0:00woman close up eyes opening with text
An extreme close-up shot frames the face of a young woman, filling almost the entire vertical space of the screen. Her eyes are initially closed, conveying a sense of introspection or calm, before slowly opening to reveal striking light green irises. Her expression is solemn and contemplative, not overtly emotional but conveying a serious tone. Her skin is fair with natural texture visible, and her light brown hair, parted in the middle, softly frames her face. The background is a soft, out-of-focus light grey or off-white, suggesting a plain wall, ensuring the focus remains entirely on her face. The lighting is soft, frontal, and even, creating subtle highlights on her skin without harsh shadows. The overall color palette is natural and subdued. White text, 'Facing extinction', appears static in a clean, sans-serif font, positioned over the lower left portion of her face, partially obscuring her cheek and chin, adding a textual layer to the visual narrative.
0:07black screen call to action text
The scene transitions to a solid, stark black screen, serving as a plain backdrop for a clear, impactful message. Centrally aligned on the screen, white sans-serif text is displayed, presenting a direct call to action: 'Tell Congress there is no room in government for climate deniers'. Below this main message, a white rectangular box stands out, containing further instructions: 'Text CLIMATE to 71333'. Immediately beneath the box, additional white text reads: 'Answer with Action', reinforcing the interactive nature of the message. At the very bottom of the screen, in much smaller, faint grey text, legal disclaimers or instructions are visible: 'Patagonia Action Works alerts. Message and data rates may apply. Reply STOP to opt out or HELP for help.' The high contrast between the white text and black background ensures maximum readability and a serious, urgent tone. The composition is entirely graphical, devoid of any visual elements other than text, making the message the sole focus.
