0:00GM HQ Dr Evil Screen
A vertical video shows a medium-wide shot of the upper portion of the General Motors Headquarters building at dusk, a modern high-rise with a dark glass facade and numerous antennas on its roof. A prominent blue GM logo, with a squared-off 'GM' text, is illuminated near the top. Below the logo, a large, integrated screen on the building's exterior displays a close-up video of Dr. Evil, who is looking directly at the viewer with a thoughtful expression, his index finger resting on his chin. The sky behind the building is a soft, overcast orange and grey. The text "General Motors HQ" is visible in white at the bottom center of the screen, with "Ladies and gentlemen," appearing below it. The overall color palette is cool blues, greys, and muted oranges, conveying a slightly ominous but sophisticated atmosphere.
0:01Futuristic Showroom Wide
A wide, slightly low-angle shot captures a futuristic, circular showroom with a polished light grey floor and a large, round skylight illuminating the center. The room is surrounded by floor-to-ceiling windows, offering a panoramic view of a city skyline at what appears to be dusk or dawn, with soft, diffused light. Several General Motors electric vehicles are strategically placed around the room: a blue SUV (possibly a Hummer EV SUV) on the left, a bare chassis of an electric vehicle platform in the center foreground, and a sleek black car on the right. In the distant background, several figures (presumably characters from the ad) are gathered. The environment suggests innovation and modernity. The color palette is dominated by cool greys, blues, and whites, with metallic accents from the vehicles. The text "our takeover of General Motors is complete." appears at the bottom of the screen.
0:02Dr Evil Talking Chair
A medium shot frames Dr. Evil seated in a large, futuristic black armchair with high, angular wings, reminiscent of a villain's lair. He is positioned in the center of the frame, looking slightly off-camera to his right. Behind him, large windows reveal a blurred city skyline and a bright, overcast sky. The lighting is soft and even, highlighting his face. He is speaking, gesturing with his hands which are clasped together at chest level. The text "is complete." is at the bottom left of the screen. The overall mood is one of smug satisfaction, amplified by Dr. Evil's confident demeanor.
0:04Number Two Walking
A medium shot captures Number Two (Rob Lowe) walking towards the left side of the frame, then turning his head to look off-camera to his right. He is positioned slightly off-center to the right. Behind him are large windows revealing the same blurred city skyline and bright sky as the previous scene, though from a slightly different angle. The lighting is bright and natural, coming from the windows. He is wearing a dark suit with a black eyepatch over his right eye. The text "Doctor Evil, GM's Ultium Platform" appears at the bottom of the screen. His expression is serious and attentive.
0:05Ultium Platform Robots
A medium-wide, slightly low-angle shot focuses on the bare, copper-colored "Ultium Platform" chassis of an electric vehicle, complete with four black and silver wheels, centered in the foreground. The platform rests on a smooth, dark grey concrete floor in what appears to be a futuristic, industrial-style garage or laboratory. In the background, three distinct robotic figures stand, suggesting a technological and potentially menacing setting. On the left is a large, grey, robotic cannon-like device with blue and orange energy accents. In the center, a silver humanoid robot with a shark-like head stands upright. On the right, a yellow, spherical robot with tank treads and a prominent letter "F" on its side. The lighting is dim and dramatic, with spotlights highlighting the platform and the robots. The overall color palette is cool greys, metallic silver, copper, and deep shadows, creating a serious and high-tech atmosphere. The text "will power our whole operation." is displayed at the bottom of the screen.
0:07Scott Talking Close up
A medium close-up shot of Scott (Seth Green) shows him speaking directly to someone off-camera to his right. He is framed from the chest up, positioned slightly to the left of the frame. The background is a blurred view of the large windows and city skyline, with thin, dark structural elements creating a grid pattern. He is making a hand gesture, his right hand near his chin, appearing animated and confident. The lighting is soft and even, originating from the large windows. The text "Now we can reduce tailpipe emissions." is at the bottom of the screen. The overall mood is earnest and persuasive.
0:09Meeting Room Chairs
A wide shot captures the futuristic meeting room, focusing on Dr. Evil's distinctive black, angular chair in the center, and a similar but unoccupied chair on the left. Only the lower half of Dr. Evil's body is visible as he sits in his chair, with his legs crossed. To the left, a woman's legs are visible, implying another character is seated. The large windows overlooking the city skyline are prominent in the background, filling the upper half of the frame. The floor is polished light grey. The text "Oh please, tear." appears at the bottom. The scene emphasizes the sleek, modern design of the chairs and the expansive view, with a sense of tension from the dialogue.
0:09Dr Evil Reacting Close up
A close-up shot focuses on Dr. Evil's face and upper body. He is looking off-camera to his right, appearing exasperated or mildly annoyed, with a slight frown and his brows furrowed. His right hand is raised, making a dismissive or 'no' gesture, palm out, near his chest. The background is a soft blur of the room and the bright sky outside the windows. The text "Oh please, tear." is at the bottom. The lighting is consistent and flattering, originating from the large windows. His expression conveys clear impatience.
0:10Scott Baby Close up
A medium close-up shot shows Scott (Seth Green) holding a newborn baby securely in an orange fabric baby carrier, against his chest. He is looking down at the baby with a tender, loving smile. The baby's head is visible, with a small tuft of dark hair, resting close to Scott. Scott is positioned slightly to the left, framed from the chest up. The background is a blurred view of the meeting room and the bright sky, with hints of the window frames. The text "For my son." is at the bottom of the screen. The lighting is soft and warm, contributing to a sweet, affectionate mood.
0:11Dr Evil Questioning Close up
A close-up shot of Dr. Evil, now looking directly towards the camera with wide, questioning blue eyes. He has his right hand extended towards the viewer, palm up, fingers splayed, as if in disbelief or seeking clarification. The background is a soft blur of the room's interior and bright windows, creating a sense of shallow depth of field. The text "Your son? I shall name him." is displayed at the bottom. His expression is one of surprise and confusion, with a slight furrow in his brow.
0:12Scott Kissing Baby Close up
A medium close-up shot of Scott (Seth Green) shows him leaning down and gently kissing the top of the baby's head, which is nestled in the orange fabric carrier. His eyes are closed, showing deep affection and tenderness. He is framed from the chest up, positioned slightly to the left. The background is blurred, with some dark structural lines from the room's architecture and bright sky visible. The text "Your son? I shall name him." is at the bottom. The lighting is soft and warm, emphasizing the intimate and tender moment between father and child.
0:13Dr Evil Reveal Close up
A close-up shot frames Dr. Evil's face and upper chest, as he slowly raises his left hand to his mouth, making his iconic "pinky to mouth" gesture. He smiles broadly, with a satisfied and slightly devious expression, looking directly at the camera. His blue eyes sparkle with mischievous intent. The background is a blurred mix of the room's light grey interior and the bright sky. The text "Your son? I shall name him." appears initially, then changes to "Baby Me." The lighting is bright and even, highlighting his features. The camera subtly pushes in, emphasizing his dramatic revelation. The mood shifts from questioning to triumphant evil.
0:17Scott Disbelief Close up
A close-up shot of Scott (Seth Green) holding the baby. He looks directly at the camera with an expression of disbelief and mild exasperation, a slight forced smile on his face, then his gaze shifts slightly off-camera to his left. The baby is still nestled safely in the orange carrier, its head visible. The background is blurred, showing the light grey interior of the room. The text "No, his name is Kyle." is at the bottom of the screen. The lighting is soft and natural, emphasizing his weary and somewhat defeated reaction.
0:18Dr Evil Leaning
A medium shot captures Dr. Evil leaning forward out of his angular black chair, looking downwards and off-camera to his right, implying he is addressing someone or reacting to something below his line of sight. His back is slightly hunched, and his expression is one of frustration or determination. The background shows the blurred windows and a hint of the room's interior. The text "No, his name is Kyle." remains at the bottom, suggesting continuity of the conversation. The lighting remains even and bright.
0:18Pressing Button Close up
An extreme close-up shot focuses on a female hand with a subtle silver ring on the index finger, deliberately pressing a vibrant red, illuminated button labeled "SCOTT" on a grey, metallic control panel. Other red buttons are visible on the panel, labeled "FRAU" and "VISITOR 1". The background is completely blurred, emphasizing the action and the control panel. The lighting is direct, creating some highlights on the metal panel and the plastic button. The sound "Screams! Stop!" is heard during this action, implying immediate consequences. The color palette is stark, focusing on the red and grey.
0:19Meeting Room Reaction Wide
A wide shot of the futuristic meeting room. Dr. Evil is shown seated in his angular black chair, recoiling slightly and wincing, holding his stomach with both hands, implying he has been hurt. To his left, Frau Farbissina (Mindy Sterling) is also seated in a similar angular black chair, reacting with a wide-eyed, shocked, and concerned expression, looking towards Dr. Evil. The background is dominated by the large windows showing the blurred city skyline and bright sky. The floor is polished light grey. The text "Owww!" appears at the bottom. The lighting is consistent with previous indoor shots, bright and even, highlighting the characters' reactions.
0:20Frau Farbissina Close up
A close-up shot of Frau Farbissina (Mindy Sterling), framed from the chest up, as she speaks with a determined and slightly exaggerated expression, looking directly at the camera. Her mouth is open wide, conveying a forceful statement. Her dark hair is styled in a severe, swept-back manner, framing her face. She is wearing a shiny black trench coat over a white collared shirt and a black tie. The background is blurred, showing hints of the meeting room's light grey interior and windows. The text "We'll reduce our carbon footprint." is at the bottom. The lighting is soft and even, emphasizing her strong facial features and resolute demeanor.
0:21Dr Evil Getting Up
A medium shot shows Dr. Evil quickly rising from his angular black chair and beginning to walk towards the right side of the frame, away from the viewer. He moves with urgency, his body language suggesting a sudden decision to act. The background shows the large windows and the blurred city skyline, along with the light grey floor. A large car wheel, possibly from an EV chassis, is partially visible on the right side of the foreground, hinting at the next action. The text "Okay let's go!" is at the bottom. The lighting is bright and even.
0:22Dr Evil Walking Past
A medium shot from a low angle captures Dr. Evil quickly walking from the background towards the foreground and then past the camera's right side. He moves with purpose and speed, slightly out of focus as he passes the camera, creating a dynamic sense of motion. The background shows the sleek, modern light grey floor and the blurred shapes of the meeting room's minimalist design. The text "We're going all-electric." is at the bottom. The lighting is bright and cool, reflecting off the polished surfaces.
0:23Futuristic Showroom EVs
A wide shot captures a futuristic, circular showroom from a low angle, showcasing several General Motors electric vehicles. A white GMC Hummer EV pickup truck is prominent on the left, a blue Cadillac LYRIQ SUV on the left-center, and a black compact car on the right-center. In the background, characters, including Dr. Evil and his associates, are seen interacting near some of the vehicles, adding a sense of scale and purpose to the setting. The ceiling features a dramatic, multi-tiered circular design. The room has a polished light grey floor and minimalist, stark lighting, creating a clean, modern, and high-tech aesthetic. The text "30 EVs globally by 2025" is displayed prominently in white, with a smaller disclaimer below it: "Simulated or preproduction products shown throughout and subject to change. Certain products not currently available or subject to limited availability; see vehicle websites for details." The overall color palette is cool greys, whites, blues, and black, emphasizing the modern vehicles and futuristic environment.
0:24Dr Evil Car Window
A medium close-up shot of Dr. Evil seated inside a white vehicle, looking out of the open window towards someone off-camera to his left (presumably Scott). He is wearing his signature grey mandarin suit. His expression is firm, slightly smug, and dismissive, conveying a sense of finality. The interior of the car is dark and sleek, with the light from outside reflecting on his face. The text "Not you, Scott." is at the bottom, directly corresponding to his look and implied action. The lighting is focused on his face through the window.
0:25Scott Disheartened Close up
A medium close-up shot of Scott (Seth Green) shows him standing, looking disheartened, with a slight frown and his gaze directed downwards. His head is slightly tilted. He is wearing his brown suede-like jacket over a patterned shirt. A blurred figure (possibly Dr. Evil in the car) is visible in the distant background, reinforcing his exclusion and isolated feeling. The text "Not you, Scott." is at the bottom. The lighting is soft and natural, casting a slightly melancholic tone on his face, highlighting his disappointment.
0:26Dr Evil Closing Window
A medium close-up shot from inside a car, focusing on Dr. Evil's face as he looks out the window, then activates the power window to roll it up. His expression changes subtly from a slight, knowing smile to a more determined or mischievous look as the window closes, physically cutting off communication. The interior of the car is dark, providing a contrast to the exterior light, and the blurred outside environment is visible through the window before it closes. The text "Bye bye, Baby Me." is at the bottom. The lighting emphasizes his facial expressions as the window moves.
0:27Baby Me Close up
An extreme close-up shot of a baby's face, specifically a digitally altered baby that strikingly resembles Dr. Evil. The baby has pale skin, piercing blue eyes, and a small, reddish scar on the cheek, mirroring Dr. Evil's features. The baby is bundled snugly in a grey fabric, with only its face prominently displayed. Its expression is a mischievous smirk, and its right index finger is pointing upwards in a familiar gesture. The background is completely dark, isolating the baby's face. The text "Bye bye, Baby Me." is at the bottom. The lighting is soft, highlighting the baby's unique and uncanny features, creating an amusing yet unsettling visual.
0:28Showroom Scott Hummer EV
A wide shot of the futuristic showroom, similar to previous showroom scenes, focusing on Scott (Seth Green) walking with purpose towards a white GMC Hummer EV pickup truck. He is carrying a large, single black wheel and tire in his hands, seemingly ready to install it or place it in the truck, indicating his delayed participation. Other EVs are visible in the background, reinforcing the setting. The glowing blue GM logo, a rectangular 'GM' with rounded corners, appears floating in the air near the top center of the frame. The polished light grey floor and clean, modern architecture are prominent. The text "everybody in." is at the bottom, partially obscured by Scott. The lighting is cool and even, creating a sleek, technologically advanced atmosphere. Scott's expression is determined, showing he's ready to join, despite his earlier exclusion.
