0:00aerial building exterior
An establishing aerial shot captures the full facade of a large, multi-story commercial building, likely a retail complex. The architecture features exposed red brickwork interspersed with numerous rectangular windows, giving it an industrial yet modern feel. Below the building, a large parking lot is visible, with several cars parked neatly in designated spaces, along with a green construction dumpster and a white delivery van. The main entrance, marked by a prominent 'FLOOR & DECOR' sign in white and red lettering, is centered at the base of the building, with a darker awning structure extending outwards. The lighting is natural and bright, suggesting daylight with clear skies, casting subtle shadows from the building. The overall color palette is dominated by the earthy tones of brick, the dark grey of the asphalt, and the bright white of the signage, creating a clean and functional atmosphere. The camera holds a high, fixed position.
0:01ground level entrance
A medium shot from ground level, slightly angled upwards, focuses on the main entrance of the 'FLOOR & DECOR' building. The large 'FLOOR & DECOR' sign is prominently displayed above the entrance, with a smaller sign below reading 'TILE WOOD STONE'. The entrance itself is marked by a dark metal awning and glass doors. Several blue poles with white accessibility symbols are visible near the entrance. In the foreground, two individuals, a man and a woman, are walking towards the entrance, their backs partially to the camera. A white car is parked in the foreground, and other vehicles are visible further in the parking lot. The lighting is bright and sunny, highlighting the building's details. The color palette includes the red bricks, blue parking lot markings, and the black and white of the signage, with splashes of green from distant foliage.
0:02interior escalator and sign
An interior shot captures a modern escalator ascending towards a large, illuminated 'FLOOR & DECOR' sign. The sign is white with a red ampersand, and additional text 'TILE WOOD STONE' below it. The architecture features exposed metal beams and a high ceiling with industrial-style lighting fixtures, including hanging dome lights and linear fluorescent lights. The escalator itself has glass sides and metal handrails. The overall ambiance is clean, bright, and spacious, typical of a large retail store. The color palette is dominated by the whites of the sign, the silver of the escalator, and the neutral tones of the interior structure, with some red accents. The camera is static, capturing the ascent of the escalator.
0:03talking heads on escalator
A medium shot shows Tricia Lee and Jeffrey St. Arromand ascending an escalator, looking directly at the camera and speaking. Tricia, on the right, is a Black woman with long, dark, wavy hair, wearing a denim-look sleeveless jacket over light-colored pants and a gold 'love' necklace. She smiles and gestures with her hands. Jeffrey, on the left, is a Black man with a shaved head and a short beard, wearing a tan blazer over a white shirt. He also smiles and looks confident. The background reveals the store's modern industrial interior, with exposed metal structures and bright lighting. Text overlays appear, identifying 'Tricia Lee' and 'Jeffrey St. Arromand' as 'SERHANT. Real Estate Agent' and 'as seen on Netflix Owning Manhattan'. The lighting is bright and even. The camera moves with the subjects as they ascend.
0:07aerial building exterior return
An aerial establishing shot returns, showcasing the Floor & Decor building. The multi-story structure features red brick and numerous large windows, with the prominent 'FLOOR & DECOR' sign over the main entrance. A busy parking lot with various cars and a green dumpster is visible below. The sky is bright with scattered clouds, indicating clear daytime. The overall impression is a large, functional commercial space. The dominant colors are the warm brick tones, the gray asphalt, and the white signage. The camera maintains a high, static position, providing a clear overview of the location. This shot serves as a re-establishing visual to emphasize the location after the interior scene.
0:10aerial city skyline
An expansive aerial view captures a vibrant cityscape under a partly cloudy sky. In the foreground, industrial buildings with flat roofs and some greenery are visible, including the same 'Floor & Decor' building seen earlier. Beyond this, a wide body of water, likely a river or bay, stretches out, bustling with docks and what appear to be old industrial structures on its banks. In the distance, a dense cluster of towering skyscrapers forms a magnificent city skyline, dominated by a tall, modern building (likely One World Trade Center). The lighting is bright and natural, creating clear visibility across the urban landscape. The color palette ranges from the muted tones of industrial structures and water to the shimmering grays and blues of the distant skyscrapers. The camera is static and high up, providing a panoramic perspective.
0:11tricia walking through store
A medium shot follows Tricia Lee from a slight side-angle as she walks through a brightly lit hallway within the Floor & Decor store. She is on the right side of the frame, looking towards the camera and smiling, engaging the viewer. Jeffrey St. Arromand is visible behind her, slightly out of focus, also walking and smiling. The hallway is clean and modern, with long linear fluorescent lights on the ceiling illuminating the path. In the background, some retail displays and a large 'PRO' balloon installation are faintly visible. The lighting is strong and consistent throughout the interior. The color palette is composed of the neutral tones of the store interior, Tricia's blue denim and light pants, and Jeffrey's tan blazer.
0:13tricia jeffrey passing balloons
A medium shot captures Tricia Lee and Jeffrey St. Arromand walking past a set of large, gold 'PRO' letter balloons, which are partially visible on the right side of the frame. They are both smiling and looking forward. Tricia, wearing her blue denim-look top and light pants, is slightly ahead. Jeffrey, in his tan blazer, is beside her. The background shows more of the store interior, suggesting a wide, open layout. The lighting is bright and artificial, common in a retail environment. The color palette features the gold of the balloons, the blue and tan of their clothing, and the neutral tones of the store. The camera slightly pans to follow their movement.
0:14ashley biscan introduction
A medium close-up shot of Ashley Biscan, a white woman with long, brown hair styled in soft waves, smiling brightly. She is wearing a black blazer over a white top and a chunky gold necklace. Her facial expression is friendly and welcoming, indicating she is speaking. In the background, a large display board showcases flooring options, with a kitchen or living room scene featuring wooden floors. A red banner text overlay reads 'Interior Design Expert' followed by 'Ashley Biscan' and 'Floor & Decor'. The lighting is soft but well-distributed, illuminating her face. The colors are muted, with her dark blazer contrasting against the lighter background display. The camera is static, focusing on her upper body and face.
0:15ashley biscan talking
A medium close-up shot focuses on Ashley Biscan, a white woman with long brown hair, as she speaks. She is seen from the chest up, wearing a black blazer over a white top with a gold necklace. Her head is slightly tilted, and she has an engaging, thoughtful expression as she talks, her hands out of frame. The background is slightly blurred but shows what appears to be shelving with various product samples or displays, suggesting a retail environment. The lighting is even and bright, highlighting her features. The text overlay from the previous scene, 'Interior Design Expert Ashley Biscan Floor & Decor', remains visible. The color palette is dominated by her dark blazer, her fair skin, and the neutral tones of the background. The camera is static.
0:17text overlay design center welcome
A graphic screen displaying white bold text against a dark grey background. The text reads: 'WELCOME TO OUR DESIGN CENTER' in large letters, followed by a red horizontal line, and then 'START YOUR PROJECT HERE' in slightly smaller letters. The font is clean and modern, and the overall design is simple and direct. The image is a static graphic without any visual background or scene beyond the text. The color palette is stark, utilizing only white, red, and dark grey. This functions as an informative title card or interstitial.
0:17ashley presenting samples
A medium shot shows Ashley Biscan, a white woman, presenting tile samples to Tricia Lee and Jeffrey St. Arromand at a design counter. Ashley, on the right, wears a black blazer and blue jeans, holding a light-colored sample. Tricia, in the middle, wears a blue denim-look top and beige pants, reaching out to touch a sample. Jeffrey, on the left, in a tan blazer, also looks at the samples. They are gathered around a white countertop with a rich brown wooden cabinet below. The background features a striking patterned wall of white and dark green circles. The lighting is bright and diffused, typical of an indoor showroom. The color palette includes the white and green wall, the warm wood of the cabinet, and the varying shades of their clothing. The camera is static, capturing the interaction.
0:19ashley talking tricia back
A medium close-up shot features Ashley Biscan, a white woman, talking to Tricia Lee, whose back is towards the camera. Ashley, on the left, wears a black blazer and blue jeans, gesturing with her hands as she explains something. Tricia, on the right, has her back to the camera, showcasing her long dark hair and blue denim-look top. The background is a mix of product displays and a light-colored wall with visible text and graphics, indicating a retail environment. The lighting is bright and even. The color palette includes Ashley's dark blazer, Tricia's blue top, and the various neutral tones of the store displays. The camera is static, focusing on their interaction.
0:20text overlay design services
A graphic screen displaying a large 'DS' logo on the left, followed by the text 'DESIGN SERVICES' in a bold, clean font. Below this, smaller text reads 'FREE Expert Help Every Day'. The background is a light grey or white, making the dark grey text highly visible. The overall design is minimal and professional, serving as an informational graphic. The color palette is limited to white, light grey, and dark grey. This functions as an informative title card or interstitial within the video.
0:21ashley tricia walking away
A medium shot captures Ashley Biscan and Tricia Lee walking away from the camera through a bright, modern showroom. Ashley, on the left, leads the way, her long brown hair flowing down her back. She wears a black blazer, blue jeans, and a white top. Tricia, on the right, follows closely, her long dark hair also visible from the back, wearing a blue denim-look top and light pants. The background features a distinctive wall covered in white and dark green circular patterned tiles, with a golden light fixture. A vanity with a white countertop and wooden cabinets is also visible. The lighting is bright and evenly distributed. The camera is static, observing their movement through the space.
0:22ashley talking mirror reflection
A medium shot frames Ashley Biscan from the side, with her reflection and the reflections of Tricia Lee and Jeffrey St. Arromand visible in a large, illuminated mirror behind her. Ashley, a white woman with long brown hair, wears a black blazer and blue jeans, gesturing with her hands as she talks. Her reflection in the mirror shows her facing the camera. In the mirror's reflection, Tricia (in blue denim) and Jeffrey (in tan blazer) are seen standing to Ashley's left, looking towards her. The background wall features a distinctive pattern of white and dark green circles. A red text overlay reads 'Prewar Without The Price Tag'. The lighting is bright, with the mirror itself providing additional illumination. The camera is static, capturing both the direct view and the reflection.
0:25tricia reaction close up
A close-up shot features Tricia Lee, a Black woman with long, dark, wavy hair, looking slightly upwards and speaking with an enthusiastic smile. She is wearing a blue denim-look sleeveless top and a gold 'love' necklace, with a small black microphone clipped to her top. Her hands are clasped in front of her, conveying excitement. The background consists of the distinctive white and dark green circular patterned wall tiles, slightly out of focus. The lighting is soft and even, highlighting her expressive face. The color palette emphasizes the green and white of the wall, and Tricia's warm skin tone and blue attire. The camera is static, capturing her reaction.
0:27ashley holding tile sample
A medium shot frames Ashley Biscan from the side, holding a square tile sample in her hands as she speaks. Her long brown hair is styled down, and she wears a black blazer and blue jeans. Her reflection, along with the reflections of Tricia Lee and Jeffrey St. Arromand, is clearly visible in the large, illuminated mirror behind her. Tricia and Jeffrey's reflections are looking towards Ashley. The background wall is covered with a white and dark green circular patterned tile. The white countertop of a vanity with golden faucets and a sink is also visible. The lighting is bright and highlights the tile sample. The color palette features the green and white of the wall, the gold of the fixtures, and the dark and light tones of their clothing. The camera is static.
0:30tricia tile reaction overlay 1
A close-up of Tricia Lee, a Black woman with long, dark, wavy hair, looking downwards with a gentle smile, appearing to examine something intently. She is wearing a blue denim-look sleeveless top. In the bottom center of the frame, a red-bordered overlay box displays a close-up image of a decorative tile pattern featuring white, light pink, and grey curved shapes against a white background, forming a mosaic of interlocking circles and squares. Small arrow icons on the sides of the overlay suggest a slideshow of images. The background is the subtly blurred white and dark green circular patterned wall. The lighting is soft and natural, emphasizing her contemplative expression. The color palette includes the white and green of the wall, Tricia's blue top, and the soft colors of the tile. The camera is static.
0:31tricia tile reaction overlay 2
A close-up of Tricia Lee, a Black woman with long, dark, wavy hair, looking downwards with a gentle smile, appearing to examine something intently. She is wearing a blue denim-look sleeveless top. In the bottom center of the frame, a red-bordered overlay box displays an image of a bathroom vanity setup, featuring light wood cabinets, double sinks, and mirrors, with patterned wallpaper (similar to the tile seen previously) on the walls. Small arrow icons on the sides of the overlay suggest a slideshow of images. The background is the subtly blurred white and dark green circular patterned wall. The lighting is soft and natural. The color palette includes the white and green of the wall, Tricia's blue top, and the neutral tones of the bathroom scene in the overlay. The camera is static.
0:32tricia tile reaction overlay 3
A close-up of Tricia Lee, a Black woman with long, dark, wavy hair, looking downwards with a gentle smile, appearing to examine something intently. She is wearing a blue denim-look sleeveless top. In the bottom center of the frame, a red-bordered overlay box displays a close-up image of a different patterned tile, similar to the first, with white, light orange, and grey curved shapes forming a mosaic of interlocking circles and squares. Small arrow icons on the sides of the overlay suggest a slideshow of images. The background is the subtly blurred white and dark green circular patterned wall. The lighting is soft and natural. The color palette includes the white and green of the wall, Tricia's blue top, and the soft colors of the tile. The camera is static.
0:33jeffrey tile reaction overlay 1
A close-up shot of Jeffrey St. Arromand, a Black man with a shaved head and short beard, looking downwards with a thoughtful expression. He is wearing a white collared shirt. In the bottom center of the frame, a red-bordered overlay box displays a close-up image of a patterned tile similar to the one Tricia was viewing, with white, light pink, and grey curved shapes against a white background. Small arrow icons on the sides of the overlay suggest a slideshow. The background is the subtly blurred white and dark green circular patterned wall. The lighting is soft and even. The color palette includes the white and green of the wall, Jeffrey's white shirt, and the soft colors of the tile. The camera is static.
0:34jeffrey tile reaction overlay 2
A close-up shot of Jeffrey St. Arromand, a Black man with a shaved head and short beard, looking downwards with a thoughtful expression. He is wearing a white collared shirt. In the bottom center of the frame, a red-bordered overlay box displays an image of a laundry room or utility space, featuring light wood cabinets, a white countertop, and a washing machine, with patterned tile on the floor. Small arrow icons on the sides of the overlay suggest a slideshow. The background is the subtly blurred white and dark green circular patterned wall. The lighting is soft and even. The color palette includes the white and green of the wall, Jeffrey's white shirt, and the neutral tones of the utility room scene. The camera is static.
0:35jeffrey tile reaction overlay 3
A close-up shot of Jeffrey St. Arromand, a Black man with a shaved head and short beard, looking downwards with a thoughtful expression. He is wearing a white collared shirt. In the bottom center of the frame, a red-bordered overlay box displays a close-up image of a different patterned tile, similar to the ones seen before, with white, light orange, and grey curved shapes forming a mosaic of interlocking circles and squares. Small arrow icons on the sides of the overlay suggest a slideshow. The background is the subtly blurred white and dark green circular patterned wall. The lighting is soft and even. The color palette includes the white and green of the wall, Jeffrey's white shirt, and the soft colors of the tile. The camera is static.
0:36ashley hands tile to tricia
A medium close-up shot shows Ashley Biscan, a white woman, handing a square tile sample to Tricia Lee, a Black woman. Ashley, on the right, wears a black blazer and blue jeans, extending the sample. Tricia, on the left, wears a blue denim-look top and light pants, reaching out to receive it. Jeffrey St. Arromand's arm and part of his tan blazer are visible on the far left, indicating he's also looking on. The background features the distinctive white and dark green circular patterned wall, with a golden light fixture. The lighting is bright and even, highlighting the texture and colors of the tile sample. The color palette is dominated by the green and white wall, the blue and tan of their clothing, and the neutral tones of the tile sample. The camera is static, focusing on the exchange.
0:38tricia examining sample smile
A close-up shot of Tricia Lee, a Black woman with long, dark, wavy hair, looking down at a tile sample (which is out of frame) with a warm, approving smile. Her hands are clasped lightly in front of her. She wears a blue denim-look sleeveless top and a gold 'love' necklace, with a small black microphone clipped to her top. The background is the distinctive white and dark green circular patterned wall, slightly out of focus. The lighting is soft and even, highlighting her pleasant expression. The color palette emphasizes the green and white of the wall, and Tricia's warm skin tone and blue attire. The camera is static.
0:40ashley talking mirror reflection tricia
A medium shot frames Ashley Biscan from the side, a white woman with long brown hair, wearing a black blazer and blue jeans. She is actively speaking and gesturing with her hands. Her reflection, along with the reflection of Tricia Lee, is visible in the large, illuminated mirror behind her. Tricia's reflection is positioned behind Ashley's, looking towards Ashley with an attentive expression. The background wall features a distinctive pattern of white and dark green circles. A golden light fixture is visible on the wall. The lighting is bright, with the mirror providing additional illumination. The camera is static, capturing both the direct view and the reflection.
0:43jeffrey listening close up
A close-up shot of Jeffrey St. Arromand, a Black man with a shaved head and short beard, looking slightly to the right with a focused, contemplative expression. He is wearing a tan blazer over a white shirt, with a small black microphone clipped to his lapel. The background is a clean, bright white wall, subtly blurred. The lighting is soft and even, highlighting his serious yet engaged demeanor. The color palette consists of his warm skin tone, the tan of his blazer, and the clean white background. The camera is static, capturing his listening reaction.
0:45ashley talking mirror reflection tricia again
A medium shot frames Ashley Biscan from the side, a white woman with long brown hair, wearing a black blazer and blue jeans. She is actively speaking and gesturing with her hands. Her reflection, along with the reflection of Tricia Lee, is visible in the large, illuminated mirror behind her. Tricia's reflection is positioned behind Ashley's, looking towards Ashley with an attentive expression. The background wall features a distinctive pattern of white and dark green circles. A golden light fixture is visible on the wall. The lighting is bright, with the mirror providing additional illumination. The camera is static, capturing both the direct view and the reflection, similar to a previous scene, reinforcing the dynamic.
0:47tricia tile reaction overlay 4
A close-up of Tricia Lee, a Black woman with long, dark, wavy hair, looking downwards with a thoughtful expression. She is wearing a blue denim-look sleeveless top. In the bottom center of the frame, a red-bordered overlay box displays a close-up image of a reddish-brown rectangular tile pattern arranged in a herringbone style, showing subtle texture variations. Small arrow icons on the sides of the overlay suggest a slideshow of images. The background is the subtly blurred white and dark green circular patterned wall. The lighting is soft and natural. The color palette includes the white and green of the wall, Tricia's blue top, and the earthy tones of the tile. The camera is static.
0:48tricia tile reaction overlay 5
A close-up of Tricia Lee, a Black woman with long, dark, wavy hair, looking downwards with a thoughtful expression. She is wearing a blue denim-look sleeveless top. In the bottom center of the frame, a red-bordered overlay box displays an image of a bathroom vanity with a light wood counter, white sinks, and a modern rectangular mirror, set against a wall tiled with the reddish-brown rectangular tiles arranged in a herringbone pattern. Small arrow icons on the sides of the overlay suggest a slideshow of images. The background is the subtly blurred white and dark green circular patterned wall. The lighting is soft and natural. The color palette includes the white and green of the wall, Tricia's blue top, and the warm, earthy tones of the bathroom scene. The camera is static.
0:49tricia tile reaction overlay 6
A close-up of Tricia Lee, a Black woman with long, dark, wavy hair, looking downwards with a thoughtful expression. She is wearing a blue denim-look sleeveless top. In the bottom center of the frame, a red-bordered overlay box displays an image of a kitchen scene with white cabinets and a white countertop, featuring the reddish-brown rectangular tiles as a backsplash. A copper kettle is visible on the stovetop. Small arrow icons on the sides of the overlay suggest a slideshow of images. The background is the subtly blurred white and dark green circular patterned wall. The lighting is soft and natural. The color palette includes the white and green of the wall, Tricia's blue top, and the warm, earthy tones of the kitchen scene. The camera is static.
0:50ashley talking tricia overlay 1
A medium close-up shot frames Ashley Biscan from the side, gesturing with her right hand while speaking. Tricia Lee is partially visible on the left, looking down. In the bottom center of the frame, a red-bordered overlay box displays a close-up image of a reddish-brown rectangular tile pattern arranged in a herringbone style, showing subtle texture variations. Small arrow icons on the sides of the overlay suggest a slideshow of images. The background is the distinctive white and dark green circular patterned wall. The lighting is bright and even. The color palette is dominated by the green and white wall, Ashley's dark blazer, Tricia's blue top, and the earthy tones of the tile. The camera is static.
0:51ashley talking tricia overlay 2
A medium close-up shot frames Ashley Biscan from the side, gesturing with her right hand while speaking. Tricia Lee is partially visible on the left, looking down. In the bottom center of the frame, a red-bordered overlay box displays an image of a bathroom vanity with a light wood counter, white sinks, and a modern rectangular mirror, set against a wall tiled with the reddish-brown rectangular tiles arranged in a herringbone pattern. Small arrow icons on the sides of the overlay suggest a slideshow of images. The background is the distinctive white and dark green circular patterned wall. The lighting is bright and even. The color palette is dominated by the green and white wall, Ashley's dark blazer, Tricia's blue top, and the warm, earthy tones of the bathroom scene. The camera is static.
0:52ashley talking tricia overlay 3
A medium close-up shot frames Ashley Biscan from the side, gesturing with her right hand while speaking. Tricia Lee is partially visible on the left, looking down. In the bottom center of the frame, a red-bordered overlay box displays an image of a kitchen scene with white cabinets and a white countertop, featuring the reddish-brown rectangular tiles as a backsplash. A copper kettle is visible on the stovetop. Small arrow icons on the sides of the overlay suggest a slideshow of images. The background is the distinctive white and dark green circular patterned wall. The lighting is bright and even. The color palette is dominated by the green and white wall, Ashley's dark blazer, Tricia's blue top, and the warm, earthy tones of the kitchen scene. The camera is static.
0:53tricia tile reaction overlay 7
A close-up of Tricia Lee, a Black woman with long, dark, wavy hair, looking downwards with a warm, approving smile. She is wearing a blue denim-look sleeveless top. In the bottom center of the frame, a red-bordered overlay box displays a close-up image of square, glossy blue-green tiles with visible texture and slight variations, creating an artisanal look. Small arrow icons on the sides of the overlay suggest a slideshow of images. The background is the subtly blurred white and dark green circular patterned wall. The lighting is soft and natural. The color palette includes the white and green of the wall, Tricia's blue top, and the vibrant blue-green of the tile. The camera is static.
0:54tricia tile reaction overlay 8
A close-up of Tricia Lee, a Black woman with long, dark, wavy hair, looking downwards with a warm, approving smile. She is wearing a blue denim-look sleeveless top. In the bottom center of the frame, a red-bordered overlay box displays an image of a bathroom scene featuring a large square tiled wall in the glossy blue-green, a white vanity with a modern mirror, and a window. Small arrow icons on the sides of the overlay suggest a slideshow of images. The background is the subtly blurred white and dark green circular patterned wall. The lighting is soft and natural. The color palette includes the white and green of the wall, Tricia's blue top, and the vibrant blue-green of the bathroom scene. The camera is static.
0:55tricia tile reaction overlay 9
A close-up of Tricia Lee, a Black woman with long, dark, wavy hair, looking downwards with a warm, approving smile. She is wearing a blue denim-look sleeveless top. In the bottom center of the frame, a red-bordered overlay box displays an image of a shower area with walls tiled in the glossy blue-green squares, and a white modern bathtub. Small arrow icons on the sides of the overlay suggest a slideshow of images. The background is the subtly blurred white and dark green circular patterned wall. The lighting is soft and natural. The color palette includes the white and green of the wall, Tricia's blue top, and the vibrant blue-green of the shower scene. The camera is static.
0:56ashley presenting neutral tile
A medium shot focuses on Ashley Biscan, a white woman, handing a rectangular tile sample to Jeffrey St. Arromand, a Black man. Ashley, on the right, in a black blazer and blue jeans, holds out a light-colored tile. Jeffrey, on the left, in a tan blazer, reaches for it with an attentive expression. Tricia Lee is reflected in the large, illuminated mirror behind them, checking her phone. The background wall is covered with the distinctive white and dark green circular patterned tile. The white countertop of a vanity with golden faucets is also visible. The lighting is bright and even. The color palette includes the green and white wall, the neutral tile, and their clothing. The camera is static, capturing the exchange.
0:57jeffrey talking holding sample
A close-up shot of Jeffrey St. Arromand, a Black man with a shaved head and short beard, holding a light-colored rectangular tile sample in his left hand while speaking. He is wearing a tan blazer over a white shirt. He looks to his right, addressing someone off-camera, with a thoughtful and engaged expression. The background is a white wall with the subtle pattern of white and dark green circles, slightly out of focus. The lighting is soft and even. The color palette includes his warm skin tone, the tan of his blazer, the neutral tile, and the green and white background. The camera is static, focusing on his face and the sample.
0:59jeffrey tile reaction overlay 4
A close-up shot of Jeffrey St. Arromand, a Black man with a shaved head and short beard, looking downwards with a thoughtful expression. He is wearing a tan blazer over a white shirt. In the bottom center of the frame, a red-bordered overlay box displays a close-up image of a light beige or off-white rectangular tile pattern, with subtle vertical ridges, arranged in a clean, stacked brick pattern. Small arrow icons on the sides of the overlay suggest a slideshow. The background is the subtly blurred white and dark green circular patterned wall. The lighting is soft and even. The color palette includes the white and green of the wall, Jeffrey's tan blazer, and the neutral tones of the tile. The camera is static.
1:00jeffrey tile reaction overlay 5
A close-up shot of Jeffrey St. Arromand, a Black man with a shaved head and short beard, looking downwards with a thoughtful expression. He is wearing a tan blazer over a white shirt. In the bottom center of the frame, a red-bordered overlay box displays an image of a kitchen backsplash featuring the light beige or off-white rectangular tiles, paired with light wooden cabinets and white countertops. Small arrow icons on the sides of the overlay suggest a slideshow. The background is the subtly blurred white and dark green circular patterned wall. The lighting is soft and even. The color palette includes the white and green of the wall, Jeffrey's tan blazer, and the neutral tones of the kitchen scene. The camera is static.
1:01ashley talking mirror reflection all
A medium shot frames Ashley Biscan from the side, a white woman with long brown hair, wearing a black blazer and blue jeans. She is actively speaking and gesturing with her hands. Her reflection, along with the reflections of Tricia Lee and Jeffrey St. Arromand, is visible in the large, illuminated mirror behind her. All three reflections are looking towards Ashley. The background wall features a distinctive pattern of white and dark green circles. A golden light fixture is visible on the wall. The lighting is bright, with the mirror providing additional illumination. The camera is static, capturing both the direct view and the reflection, showing all three participants in the scene.
1:02jeffrey tile reaction overlay 6
A close-up shot of Jeffrey St. Arromand, a Black man with a shaved head and short beard, looking downwards with a thoughtful expression. He is wearing a tan blazer over a white shirt. In the bottom center of the frame, a red-bordered overlay box displays an image of a bathroom interior with a pitched ceiling, featuring light beige or off-white rectangular tiles on the walls, a modern vanity, and dark patterned floor tiles. Small arrow icons on the sides of the overlay suggest a slideshow. The background is the subtly blurred white and dark green circular patterned wall. The lighting is soft and even. The color palette includes the white and green of the wall, Jeffrey's tan blazer, and the neutral tones of the bathroom scene. The camera is static.
1:03jeffrey tile reaction overlay 7
A close-up shot of Jeffrey St. Arromand, a Black man with a shaved head and short beard, looking downwards with a thoughtful expression. He is wearing a tan blazer over a white shirt. In the bottom center of the frame, a red-bordered overlay box displays a close-up image of a textured grey rectangular tile pattern, arranged in a standard brick layout. Small arrow icons on the sides of the overlay suggest a slideshow. The background is the subtly blurred white and dark green circular patterned wall. The lighting is soft and even. The color palette includes the white and green of the wall, Jeffrey's tan blazer, and the neutral grey tones of the tile. The camera is static.
1:04jeffrey tile reaction overlay 8
A close-up shot of Jeffrey St. Arromand, a Black man with a shaved head and short beard, looking downwards with a thoughtful expression. He is wearing a tan blazer over a white shirt. In the bottom center of the frame, a red-bordered overlay box displays an image of a kitchen backsplash featuring the textured grey rectangular tiles, paired with white cabinets and a stovetop. Small arrow icons on the sides of the overlay suggest a slideshow. The background is the subtly blurred white and dark green circular patterned wall. The lighting is soft and even. The color palette includes the white and green of the wall, Jeffrey's tan blazer, and the neutral grey and white tones of the kitchen scene. The camera is static.
1:05ashley gesturing over vanity
A medium shot captures Ashley Biscan, a white woman with long brown hair, gesturing with both hands over a white vanity countertop. She is wearing a black blazer and blue jeans. Her reflection, along with the reflections of Tricia Lee and Jeffrey St. Arromand, is visible in the large, illuminated mirror behind her. Tricia and Jeffrey's reflections are looking towards Ashley, attentive. The background wall features the distinctive white and dark green circular patterned tile, with a golden light fixture. The vanity below has rich brown wooden cabinets and golden knob handles. The lighting is bright and even. The color palette includes the green and white wall, the warm wood of the cabinet, and their clothing. The camera is static, focusing on Ashley's explanation.
1:07tricia listening close up
A close-up shot of Tricia Lee, a Black woman with long, dark, wavy hair, listening intently and nodding slightly. She is wearing a blue denim-look sleeveless top and a gold 'love' necklace, with a small black microphone clipped to her top. Her hands are clasped lightly in front of her. The background is the distinctive white and dark green circular patterned wall, slightly out of focus. The lighting is soft and even, highlighting her engaged and thoughtful expression. The color palette emphasizes the green and white of the wall, and Tricia's warm skin tone and blue attire. The camera is static, capturing her active listening.
1:09ashley presents wood samples
A medium shot captures Ashley Biscan, a white woman, handing two small rectangular wood samples to Tricia Lee and Jeffrey St. Arromand. Ashley, on the right, wears a black blazer and blue jeans, extending the samples. Tricia, on the left, in a blue denim-look top, and Jeffrey, next to her in a tan blazer, are both reaching out to take the samples. The background features the distinctive white and dark green circular patterned wall. A golden light fixture and part of a white vanity countertop are also visible. The lighting is bright and even, highlighting the wood samples. The color palette includes the green and white wall, the various shades of their clothing, and the natural wood tones of the samples. The camera is static, capturing the exchange and their eager anticipation.
1:12tricia examining wood samples
A close-up shot of Tricia Lee, a Black woman with long, dark, wavy hair, holding and carefully examining two small rectangular wood samples. She is wearing a blue denim-look sleeveless top and a gold 'love' necklace, with a small black microphone clipped to her top. Her expression is thoughtful and focused as she looks down at the samples in her hands. The background is the subtly blurred white and dark green circular patterned wall. The lighting is soft and even, highlighting the textures of the wood and her contemplative expression. The color palette emphasizes the green and white of the wall, Tricia's blue top, and the natural wood tones. The camera is static.
1:14jeffrey talking wood samples
A close-up shot of Jeffrey St. Arromand, a Black man with a shaved head and short beard, looking downwards and to his right, speaking. He is wearing a tan blazer over a white shirt, with a small black microphone clipped to his lapel. His facial expression is serious but engaged, indicating he's providing an opinion or insight. The background is the subtle pattern of white and dark green circles, slightly out of focus. The lighting is soft and even. The color palette consists of his warm skin tone, the tan of his blazer, and the green and white background. The camera is static, focusing on his face as he speaks.
1:16tricia reacts to wood
A close-up shot of Tricia Lee, a Black woman with long, dark, wavy hair, looking upwards and slightly to the left, with an expressive smile and a soft laugh. She is wearing a blue denim-look sleeveless top and a gold 'love' necklace, with a small black microphone clipped to her top. Her hands are clasped lightly in front of her. The background is the subtly blurred white and dark green circular patterned wall. The lighting is soft and even, highlighting her joyful reaction. The color palette emphasizes the green and white of the wall, and Tricia's warm skin tone and blue attire. The camera is static.
1:17before flooring shot 1
A medium shot looking down at a dull, grey floor with a textured, slightly uneven surface, suggesting old or worn flooring. The floor has visible patterns, possibly from previous tile removal or adhesive. In the upper left corner, a white text box with a red location pin icon reads 'Jeff and Tricia's Brooklyn Home'. In the bottom center, another white text box reads 'Before...'. The lighting is ambient and somewhat flat, contributing to the unappealing look of the floor. The color palette is dominated by various shades of grey, with the white text boxes providing contrast. The camera is held at a medium height, angled downwards.
1:19before flooring shot 2
A slightly wider medium shot reveals more of the dull, grey floor with its textured and worn appearance. The perspective is slightly lower than the previous shot, allowing more of the room to be seen. In the background, white baseboards and what appears to be a white curtain or cloth on the right side are visible. A small white appliance or furniture item is also present on the left. The floor still shows its unappealing grey tones and subtle patterns. The text overlays 'Jeff and Tricia's Brooklyn Home' and 'Before...' remain. The lighting is flat and even. The color palette is predominantly grey, with hints of white and the contrasting text boxes. The camera is held at a medium height, angled downwards.
1:21tricia reexamining wood samples
A close-up shot of Tricia Lee, a Black woman with long, dark, wavy hair, holding and carefully examining two small rectangular wood samples, similar to an earlier scene. She is wearing a blue denim-look sleeveless top and a gold 'love' necklace, with a small black microphone clipped to her top. Her expression is thoughtful and focused, suggesting renewed consideration for the wood. The background is the subtly blurred white and dark green circular patterned wall. The lighting is soft and even. The color palette emphasizes the green and white of the wall, Tricia's blue top, and the natural wood tones. The camera is static, reinforcing her interest in the samples.
1:23wood aisle wide shot
A wide, low-angle shot captures a long aisle in the Floor & Decor store, showcasing numerous large vertical panels of wood flooring samples. The panels extend down the entire length of the aisle on both sides, creating a corridor of different wood types and finishes. The floor of the aisle is concrete. Overhead, exposed ventilation ducts and long linear fluorescent lights contribute to the industrial aesthetic. A cart with supplies is visible in the middle distance. A white text box in the bottom center reads 'Like & Follow For Part 2' and below that 'Make It Yours at flooranddecor.com'. The lighting is bright and uniform. The color palette is dominated by the warm browns and tans of the wood samples, the grey concrete floor and ceiling, and the white of the text box. The camera is static, capturing the breadth of the selection.
1:25tricia jeffrey walking wood aisle
A medium shot captures Tricia Lee and Jeffrey St. Arromand walking through a brightly lit aisle filled with wood flooring samples. They are walking towards the camera, smiling and engaging directly with the viewer. Tricia, on the left, wears her blue denim-look top and light pants. Jeffrey, on the right, wears his tan blazer and white shirt. The background consists of large, vertical wood sample panels displaying various patterns and finishes. The floor is concrete, and overhead, industrial lighting is visible. A white text box in the bottom center reads 'Like & Follow For Part 2' and 'Make It Yours at flooranddecor.com'. The lighting is bright and even. The color palette features the warm wood tones, their clothing colors, and the grey concrete. The camera slowly tracks backward to maintain their framing.
1:27ashley presents wood sample tricia
A medium close-up shot focuses on Ashley Biscan, a white woman, holding a rectangular wood sample in her hand while speaking to Tricia Lee. Ashley, on the right, wears a black blazer and blue jeans, gesturing with her free hand as she explains. Tricia, on the left, in a blue denim-look top, is looking at the wood sample with an attentive expression. The background features more vertical wood flooring sample panels. A white text box in the bottom center reads 'Like & Follow For Part 2' and 'Make It Yours at flooranddecor.com'. The lighting is bright and well-distributed. The color palette consists of the various wood tones, their clothing, and the white text box. The camera is static, capturing their interaction.
1:30wood aisle recap wide shot
A wide, low-angle shot returns to the long aisle in the Floor & Decor store, showcasing numerous large vertical panels of wood flooring samples. The panels line both sides of the aisle, stretching into the distance. The concrete floor and overhead industrial lighting, including exposed ducts and linear fluorescent lights, are clearly visible. The same white text box in the bottom center reads 'Like & Follow For Part 2' and 'Make It Yours at flooranddecor.com'. The lighting is bright and uniform, creating a clean retail environment. The color palette is dominated by the warm browns and tans of the wood samples, the grey concrete, and the white of the text box. The camera is static, providing a final, comprehensive view of the wood selection area.
