0:00office ducks in a row
The scene opens with a medium-wide shot of two men in an office environment. The camera is positioned slightly low, looking up towards the subjects. They are seated at a white rectangular table, which is cluttered with approximately five realistic duck decoys lined up neatly. The background features light gray modular office partitions and a white wall, suggesting a contemporary office or meeting space. Overhead fluorescent lighting casts a bright, even illumination, minimizing harsh shadows. The overall color palette is neutral with grays, whites, and browns from the decoys and clothing, with a blue patterned carpet on the floor. Text overlays appear: 'Corporate lingo, Academy style' in a bright blue bar at the top, followed by 'Hey guys, what are y'all doing?' and 'We're getting our ducks in a row.' The man on the right is actively measuring the distance between the ducks with a yellow tape measure, while the man on the left observes. The camera remains static throughout this shot.
0:03office treadmill runway
This scene is a medium shot of a man walking on a treadmill in what appears to be an office or gym within an office. The camera is positioned at a slightly low angle, capturing the man from the waist up. In the lower left foreground, a silver laptop with an active screen is visible on a desk, creating a sense of depth and implying a workspace context. The background consists of a plain white wall, illuminated by overhead fluorescent lights that provide bright, uniform lighting. The man is looking directly at the camera with an inquisitive expression and an open-handed gesture, seemingly asking a question. Text overlay reads: 'Will we have enough runway?' The color palette is muted, with the man's gray shirt, blue jeans, and the white wall dominating the frame.
0:05office pin it
The scene features a medium-wide shot of two women in an office meeting room. The camera captures them from a slight distance, allowing viewers to see their upper bodies and the immediate surroundings. The woman on the left is seated at a white table, actively typing on a silver laptop. The woman on the right stands beside the table, facing the camera. The background consists of light gray walls and a dark gray door with a glass panel, leading to another room. The floor is covered with a blue and gray patterned carpet. Overhead fluorescent lighting provides bright, consistent illumination. The color palette is dominated by neutral grays, white, and the women's clothing which includes brown, white, and black stripes. Text overlay reads: 'Let's just put a pin in it.' The standing woman is poised and attentive, while the seated woman is focused on her work. The camera is static.
0:08office pin it closeup
This is a medium close-up shot focusing on the woman from the previous scene. The camera has zoomed in and moved closer to her. She is positioned slightly to the right of the frame's center. Her facial expression changes from neutral to a playful wink, and she points towards the camera with her right hand, suggesting a direct address to the viewer or an engaging interaction. Her brown plaid blazer, white button-up shirt, and blue jeans are still visible, with a small microphone clipped to her collar. The background is a slightly blurred office doorway with a dark frame, and a person briefly walks past in the background. The lighting remains bright and even. The color palette is warm browns from her blazer contrasting with the white shirt and light gray walls.
0:10office feet running
This scene is a low-angle close-up shot focusing on a person's feet as they walk purposefully. The camera is positioned very low to the ground, capturing the legs from the mid-calf down, emphasizing the motion of walking. The feet are encased in black sneakers with white soles, contrasting with the dark pants. The ground is a blue and gray striped patterned office carpet, creating a sense of movement and direction with its linear design. The lighting is even, illuminating the carpet and shoes clearly. The text overlay, 'We'll hit the ground running first thing in January,' appears at the bottom of the frame, directly relating to the action shown. The color palette is dominated by dark tones of black and blue, with accents of white from the shoe soles.
0:11office talking head running
This is a medium close-up shot of a woman speaking directly to the camera. Her upper torso is visible, capturing her from just below the shoulders to the top of her head. She is positioned slightly off-center to the left. The background is a plain, light gray office wall, providing a clean and uncluttered setting. Bright overhead lighting illuminates her face evenly, creating a clear and direct visual. She is smiling enthusiastically and gesturing with her hands, indicating excitement and confidence. The text overlay from the previous scene, 'We'll hit the ground running first thing in January,' remains on screen, reinforcing the message. The color palette consists of neutral grays from her clothing and the background, with the warmth of her skin tone providing contrast.
0:12office circle back bike
The scene begins with a medium shot of a man at a table, then pans right to reveal a woman riding a bicycle through an office space, and finally settles on a wide shot of several people working at tables. The initial focus is on the man, then smoothly transitions to follow the woman on the bicycle as she rides from left to right across the frame, passing behind the man. The camera continues to pan, revealing two more women seated at a shared white table, actively working on laptops. The background includes whiteboards, gray modular office partitions, and the blue and gray patterned carpet. Overhead fluorescent lighting provides uniform illumination. The text overlay 'Let's just circle back on this tomorrow.' appears at the bottom. The color palette is primarily cool tones of gray, white, and blue, with touches of color from clothing and laptops. The scene implies a dynamic, unconventional office environment.
0:16office take offline
The final scene is a medium shot, framed through an open office doorway, creating a sense of transition. A man walks through this doorway, from an interior office space into a brightly lit hallway. He is carrying an assortment of fishing gear, including a blue and gray tackle bag slung over his shoulder, a fishing rod, and a fishing net. The background is a clean, plain white wall, illuminated by bright overhead lights, suggesting a modern and minimalist office environment. The color palette is crisp, with the man's blue shirt and fishing gear providing dominant colors against the stark white background. He looks directly at the camera with a wide smile and a playful, engaging expression. Text overlay reads: 'Let's take this offline.' The man's body language conveys a sense of lightheartedness and a departure from typical office work. The camera is static, capturing his entry into the hallway.
