0:00Goya Gives Logo Animation
The scene opens with an animated Goya Gives logo. The word 'GOYA' in large, bold, blue capital letters with a subtle shadow effect is prominently displayed on a white background. To the right, 'gives' is written in a stylized, brush-stroke font, in yellow with a blue outline, placed on a yellow, irregular shape that suggests a blob or splash. Behind the logo, faint yellow concentric circles with radial lines emanate outwards, creating a dynamic background. Red dash marks briefly appear and disappear as the yellow background color subtly shifts to a brighter, solid yellow before the scene ends. The overall impression is one of dynamic branding and positive energy, using a clean and modern design.
0:02Goya 85 Years Logo
The Goya 85 Years anniversary logo is displayed against a clean white background. The word 'GOYA' in dark blue capital letters is at the top, underlined by a solid yellow bar. Below this, the large number '85' is depicted in blue, with the '8' partially overlaid by a vibrant green chili pepper and the '5' containing a red spoon stirring red beans and green olives in a small black pot, symbolizing the brand's culinary heritage. Below '85', 'YEARS' is written in blue capital letters, and beneath that, 'JUNTOS/TOGETHER' in smaller blue capital letters. The overall color scheme is bright and primary, conveying a sense of celebration, heritage, and togetherness, making it feel inviting and established.
0:06Logo Fade Transition
The Goya 85 Years logo from the previous scene gradually fades out, transitioning from its vibrant blue and yellow hues to a soft, translucent white. The distinct elements of the logo—the 'GOYA' text, the yellow underline, the '85' with its chili and bean pot motifs, and the 'YEARS JUNTOS/TOGETHER' tagline—become progressively lighter and less defined before disappearing completely. This smooth, ephemeral transition leaves a brief moment of pure white, effectively serving as an interstitial graphic before the introduction of live-action footage, signaling a change in content and tone. The fading motion is slow and deliberate, creating a gentle visual effect.
0:07Interview Mgr Kevin Sullivan
A medium shot frames Msgr. Kevin Sullivan, a Caucasian man appearing to be in his 60s, with a neatly trimmed white beard and a bald head. He is dressed in a formal black clerical shirt with a white tab collar and a black suit jacket, exuding an air of authority and compassion. He speaks directly to the camera with a calm and earnest expression. The lighting is soft and even, originating from the front, minimizing harsh shadows and creating a professional appearance. The background features two blue banners: one displaying the 'Goya Gives' logo and the other, more prominent, titled 'Feeding Our Neighbors CATHOLIC CHARITIES ARCHDIOCESE OF NEW YORK', which includes small photographic elements of people being served. A yellow graphic overlay with blue text at the bottom left identifies him as 'Msgr. Kevin Sullivan, Executive Director - Catholic Charities NY'. The overall atmosphere is informative and heartfelt, emphasizing the charitable partnership.
0:15Food Distribution Church Exterior
A wide shot captures the exterior of a large, traditional church building constructed from dark grey stone, featuring tall, arched windows with intricate Gothic details. The sky above is partly cloudy, casting natural, slightly diffused light on the scene. In the foreground, a paved parking lot bustles with community members, many of whom are wearing face masks, indicating contemporary events. Several individuals are seen walking with baby strollers, approaching a long white table set up near the church entrance. Volunteers are actively distributing blue 'Goya' branded tote bags from these tables. Lush green trees are visible around the church, providing a touch of nature. The scene conveys a sense of organized community support and humanitarian aid, with people patiently waiting for assistance.
0:19Interview Mgr Kevin Sullivan 2
This scene is a direct continuation of the interview, presenting a medium shot of Msgr. Kevin Sullivan. He is a Caucasian man, estimated to be in his 60s, with a bald head and a neat white beard, maintaining his earnest demeanor. He is dressed in a black clerical shirt with a white tab collar and a black suit jacket. He continues to speak directly into the camera, conveying a consistent message. The background elements remain unchanged: blue banners featuring the 'Goya Gives' logo and 'Catholic Charities Archdiocese of New York,' complete with small inset photographs of people receiving help. The yellow graphic overlay at the bottom left again identifies him as 'Msgr. Kevin Sullivan, Executive Director - Catholic Charities NY.' The lighting remains soft and professional, underscoring the solemnity of his message.
0:22Outdoor Food Distribution Tent
A medium-wide shot depicts an active outdoor food distribution event. Under a large white canopy tent, several volunteers, all wearing face masks, are busy handing out fresh produce and other food items. The tent itself bears text, partially visible, which reads 'GARDENS CORNERSTONE' and 'Providing Help, Creating Hope.' A diverse group of people, also wearing face masks, are lined up in front of the tent, moving through the distribution area and receiving supplies. A sturdy black chain-link fence runs along the right side of the frame, behind which tall residential apartment buildings rise in the background under a bright, slightly overcast sky. The scene is well-lit with natural light, highlighting the vibrant colors of the produce and the sense of organized community support. The focus is on the direct interaction between helpers and those receiving aid.
0:28Serving Healthy Salad
A tight close-up shot focuses on a pair of human hands, using black serving tongs to meticulously add a scoop of fluffy, light-brown quinoa to a vibrant, fresh salad. The salad is presented in a black rectangular takeaway container and contains crisp green lettuce as its base, bright red cherry tomatoes, thin strips of yellow bell pepper, and plump, green edamame beans. In the softly blurred background, other buffet-style containers are visible, filled with an array of colorful food items such as red beans and yellow rice, suggesting a diverse and healthy selection. The lighting is bright and clean, emphasizing the freshness and visual appeal of the ingredients, creating an appetizing and healthy impression.
0:29Apartment Building Fire Escapes
A dramatic low-angle, wide shot captures the imposing facade of a multi-story brick apartment building under a bright, slightly cloudy sky. The building's exterior is characterized by its red-brown brickwork and numerous, dark grey metal fire escapes that crisscross diagonally across the face of the building, creating a complex, almost abstract, linear pattern. Multiple windows are visible, many equipped with air conditioning units, suggesting the age and lived-in quality of the urban structure. The camera looks sharply upwards, emphasizing the sheer height and dense, utilitarian aesthetic of the urban architecture. The stark contrast between the industrial fire escapes and the natural sky evokes a sense of urban struggle and resilience.
0:32Man Leaving Job With Box
A medium shot captures a young to middle-aged man, likely of East Asian or Hispanic ethnicity, with neatly styled short dark hair. He is dressed in a professional grey suit jacket over a white collared shirt, but his appearance is contrasted by a black face mask covering his nose and mouth. He walks down a long, wide flight of outdoor concrete stairs, his posture slightly slumped. In his hands, he carries a clear plastic box filled with personal office items, including a small green potted plant, various files, a mug, and a binder, signifying a departure from employment. His gaze is directed slightly upwards and to the side, suggesting contemplation or uncertainty about his future. The stark grey stairs dominate the background, emphasizing a sense of transition and perhaps hardship.
0:34Volunteers Distributing Goya Bags
A low-angle, tracking shot smoothly moves from left to right, showcasing a long, white folding table positioned in an outdoor asphalt parking lot. The table is laden with numerous identical, vibrant blue 'Goya Gives' branded tote bags, each brimming with various food items and cardboard boxes, suggesting a substantial charitable effort. Several volunteers, identifiable by their bright orange safety vests and face masks, are diligently working behind the table, organizing and preparing the bags for distribution. The ground of the parking lot features white painted lines, and in the distance, people are seen walking, while parts of a stone building (possibly a church) are visible under a bright, slightly overcast sky. The scene conveys a strong sense of community support and organized relief work, with the camera's motion drawing attention to the abundant provisions.
0:39Volunteer With Goya Bags
A static medium-wide shot focuses on a long white table set up outdoors in a paved area, brimming with numerous blue 'Goya Gives' tote bags, each visibly filled with boxes of food and other provisions. The bags are arranged neatly in a continuous line along the table's edge. To the left, a male volunteer, appearing to be in his 40s-50s, is seen wearing a burgundy jacket, a bright orange safety vest, a blue knit cap, and a light blue face mask. He is meticulously checking items or organizing a bag, showcasing careful attention to detail. In the mid-ground, another person walks past, carrying one of the distinct blue Goya bags, highlighting the successful distribution. The background features the familiar stone church building from earlier scenes, and a parked white car, under a clear, bright sky. The scene underscores the organized and impactful nature of the food distribution efforts.
0:47Produce Distribution Close Up
A medium close-up shot captures a dynamic and busy scene of people collaborating to distribute produce. The individuals are diverse in appearance and all wear light blue disposable gloves and face masks, emphasizing health and safety protocols. A woman with voluminous, curly brown hair, dressed in a yellow t-shirt, is seen passing a white cardboard box, branded 'freshdirect' with green apple graphics, to a man in a simple white t-shirt. In the immediate background, another woman with long dark hair, wearing a black t-shirt and similar gloves and mask, is also visible, engaged in the handling of boxes. Behind them, a black chain-link fence stretches across the frame, and beyond it, stacks of white boxes are piled high, signifying a large volume of distributed goods. The natural lighting is bright and even, highlighting the clear branding and the purposeful actions of the individuals, showcasing efficient and coordinated relief efforts.
0:53Interview Mgr Kevin Sullivan 3
This scene is a final repetition of the interview with Msgr. Kevin Sullivan. He is a Caucasian man in his 60s, bald with a neat white beard, maintaining a direct gaze at the camera. He wears a black clerical shirt with a white tab collar and a black suit jacket, presenting a consistent and professional image. The background remains identical to previous interview segments: blue banners showcasing the 'Goya Gives' logo and the 'Catholic Charities Archdiocese of New York' branding, complete with small photographic inserts of people benefiting from their services. The yellow graphic overlay on the bottom left corner reiterates his identity as 'Msgr. Kevin Sullivan, Executive Director - Catholic Charities NY.' The lighting is consistently soft and even, highlighting his earnest expression as he concludes his message, reinforcing the importance of the partnership with Goya.
0:58Goya Delivery Truck Unloading
A wide shot captures the rear of a large Goya delivery truck, parked on the side of a street in what appears to be a residential neighborhood. The truck's blue cargo section is extensively branded with large white 'GOYA' logos and vibrant images of Goya products, specifically 'YELLOW RICE' and 'RICE & BLACK BEANS', on its side. The entire back door of the truck features the iconic Goya logo along with the tagline: 'Si es GOYA, tiene que ser bueno! If it's Goya, it has to be good!' Two men are present at the back of the truck: one, wearing a blue baseball cap and a light blue face mask, is actively operating a hydraulic lift, lowering it to the ground. The other man stands nearby, observing or assisting. The street is asphalt, and in the background, bare trees and other residential buildings are visible under a bright, clear blue sky, suggesting a cool, crisp day. The scene emphasizes the direct logistical effort involved in distributing Goya products for charitable purposes.
