 'before we forget the comfort aspect of this couch it was insanely comfortable for the 2 weeks I used it' explains his experience. The lighting is clear, highlighting the contrast between the deconstructed state and the man's relaxed posture.
1:59intact chair in store comfort claim
A wide shot shows the fully intact light brown leather lounge chair, identical to its original state, positioned on a patterned rug in what appears to be the leather store or showroom. The industrial-style shelving unit filled with leather products is visible in the background. The lighting is bright and even. White text overlay 'it was insanely comfortable for the 2 weeks I used it' reiterates the comfort claim. The scene momentarily shifts back to the pristine, finished product, providing a visual reference for the comfort discussed, before its deconstruction.
2:01man in deconstructed chair interaction
The wide shot returns to the man sitting cross-legged inside the heavily deconstructed leather lounge chair, which is surrounded by scattered foam, cardboard, and other scraps on the concrete floor of the workshop. The chair's wooden frame and partial white padding are clearly visible. The man gestures with his hands as he speaks to the camera. The axe is still leaning against the chair. White text overlays 'deconstruction and this is not my first interaction with the brand'. The lighting is consistent with the workshop environment. The scene emphasizes the practical, hands-on nature of his review process, reinforcing his credibility by showing the dismantled chair.
2:06couch in home setting panning
A dynamic wide shot pans slowly from left to right, showcasing a fully intact, light brown leather couch in a modern home living room. The couch features tufted seats and rolled arms, similar in style to the chair. It sits on a dark wooden floor, partially covered by a light-colored, abstract-patterned rug. The background includes a dark side table with various items, and a glimpse of a brick fireplace and a plant. Natural light streams in from a window, creating a warm and inviting atmosphere. As the camera pans, a small white rabbit briefly scurries from behind the couch and across the rug. White text overlay 'as I said I have 2 of their couches at my home for the past three years' provides personal context. The scene aims to demonstrate the product's real-world use and durability.
2:09children on couch playing
A medium shot captures two young children, likely toddlers or preschoolers, sitting on a light brown leather couch in a home setting. The couch is clean and appears durable despite the children's presence. The child on the left wears a red and white striped long-sleeve shirt and dark pants, playing with a small green toy car. The child on the right wears a light blue long-sleeve shirt with a graphic and light-colored pants, holding a yellow and black toy. Both children are focused on their toys. A patterned pillow is visible behind them. The lighting is soft and natural, suggesting a typical indoor home environment. White text overlay '3 years and I have 2 little kids they put all kind of stuff on them' highlights the product's resilience in a family home.
2:12man in deconstructed chair conclusion
The final scene is a wide shot of the man sitting cross-legged inside the deconstructed leather lounge chair, which is surrounded by upholstery debris on the concrete floor of the workshop. The chair's skeletal wooden frame and remaining white padding are clearly visible. The man gestures with his hands as he concludes his review, looking directly at the camera. The axe still leans against the chair's right armrest. The background is the same workshop environment, with pallets and a black board. White text overlay 'I was able to maintain it in pretty good looking condition and enjoy the comfort so far' summarizes his satisfaction. The overall mood is confident and conclusive, wrapping up the detailed product review.
