0:00design document alaska logo
A close-up shot of a white design document, showing technical specifications for aircraft livery. The document displays a color palette with codes like 'BAC 5798 DARK BLUE' and 'BAC 131 RED'. A large, blue 'Alaska' logo is partially visible on the bottom right, printed on a white aircraft fuselage illustration. The framing focuses on the text and the upper portion of the aircraft design. The lighting is bright and even, indicating studio or office conditions. The color palette is primarily white, blue, and black text with small color swatches. There is no camera motion.
0:01design document tail marking
A dynamic close-up shot of another section of a white aircraft design document. The framing is tight on the mid-section of the fuselage and tail area. The text 'BAC 5798 Dark Blue' points to a dark blue section of the aircraft. Below it, the registration 'NXXXXX' is visible, along with a small American flag decal. The aircraft illustration features white windows and a teal-green section fading into dark blue towards the tail. The overall lighting is bright and even, highlighting the details of the design. The color palette is dominated by white, blue, and teal. There is no camera motion.
0:02plane exiting hangar front
A wide, low-angle shot from inside a brightly lit hangar, looking out as a large, pristine white Boeing 787-9 aircraft slowly moves forward, nose-first, through the hangar's massive open doors. The hangar interior is vast with a high ceiling, fluorescent lights, and metal beams. The exterior beyond the doors is dark, suggesting night or early morning. Two workers in yellow safety vests are visible on either side of the plane's nose, guiding it. The camera slowly pushes in towards the exiting aircraft, emphasizing its grand scale. The dominant colors are the bright white of the aircraft, the gray of the hangar, and the dark exterior. The mood is one of anticipation and precision.
0:03plane nose detail
A close-up shot of the front section of the unpainted white Boeing 787-9. The text 'BOEING 787-9' is prominently displayed in black along the side of the nose cone. Several small red protective covers are attached to sensors or ports on the pristine white surface. The camera is static, allowing for a clear view of these details. The lighting is bright and even, emphasizing the clean, unblemished surface of the aircraft. The color palette is predominantly white with black text and small red accents, conveying a sense of newness and readiness.
0:04plane front entering hangar
A low-angle shot from outside a brightly lit hangar, looking inwards as the pristine white Boeing 787-9 aircraft is slowly backed into the hangar, nose first. The massive hangar doors are almost fully open, revealing the brightly lit interior. The front of the aircraft, including its cockpit windows, is visible. The camera is static, providing a stable view of the aircraft's deliberate movement. The scene is dominated by the stark white of the aircraft against the bright, industrial interior of the hangar, with the dark sky (or unlit exterior) providing a strong contrast. A yellow line is painted on the concrete ground, leading into the hangar. The mood is calm and procedural.
0:05plane fuselage side hangar
A wide, eye-level shot capturing the long, sleek fuselage of the unpainted white Boeing 787-9, positioned inside a vast, well-lit aircraft hangar. The aircraft fills the mid-ground, extending horizontally across the frame. In the background, various industrial equipment, machinery, and tools are visible, suggesting an active maintenance or production environment. The hangar walls are white or light grey, with numerous overhead fluorescent lights illuminating the scene brightly and evenly, casting minimal shadows. The overall color palette is industrial, with dominant whites, grays, and the muted colors of workshop equipment. There is no camera motion.
0:06plane tail overhead hangar
An overhead shot looking down at the tail section of the unpainted white Boeing 787-9, positioned inside the brightly lit hangar. The vertical stabilizer and horizontal stabilizers are clearly visible, rendered in their original white. The hangar floor, a light gray concrete, is also visible. The lighting is bright and diffuse from overhead sources, creating soft shadows. The overall color palette is white and gray, emphasizing the raw, unadorned state of the aircraft. There is no camera motion, providing a stable, top-down perspective.
0:06plane masking initial stages
A dynamic split screen showcasing the initial masking process on the aircraft. The top panel shows a worker in an orange t-shirt and safety glasses meticulously applying yellow masking tape to the fuselage, creating a sharp edge. His tattooed forearms are prominent as he focuses on the task. The bottom panel displays a wider view of the aircraft's lower fuselage, covered in white protective wrap, with two orange scissor lifts nearby, suggesting preparations for work at different heights. The lighting is bright and even, typical of a hangar environment. The dominant colors are white, yellow, and orange, with industrial gray in the background. The mood is focused and industrious. There is no camera motion.
0:08worker applying tape close up
A close-up shot focused on a worker's hands as he meticulously applies a long strip of yellow masking tape onto the white fuselage of the aircraft. The 'Alaska' logo, still unpainted and in white, is partially visible beneath the yellow tape, indicating where the blue paint will eventually go. The worker's forearms are visible, and one arm shows a dark, intricate tattoo. The lighting is bright and even, illuminating the precision of the task. The color palette is dominated by white, yellow, and the worker's skin tones, with the hint of the blue 'Alaska' logo. There is no camera motion, creating an intimate view of the detailed work.
0:09multiple workers masking split screen
A three-panel split screen showing different aspects of the aircraft masking process in a brightly lit hangar. The top panel shows a section of the fuselage with a yellow-taped 'Alaska' text template, with a worker in the background. The middle panel features two workers, one in a black cap and blue jumpsuit, kneeling and meticulously applying purple masking tape to a lower section of the fuselage. The other worker, in a black hoodie, is also kneeling and focused on the task. The bottom panel shows a worker reaching high to secure large, brown protective sheeting to the aircraft, indicating areas being covered. The lighting is bright and consistent across all panels. The color palette includes whites, yellows, blues, and browns from the masking materials, against the industrial gray of the hangar. The mood is one of detailed craftsmanship. There is no camera motion.
0:10plane tail fully masked
A wide, eye-level shot showcasing the entire tail section of the Boeing 787-9 aircraft, now fully enveloped in a complex pattern of brown and purple masking materials. The vertical and horizontal stabilizers are covered, meticulously taped and draped, indicating readiness for the initial layers of paint. The aircraft is positioned within the brightly lit, industrial hangar, with its white walls and ceiling lights visible in the background. The lighting is bright and even, highlighting the textured surfaces of the masking. The color palette is dominated by the earthy brown and vibrant purple of the masking, contrasting with the white of the fuselage underneath. There is no camera motion, presenting a stable, comprehensive view of the prepared tail.
0:11plane tail blue paint close up
A close-up shot of a section of the vertical stabilizer (tail fin) of the Boeing 787-9, now painted in a deep, glossy royal blue. The surface reflects the bright overhead lights of the hangar, indicating a smooth, fresh coat of paint. Small strips of yellow masking tape are still visible along the edges, suggesting other colors are yet to be applied or revealed. The shot is tightly framed on the painted surface. The lighting is bright, emphasizing the reflective quality of the paint. The dominant color is the rich blue, with hints of yellow and white. There is no camera motion, allowing for appreciation of the vibrant new color.
0:12workers spray painting split screen 1
A three-panel split screen showing different workers actively spray-painting sections of the aircraft in a brightly lit hangar. The top panel features a worker in a full white hazmat suit and respirator, standing on a lift, carefully spraying a light green paint onto a masked section of the fuselage. The middle panel shows another worker in a white hazmat suit, standing lower down, spraying blue paint over yellow masking tape. The bottom panel captures a worker in a blue hazmat suit and respirator, also on a lift, spraying paint onto a different section. The environment is industrial with bright overhead lighting. The color palette is vibrant, with the white of the hazmat suits, the various paint colors (green, blue), and the yellow/purple masking. The mood is focused and professional. There is no camera motion for individual panels, but the quick cuts create dynamic movement.
0:16paint preparation and mixing
A three-panel split screen focuses on the preparation of paint in a hangar setting. The top panel shows a worker in a blue hazmat suit and respirator, carefully pouring vivid green paint from a metal can into a pink plastic bucket. The middle panel features an extreme close-up of a single drop of green paint falling into a bucket of matching green paint, creating perfect concentric ripples on the surface. The bottom panel shows another worker in a blue hazmat suit with a white hood, using a stick to stir the green paint in a bucket, ensuring a consistent mixture. The lighting is bright and even. The color palette is dominated by the rich green paint, contrasting with the blue of the suits and the industrial surroundings. The mood is focused on precision and quality. There is no camera motion, providing clear views of each action.
0:18workers spray painting green split screen
A two-panel split screen showing workers spray-painting the aircraft with green paint. The top panel shows two workers in blue hazmat suits and respirators, positioned on mobile lifts, actively spraying a vibrant green paint onto the upper fuselage of the aircraft. Large sections of the plane are still covered in brown masking paper and purple tape. The bottom panel provides a wider, more comprehensive view of the aircraft from a slightly elevated perspective, showcasing the newly applied green sections on the fuselage and wing areas, along with the extensive masking that defines the different color zones. The hangar is brightly lit with industrial lights. The color palette prominently features green, blue, brown, and purple, reflecting the various stages of painting and masking. The mood is industrious and precise. There is no camera motion.
0:20spray gun close up
A close-up shot focused on a worker's gloved hand holding a professional paint spray gun. The hand is covered in a vibrant purple glove, highlighting the tool. The nozzle of the spray gun is directed slightly downwards, with a fine mist of paint visibly emerging, indicating active spraying. The background is a soft, bright blur of white, possibly the hangar interior or the aircraft surface. The lighting is bright and direct, emphasizing the spray and the texture of the glove. The color palette is dominated by the metallic gray of the spray gun and the rich purple of the glove. There is no camera motion, providing a clear and direct view of the tool in action.
0:20plane tail checkered masking
A wide, eye-level shot captures the tail section of the Boeing 787-9 aircraft, now partially painted in royal blue and extensively masked with yellow tape. The yellow tape is meticulously applied in a checkered, grid-like pattern over certain areas of the blue tail, indicating preparation for further intricate designs. A worker on a mobile lift is visible near the tail, either applying or removing tape. The aircraft is inside a brightly lit hangar, with industrial equipment and barriers on the concrete floor. The lighting is bright and even. The color palette is dominated by the blue paint and bright yellow masking, contrasting with the industrial grays of the hangar. The mood is of precise, detailed work. There is no camera motion.
0:22peeling polka dot masking
A close-up shot focuses on a pair of hands carefully peeling off a section of yellow masking film from the aircraft's surface. The peeled-off film reveals a precise polka-dot pattern underneath, with small blue dots against a yellow background. The underlying surface of the aircraft is not yet fully visible, but the intricate pattern suggests fine detailing. The lighting is bright and direct, highlighting the texture of the film and the hands. The color palette is dominated by yellow and blue, with the skin tones of the hands. There is no camera motion, allowing for a clear view of the delicate removal process.
0:23multiple workers spray painting split screen 2
A three-panel split screen showing continued painting and masking activities on the aircraft. The top panel offers a wide view of the aircraft's side, which is now adorned with significant sections of blue and green paint, surrounded by extensive brown and yellow masking. The hangar environment is brightly lit, with various lifts and equipment on the floor. The middle panel zooms in on a worker in a blue hazmat suit, standing on a lift, precisely spraying a light green paint onto a masked section of the fuselage. The bottom panel shows another worker in a similar blue hazmat suit, also on a lift, engaged in spraying paint on a different masked area. The lighting is consistent and bright. The color palette is vibrant, with the emerging greens and blues of the livery contrasting with the masking materials. The mood is industrious and focused. There is no camera motion for individual panels, enhancing the focus on the distinct actions.
0:25worker detailing alaska logo
A medium, eye-level shot capturing a worker on a mobile lift, meticulously working on the fuselage of the aircraft. The worker, wearing a red shirt and a cap, is positioned near the large, blue 'Alaska' logo, which is now clearly visible and fully painted. Some yellow and brown masking tape is still present around the logo area, suggesting final detailing or masking removal. The aircraft is inside a brightly lit hangar. The lighting is bright and even, highlighting the vibrant blue of the logo. The color palette is dominated by the white fuselage, blue logo, and hints of yellow and brown from the masking. The mood is one of focused craftsmanship. There is no camera motion.
0:27workers detailing livery split screen
A three-panel split screen showing workers performing fine detailing on the aircraft livery. The top panel shows workers removing hanging protective plastic sheeting and masking tape from the upper fuselage. The middle panel features a close-up of a worker in a black cap and t-shirt, meticulously applying a decal or working on a masked window section, revealing a dotted light green pattern on the dark blue fuselage. Another worker in a blue shirt is visible in the background on a lift. The bottom panel shows a worker in a blue shirt and khaki pants, working on a lower section of the fuselage, also involved in detailing or masking removal. The hangar is brightly lit. The color palette is rich with blues, greens, whites, and the contrasting brown and purple of the masking materials. The mood is meticulous and precise. There is no camera motion.
0:29plane tail aurora pattern reveal
A wide, eye-level shot of the rear section of the Boeing 787-9 aircraft, showcasing its stunning newly painted livery, featuring a vibrant blue and green aurora borealis pattern. The intricate design wraps around the vertical and horizontal stabilizers and extends onto the rear fuselage. Workers on mobile lifts are still present, conducting final checks or detailing. The aircraft is inside the brightly lit hangar, with the industrial environment visible in the background. The lighting is bright and even, making the new colors pop. The color palette is dominated by the blues and greens of the livery, contrasting with the white of the fuselage and the industrial grays of the hangar. The mood is triumphant, signaling the near completion of a significant project. There is no camera motion.
0:31hangar to aurora transition
A dynamic transition shot, starting with a view of the hangar interior from a low angle, looking up towards the ceiling. The hangar structure, bright lights, and the top of the aircraft (possibly the tail fin) are visible. As the camera subtly moves or the view shifts, this industrial scene gradually dissolves and blends into a breathtaking night sky filled with countless stars and vibrant, swirling green aurora borealis lights. The transition creates a magical and expansive atmosphere. The color palette shifts from industrial grays and whites to deep blues, blacks, and electric greens. There is a sense of wonder and vastness as the artificial environment gives way to natural beauty.
0:32full aurora borealis sky
A stunning full-screen shot of a dark night sky illuminated by brilliant, ethereal green and blue aurora borealis lights. Countless tiny white stars dot the deep black background, providing a sense of immense depth. The aurora dances across the frame in soft, flowing ribbons, creating a serene and majestic atmosphere. The light subtly shifts and pulsates, giving a sense of movement. The color palette is dominated by deep blues, blacks, and vibrant greens. The mood is awe-inspiring and tranquil, evoking the natural beauty of the northern lights. There is no camera motion.
0:34aurora through hangar silhouette
A captivating shot where the vibrant green and blue aurora borealis sky is seen through the silhouette of a hangar door opening. The hangar entrance forms a dark, geometric archway or slit against the luminous sky, framing the natural phenomenon. A lone human figure is visible as a dark silhouette standing near the bottom of the hangar opening, looking up towards the aurora, emphasizing the scale and wonder. The foreground is dark and indistinct, focusing attention on the starry, auroral sky beyond. The color palette combines deep blacks and blues with the brilliant greens of the aurora. The mood is contemplative and magical, blending industrial architecture with natural spectacle. There is no camera motion.
0:35plane exiting hangar tail first
A grand, low-angle wide shot of the fully painted Boeing 787-9 aircraft slowly being pulled tail-first out of a massive white hangar under a clear, bright blue sky. The hangar features multiple large, reddish-brown exhaust vents on its roof. A bright yellow line runs down the center of the concrete tarmac, guiding the plane's exit. As the plane emerges, its vibrant blue and green aurora borealis livery, particularly on the tail and rear fuselage, becomes fully visible, gleaming in the sunlight. The camera maintains a stable, wide perspective, capturing the entire scene. The color palette is bright and fresh, with the blue sky, white hangar, and the striking new livery. The mood is celebratory and impactful, showcasing the completed transformation.
0:38plane rear view full livery
A dynamic shot capturing the rear view of the fully painted Boeing 787-9 aircraft, now positioned entirely outside the hangar under a clear, bright blue sky. The camera is positioned low, looking up at the majestic tail and wings. The intricate blue and green aurora borealis livery extends from the vertical stabilizer across the fuselage and partially onto the wings. The aircraft's engines are visible beneath the wings. A bright yellow line on the concrete tarmac leads away from the hangar. The lighting is natural and bright sunlight, making the colors of the livery vibrant and reflective. The color palette is dominated by the striking blues and greens of the livery, contrasting with the white sections of the plane and the clear blue sky. The mood is powerful and awe-inspiring, showcasing the completed and ready-to-fly aircraft.
0:41finished plane livery split screen 1
A three-panel split screen showcasing different aspects of the newly completed aircraft livery. The top panel offers a low-angle close-up of the upper tail and rear fuselage, highlighting the vibrant blue and green aurora borealis pattern against a bright blue sky. The middle panel presents a wide, side-on view of the entire Boeing 787-9 on a tarmac or runway, with 'Alaska' clearly visible on its fuselage, set against a partly cloudy blue sky. The bottom panel provides a detailed close-up of the fuselage near the windows, showing the intricate green dotted pattern and the aircraft registration 'N784HA' on the tail section. The lighting is bright and natural. The color palette is rich with blues, greens, and whites. There is no camera motion for individual panels, but the quick cuts offer a dynamic visual tour.
0:43jet engine close up
An extreme close-up shot of the front of a jet engine. The large, dark gray or black spinner is visible at the center, adorned with a stylized white 'C' logo. Surrounding the spinner are the numerous, tightly packed fan blades, rendered in a metallic silver, showing a subtle curve. The lighting is dim and focused, highlighting the details of the engine components. The color palette is monochrome with grays, blacks, and silver, with the stark white 'C' providing a focal point. The mood is powerful and precise, emphasizing engineering and power. There is no camera motion, providing a stable view of the engine's intricate design.
0:44engine housing livery transition
A close-up shot focused on a section of the aircraft's engine housing, which is made of polished, riveted silver metal. The shot dynamically transitions into a stylized white background with a wavy, serrated edge, giving the impression of revealing the aircraft's clean, unpainted surface or the transition to a new segment. Small hatches or access panels are visible on the metallic surface. The lighting is bright and reflective on the metal. The color palette is silver and white, with hints of green from the livery transitioning into the frame. The mood is sleek and modern, highlighting the transition of design. There is no camera motion.
0:45finished plane livery split screen 2
A three-panel split screen presenting various majestic views of the newly painted Boeing 787-9 aircraft under bright daylight. The top panel shows an overhead view of the entire aircraft, nose-first, on the tarmac, showcasing its clean lines and wing design, with the hangar visible in the background. The middle panel features a wide, eye-level side profile of the plane, prominently displaying the 'Alaska' logo and the full length of its blue and green aurora livery against a bright blue sky. The bottom panel provides a close-up of the vertical stabilizer (tail fin), emphasizing the 'N784HA' registration number and the intricate blue and green pattern, with clouds visible in the sky. The lighting is natural and brilliant. The color palette is dominated by the striking blues, greens, and whites of the aircraft against the blue sky and gray tarmac. The mood is impressive and proud, celebrating the finished product. There is no camera motion for individual panels.
0:48plane tail with sun flare
A stunning low-angle shot of the Boeing 787-9 aircraft's tail and a portion of its fuselage, set against a bright, clear sky. The sun is positioned behind the aircraft, creating a brilliant lens flare that radiates from just behind the vertical stabilizer, illuminating the vibrant blue and green aurora borealis livery. The colors of the livery are intensely vibrant and reflective, enhanced by the strong backlighting. The white sections of the fuselage contrast sharply with the colored tail. The camera is static, allowing the viewer to appreciate the interplay of light and color. The dominant colors are the intense blues and greens of the livery, the bright white of the fuselage, and the glaring white-yellow of the sun flare against the light blue sky. The mood is majestic and hopeful, evoking flight and new beginnings.
0:50alaska logo fuselage close up
A close-up shot of the 'Alaska' logo on the white fuselage of the Boeing 787-9 aircraft. The logo is rendered in a bold, stylized blue font. Several passenger windows are visible above and around the logo. The reflection of sunlight or sky is subtly visible on the glossy surface of the fuselage. A dark, out-of-focus element from the foreground hints at an obstruction, possibly a wing or part of the camera setup. The lighting is bright and natural, highlighting the crispness of the logo. The color palette is dominated by white and blue, creating a clean and iconic look. There is no camera motion, providing a stable view of the branding.
0:52welcome aboard aurora text
A captivating end screen featuring a dark night sky filled with countless small white stars and vibrant, flowing ribbons of green and blue aurora borealis lights. The ethereal glow of the aurora subtly shifts across the frame. White text appears in the center, first displaying 'Welcome', then transitioning to 'Welcome aboard.' The font is clean and modern. The background evokes a sense of wonder and the vastness of space. The lighting is atmospheric, with the glowing aurora providing the primary illumination against the deep black. The color palette is dominated by deep blues, blacks, and glowing greens, with the stark white text providing clear messaging. The mood is inviting and celebratory. There is no camera motion.
