0:00GM HQ exterior Dr Evil
The scene opens with an upward-looking shot of the General Motors (GM) headquarters building against a slightly overcast, light blue and orange sky, typical of dawn or dusk. The building is a modern, glass-paneled skyscraper, reflecting the light. A prominent, illuminated blue GM logo is visible near the top. Below this, a bright horizontal blue light band wraps around the building. Below the light band, a square screen on the building's facade displays a close-up image of Dr. Evil, with his signature pinky finger to his mouth, smirking. The bottom half of the screen contains white text overlayed on a black bar that reads 'General Motors HQ' and 'Ladies and gentlemen,'. The overall color palette is cool with blues and grays, contrasted with the warm sky and the blue GM logo. The building appears futuristic and imposing, with multiple antennae and communication equipment visible on its roof. The lighting suggests an artificial glow from inside the building and the logo against the natural fading light.
0:01Dr Evil HQ wide shot
This is a wide shot of a futuristic, circular room with a high ceiling and large windows offering a panoramic view of a city skyline at sunset. The room features a polished light grey floor and a matching circular ceiling. In the center, various electric vehicle components and complete vehicles are displayed. From left to right: a blue electric pickup truck (Hummer EV-like), a disassembled electric vehicle chassis (Ultium platform) showing the battery pack and wheels, and a sleek, dark grey electric sedan. Several figures, including Dr. Evil and his associates, are seen standing or sitting around these displays. The room is brightly lit with ambient light from the large windows and internal ceiling lighting, casting soft shadows. The overall aesthetic is clean, minimalist, and advanced. White text at the bottom reads 'our takeover of General Motors is complete.'
0:02Dr Evil close up chair
A medium close-up shot focuses on Dr. Evil, a bald Caucasian man, sitting in his distinctive high-backed, dark grey, futuristic chair. The chair has a sleek, angular design with integrated armrests and small red buttons on a console to his left. He is wearing a light grey mandarin-collared suit. His expression is one of self-satisfaction and slight amusement, with his mouth slightly open as if speaking. His blue eyes are prominent, and a faint scar is visible on his left cheek. The background shows parts of the large window frames and the soft, diffused light of the exterior sky, suggesting a high-rise office or lair. He performs a classic 'pinky to the mouth' gesture. The lighting is soft and even, highlighting his face.
0:04Number Two walking
The scene shows a medium shot of Number Two, a Caucasian man, walking towards the right side of the frame in a modern, high-rise office with large windows. He wears a stylish charcoal grey suit, a black turtleneck, and a white pocket square. A black eye patch covers his right eye. His hair is dark and slicked back, and he has a serious, determined expression as he looks off-screen. The background reveals the bright sky and a distant city skyline through the large glass windows, with some internal steel beams and office furniture partially visible. The lighting is bright and natural, coming from the windows, highlighting his figure. The white text at the bottom reads 'Doctor Evil, GM's Ultium Platform'.
0:05Ultium Platform robots
This is a medium shot within a dimly lit, industrial-style environment, possibly a high-tech garage or laboratory. The main focus is on an electric vehicle Ultium platform chassis positioned in the foreground, displaying its flat, orange battery pack and dark grey wheels. In the background, three distinct robotic figures are visible. To the left, a large, dark grey cannon-like machine with blue and red components, reminiscent of a futuristic weapon. In the center, a tall, metallic bipedal robot with a shark-like head, standing upright. To the right, a smaller, squat, yellow robot with the letter 'F' painted on it, resembling a bomb or a mini-submarine. The floor is a smooth, dark grey, and the walls are also dark, creating a stark contrast with the illuminated orange battery pack. White text at the bottom reads 'will power our whole operation.'. The lighting is focused, creating highlights on the metal and the orange battery, while the background remains somewhat obscure.
0:07Scott Evil close up
A medium close-up shot of Scott Evil, a Caucasian man with reddish-brown hair and a neat beard, seated in a high-backed chair. He is wearing a brown jacket over a dark, patterned shirt. He has a concerned, slightly surprised expression, with his mouth slightly open as he speaks. His left hand is raised to his chin, as if in thought or emphasis. The background is blurred, showing the light from the large windows and some structural elements of the room. The lighting is soft and even, illuminating his face. White text at the bottom reads 'Now we can reduce tailpipe emissions.'.
0:08Dr Evil reacts wide
A wide shot from a low angle, showing Dr. Evil's futuristic chair turning around rapidly. Dr. Evil is visible in the chair, but his face is momentarily obscured by the chair's movement. The scene also captures the lower bodies of Frau Farbissina and Number Two, who are seated in their respective chairs. Frau Farbissina's legs are crossed, and she wears black shoes. Number Two's legs are visible further right. The large windows with the city skyline are in the background, providing bright, natural light. The polished light grey floor is prominent. White text at the bottom reads 'Oh please, tear.'. The rapid rotation of the chair creates a dynamic visual.
0:09Dr Evil exaggerated cry
A medium close-up shot of Dr. Evil, a bald Caucasian man, leaning forward in his futuristic chair. He wears a light grey mandarin-collared suit. His facial expression is exaggerated, with his eyes closed and mouth agape, as if in a theatrical wail or cry, hands held together in front of him. A subtle scar is visible on his left cheek. The background is slightly blurred, showing the large windows and bright exterior light. The lighting is soft and natural, emphasizing his expressive face. White text at the bottom reads 'Oh please, tear'.
0:10Scott Evil holding baby
A medium close-up shot of Scott Evil, a Caucasian man with reddish-brown hair and a beard. He is wearing a brown jacket over a dark, patterned shirt. He is seated and holds a baby wrapped in an orange fabric baby carrier close to his chest. His expression is one of tenderness and affection, looking down at the baby with a soft smile. The baby's head is visible, nestled in the carrier. The background is blurred, showing the large windows and structural elements of the room. The lighting is soft and warm, highlighting the tender moment. White text at the bottom reads 'For my son.'.
0:11Dr Evil interrogates
A close-up shot of Dr. Evil, a bald Caucasian man, as he leans forward intently towards the camera. He wears a light grey mandarin-collared suit. His expression is stern and slightly questioning, with his blue eyes wide and focused. His right hand is extended towards the camera with his palm slightly open and fingers spread, emphasizing his query. A subtle scar is visible on his left cheek. The background is blurred, showing the bright light from the large windows. The lighting is direct and clear, accentuating his facial features. White text at the bottom reads 'Your son? I shall name him'.
0:13Scott Evil kisses baby
A medium close-up shot of Scott Evil, a Caucasian man, kissing the forehead of the baby he is holding. He is wearing a brown jacket over a dark, patterned shirt. His reddish-brown hair and beard are visible. His eyes are closed, and his expression is one of deep love and tenderness as he gently kisses the baby. The baby is wrapped in an orange fabric baby carrier, with only its head visible. The background is blurred, showing the large windows and the outside light. The lighting is soft and intimate, capturing the warmth of the moment. White text at the bottom reads 'Your son? I shall name him'.
0:14Dr Evil names baby
A medium close-up shot of Dr. Evil, a bald Caucasian man, standing upright and looking directly into the camera. He wears a light grey mandarin-collared suit. His expression is a mix of triumph and mischief, with a slight smirk. His right hand is raised to his mouth, making his iconic pinky gesture, which he then uses to point emphatically. A subtle scar is visible on his left cheek, and his bright blue eyes maintain intense contact with the viewer. The background is slightly blurred, showing the light from the large windows. The lighting is bright and even, highlighting his confident demeanor. White text at the bottom reads 'Your son? I shall name him' and then 'Baby Me.'.
0:17Scott Evil rejects name
A medium close-up shot of Scott Evil, a Caucasian man, again holding the baby in an orange fabric carrier. He is wearing a brown jacket over a dark, patterned shirt. His expression has shifted from tenderness to one of clear disapproval and slight annoyance, as he looks up, presumably at Dr. Evil, with his mouth slightly open as if speaking. The baby's head is still visible in the carrier. The background is blurred, showing the large windows and structural elements. The lighting is soft, emphasizing his changed mood. White text at the bottom reads 'No, his name is Kyle'.
0:18Dr Evil looks down
A medium shot of Dr. Evil, a bald Caucasian man, beginning to rise from his chair and look down and to his left. He is wearing a light grey mandarin-collared suit. His expression appears to be one of mild annoyance or disappointment. His body is slightly angled, suggesting movement. The background is blurred, showing the large windows and bright exterior light. The lighting is even, casting subtle shadows on his face. White text at the bottom reads 'No, his name is Kyle'.
0:19Dr Evil hand presses button
A close-up shot focuses on a hand (presumably Dr. Evil's) pressing a red, illuminated button on a control panel. The control panel is light grey and has several similar red buttons, each with a label next to it in black text. The visible labels are 'SCOTT', 'FRAU', and 'VISITOR 1'. The hand has a ring on its pinky finger. The background is out of focus, suggesting the panel is part of a larger console. The lighting is artificial, highlighting the buttons and the hand. The action is quick and deliberate. White text at the bottom reads '[Screams] Stop!'.
0:20Dr Evil chair swings away
A wide shot of Dr. Evil's futuristic chair swinging backwards, away from the central meeting area. Dr. Evil, a bald Caucasian man in a light grey mandarin-collared suit, is seated in the chair, looking surprised or distressed as it moves. The chair is high-backed and dark grey, emphasizing its mechanical movement. Frau Farbissina is visible on the left, looking shocked with her mouth open, while Number Two is on the right, looking on calmly. The large windows with the city skyline are prominent in the background, providing bright, natural light. The polished light grey floor is visible. White text at the bottom reads 'Owww!'.
0:21Frau Farbissina close up
A close-up shot of Frau Farbissina, an older Caucasian woman, with her mouth wide open in a dramatic expression of shock or exclamation. She wears a shiny black trench coat over a white collared shirt and a black tie. Her dark hair is styled in a severe, swept-up fashion. Her eyes are wide and focused off-camera, conveying intense surprise. The background is blurred, showing soft, ambient light. The lighting is direct, highlighting her expressive face. White text at the bottom reads 'We'll reduce our carbon footprint.'.
0:22Ultium Platform Dr Evil moves
A medium shot showing the Ultium platform (an EV battery pack with wheels) in the foreground. In the background, Dr. Evil, a bald Caucasian man in a light grey mandarin-collared suit, is seen sitting in his futuristic chair. He is actively moving in the chair, pushing off to propel himself forward and then quickly disappearing off-screen to the right. The large windows with the city skyline provide a bright backdrop. The polished light grey floor is visible. The scene emphasizes movement and action. White text at the bottom reads 'Okay let's go!'.
0:23Dr Evil runs
A quick, dynamic medium shot showing Dr. Evil, a bald Caucasian man in a light grey mandarin-collared suit, running across the polished light grey floor, towards the right side of the frame. He has left his futuristic chair, which is partially visible on the left. Number Two, in his dark suit and eye patch, is seated calmly in his chair in the background, observing. The large windows with the city skyline are still visible. The lighting is bright and even. The action is fast, conveying urgency or excitement. White text at the bottom reads 'We're going all-electric.'.
0:24EVs montage Dr Evil
A wide, expansive shot of a large, modern, concrete garage or showroom, filled with various General Motors electric vehicles. From left to right, a blue electric pickup truck, a white electric pickup truck, a sleek dark grey sedan, and a large black van. Dr. Evil, a bald Caucasian man in a light grey mandarin-collared suit, is standing prominently in the foreground, next to a white electric pickup truck. He is gesturing with his hands, appearing to be giving instructions or presenting. The ceiling is high with visible metallic structures and overhead lighting. A large blue GM logo is projected or displayed high on the wall. White text at the bottom reads '30 EVs globally by 2025'. The lighting is bright and even, highlighting the vehicles and Dr. Evil. The overall impression is one of technological advancement and a grand scale of operation.
0:24Dr Evil scolds Scott
A medium close-up shot of Dr. Evil, a bald Caucasian man, standing next to the open door of a white electric vehicle, with his left hand resting on the door frame. He wears a light grey mandarin-collared suit. His expression is stern and condescending, with his mouth slightly open as he speaks, and his gaze directed slightly off-camera. A subtle scar is visible on his left cheek. The interior of the car is visible behind him. The background is blurred, showing other vehicles. The lighting is bright and even, casting subtle shadows. White text at the bottom reads 'Not you, Scott.'.
0:26Scott Evil disappointed
A medium close-up shot of Scott Evil, a Caucasian man with reddish-brown hair and a beard. He is wearing a brown jacket over a dark, patterned shirt, and a black shoulder bag is visible. His expression is one of disappointment and mild sadness, his mouth slightly open in a crestfallen manner, and his eyes looking downward and to the right. The background is blurred, showing a person walking in the distance and a modern, brightly lit environment. The lighting is soft and even, highlighting his emotional state. White text at the bottom reads 'Not you, Scott.'.
0:27Dr Evil farewell
A close-up shot of Dr. Evil, a bald Caucasian man, seen through the open window of a white electric vehicle. He wears a light grey mandarin-collared suit. His expression is one of smug satisfaction and a hint of cruelty, with a wide, knowing grin. His right hand is raised, making a 'bye-bye' waving gesture. A subtle scar is visible on his left cheek, and his blue eyes are wide and focused. The interior of the car and part of the window frame are visible. The lighting is bright and even, highlighting his face. White text at the bottom reads 'Bye bye, Baby Me.'.
0:28Baby Me close up
An extreme close-up shot of the face of 'Baby Me,' a digital composite of Dr. Evil's face on a baby's body. The 'baby' has the bald head, blue eyes, and scar of Dr. Evil, but with softer, rounder, infant-like features and a smaller, more cherubic chin. It is bundled in a grey fabric, with a tiny hand (Dr. Evil's hand with the ring) pointing to its face. The expression is a mix of Dr. Evil's mischievous smirk and a baby's innocent gaze, with wide blue eyes looking slightly upward and to the right. The lighting is soft and even, emphasizing the surreal combination of adult and infant features. White text at the bottom reads 'Bye bye, Baby Me.'.
0:29GM EVs garage text overlay
A wide, dynamic shot of a modern, multi-level concrete garage or showroom, filled with various General Motors electric vehicles. The camera is moving, adding to the sense of exploration. Visible vehicles include a white electric pickup truck (Hummer EV-like) in the foreground, a blue electric pickup, and other sedans and SUVs in the mid-ground. A person is seen walking towards the white truck. A large blue GM logo is prominently displayed high on the wall, partially obscured by 'everybody in.' text. The ceiling has exposed metallic structures and various lights. White text 'everybody in.' is overlaid in the center of the screen, and the GM logo is seen above it. The overall color palette is cool grey and blue with hints of the vehicles' colors. The lighting is bright and even, highlighting the modern, industrial aesthetic. The scene conveys a busy, forward-looking atmosphere.
