0:00intro logo reveal The scene opens on a dark, almost black background with faint reflections, possibly from a glossy surface. The primary focus is a stark white and orange logo, 'CORE ONE L', positioned vertically on the left side of the frame. The 'CORE ONE' part is white, while the 'L' is orange, providing a subtle color contrast. The text appears to be slightly three-dimensional or embossed. The lighting is very dim, highlighting only the logo and the subtle sheen on the surrounding dark surface. There is no camera movement, maintaining a static, focused shot on the emerging brand element. The overall mood is mysterious and professional, setting an anticipatory tone for a product reveal. The texture suggests a polished metal or plastic casing for a device.
0:01wooden 3d printer A medium shot frames a modern 3D printer encased in a stylish wooden cabinet with a transparent front panel. Inside, a vibrant light green 3D-printed object is visible on the build plate. The wooden casing is a warm, light brown, featuring intricate patterns and golden accents on control knobs and a small display screen at the top right. The background is softly blurred, showing a contemporary indoor setting with warm ambient light, possibly from an overhead golden-hued lamp, creating a cozy and sophisticated atmosphere. The printer stands on slender, light-colored legs, suggesting a piece of design furniture rather than industrial equipment. The focus is sharp on the printer, showcasing its aesthetic appeal.
0:02audience watching presentation The scene is a wide shot of an audience seated in a dark lecture hall or cinema, their profiles illuminated by the light from a large, off-screen screen. The rows of seats are dark grey or black, with individual attendees visible, mostly men, looking up intently. Their faces show a mixture of engagement and curiosity. On the large screen, a complex, pixelated 3D projection of a building, appearing like a digital blueprint or data visualization, is displayed in glowing white and blue tones against a dark background. The lighting is low, emphasizing the glow from the screen and the silhouettes of the audience. The camera remains static, capturing the shared experience of the viewers.
0:03speaker talking head A close-up shot focuses on a man, likely Josef Prusa, from the chest up, with a blurred background. He has short dark hair, a neatly trimmed beard, and wears round, dark-rimmed glasses. He is dressed in a black collared shirt. A small, subtle ear-worn microphone is visible on his right ear. He is looking upwards and slightly to his right, with a soft, engaging smile, suggesting a moment of reflection or connection with an unseen person or audience. The lighting is soft and even, highlighting his features without harsh shadows. The background is a non-descript, slightly darker grey blur, ensuring full attention on the speaker.
The screen is completely black, acting as a clean canvas. Against this dark backdrop, white uppercase text is centrally displayed: 'YEAR FOR PRUSA RESEARCH'. The font is sans-serif and modern, with a slight boldness that makes it stand out. There are no other visual elements, graphics, or animations, maintaining a simple and direct presentation. The static nature of the shot allows the viewer to focus solely on the textual message, emphasizing the importance of the year mentioned. The black background creates a sense of gravitas and highlights the text effectively, acting as a transition or chapter marker.
0:053d printer printing parts The scene opens with a close-up inside a Prusa Core One 3D printer. An intricate, geometrically patterned object, colored in a vibrant orange, is being actively printed on the metallic build plate. The print head moves with precision, layering material. The printer's internal branding, 'CORE ONE', is faintly visible on its components. This transitions to an extreme close-up on the multi-material unit (MMU) of a 3D printer. Dark grey plastic mechanisms with small, illuminated amber lights for slots 4 and 5 are prominent, indicating different filament pathways. The gears and feeder tubes are visible, showcasing the technical complexity. The lighting is functional, illuminating the working parts with a cool, industrial feel. Both shots emphasize the product's advanced capabilities and the precision involved in 3D printing.
0:07event crowd with phones The scene is a dynamic montage of an exhibition or trade show event, bustling with attendees. The first shot is a medium-wide view of a modern booth, with bright green LED strips illuminating its structure and display screens. Numerous people are gathered around, with one individual in the foreground holding a smartphone up, seemingly recording or taking photos. The atmosphere is energetic and engaged. This transitions to a medium shot of a large crowd of young to middle-aged men. Many are holding smartphones high, capturing the event. A person in the foreground wears an orange t-shirt and has a professional camera hanging from their neck. The background features white walls with minimal branding, suggesting an indoor convention center. The lighting is bright and even, typical of an exhibition hall.
0:09digital design and camera The first shot is a close-up of a computer screen displaying 3D modeling software. A white, translucent 3D object, possibly a cassette player, is rendered on a grid-like interface, with blue lines indicating design elements. The overall color palette is dark grey for the software interface, with white and blue accents for the model. This quickly transitions to a medium shot of a sleek, black, spherical camera, branded 'Buddy3D', resting on a wooden desk. The camera has a single lens aperture and a smooth, minimalist design. The background is softly blurred, showing a modern interior setting with a vertical light source in the distance. Both scenes suggest innovation in design and monitoring technologies. The camera remains static, highlighting the products.
0:11speaker on stage wide A wide shot captures Josef Prusa on a brightly lit stage, gesturing broadly with both hands as he addresses an unseen audience. He is wearing a black t-shirt with the text 'EVERYONE IS A MAKER ONLY I AM A PRINTER PRUSA' in a gold font. To his right, there are large, white, geometric structures, resembling abstract 3D-printed props, with intricate cutouts and internal lighting. The stage itself is dark, contrasting with the bright overhead lighting on the speaker. The background is dark and out of focus, suggesting a large event space. His body language is energetic and confident, conveying passion for his message. The camera holds a static, eye-level perspective, offering a clear view of the stage presence.
0:12core one shipping and use This segment is a rapid montage showcasing the Prusa Core One 3D printer from production to user interaction. It begins with a medium shot of a black Prusa Core One printer on a conveyor belt in a factory setting, surrounded by cardboard boxes, implying it's ready for shipment. This cuts to an internal view of an empty, well-lit Core One printer, emphasizing its clean design and build volume. Next, a close-up shows a finger interacting with the printer's touchscreen interface, selecting print options for a 3D model. Finally, an extreme close-up on the print head, branded 'PRUSA CORE ONE', highlights the precision engineering of the device as it prepares to print. The lighting varies from bright industrial to internal LED, unified by the product's sleek black and orange design. The camera is static in each shot, focusing on different aspects of the printer's journey.
0:16assembly kit components This sequence focuses on the intricate parts and assembly of a 3D printer kit. It starts with an overhead, flat-lay shot of various black and orange 3D printer components neatly arranged on a clean white surface. Components include a magnetic heatbed, several electronic circuit boards, fans, wires, and various plastic parts. The arrangement is precise and orderly, showcasing the kit's contents. This transitions to a close-up of a pair of hands actively assembling the printer, connecting wires and small mechanical parts, demonstrating the hands-on building process. Finally, an extreme close-up shows hands holding a small, complex circuit board (PCB) with a QR code and numerous tiny electronic components. The lighting is bright and even across all shots, emphasizing detail and precision. The camera remains static, allowing for detailed inspection of the parts and process.
0:20easyprint platform and results This segment features the digital and tangible results of 3D printing. It opens with a close-up of a hand scrolling through a mobile application labeled 'EasyPrint' on a smartphone. The app displays various 3D models with social media-like engagement options (like, edit model, contests), showcasing a user-friendly interface. This cuts to a close-up of the Prusa Core One print head in action, quickly followed by a shot of two black, newly 3D-printed plastic components with intricate grid patterns, demonstrating the detailed output. The sequence concludes with a close-up of a smartphone screen showing a 'Job Finished' notification from a 3D printing studio, confirming a completed print. The lighting is consistent and clear across these shots, focusing on product functionality and user experience. The camera remains static to highlight details of the app and printed objects.
0:24prusaslicer masterclass This sequence highlights educational resources. It begins with a black screen featuring white text advertising 'PRUSA ACADEMY' and its benefits, such as easy-to-read text, quizzes, and a certificate of completion, overlaid with 'WE LAUNCHED THE PRUSASLICER'. This transitions to an animated logo reveal of 'PrusaSlicer MASTERCLASS', featuring an orange stylized 'P' icon. The final shot is a scrolling screen capture of a 'PrusaSlicer Masterclass - Beginner to Advanced' course outline, displaying a '52% complete' progress bar and a list of modules like 'Getting started', 'Navigating PrusaSlicer', and 'Utilizing PrusaSlicer'. The white background of the course outline emphasizes its clarity. The overall aesthetic is clean and digital, with a focus on informational text and UI elements. The camera remains static, acting as a display window for the content.
0:28sara villarreals journey This segment showcases unique 3D printing applications, focusing on 'Sara Villarreal's Journey'. It starts with a medium shot of a man in a workshop, wearing headphones and a black hoodie, holding a large, flexible, blue 3D-printed chain-like structure. This cuts to a close-up inside a Prusa XL 3D printer, actively printing a large, organic, light-grey object with a smooth, flowing form. Then, two hands gently manipulate a soft, flexible, peach-colored 3D-printed material, demonstrating its pliability. The sequence concludes with a medium shot of a woman with glasses, holding a life-like, skin-toned doll, which appears to be a 3D-printed human figure. The environments vary from industrial workshop to clean studio, unified by the innovative nature of the prints. The lighting is bright and focused on the subjects. The camera is static in each shot, capturing the intricate details of the creations and their human interaction.
0:33mmu3 multi material upgrade This section highlights the MMU3 multi-material upgrade. It begins with a medium shot of a Prusa Core One 3D printer equipped with an elaborate multi-material unit (MMU3) attachment. A small, shiny, metallic-looking 3D-printed llama-like figurine stands on the print bed, demonstrating the MMU's capabilities for intricate, multi-color prints. Multiple colorful filament tubes feed into the MMU. This cuts to Josef Prusa, wearing a branded black hoodie and gloves, standing proudly beside the MMU3, gesturing towards it. Then, a close-up shows a pair of hands carefully connecting the white filament tubes into the MMU3 unit, showcasing the assembly. Finally, Josef Prusa is shown again, animatedly explaining the MMU3, pointing at its features. The environment is a clean workshop or studio, with good, even lighting, emphasizing the product's design and functionality. The camera is static in each shot, focusing on specific aspects of the MMU3.
0:38tpu material showcase This segment highlights the new TPU 95A filament. It opens with a close-up of a black filament spool with a hexagonal pattern, featuring a label that clearly displays 'TPU 95A Natural' and detailed printing parameters (ID, nozzle/heatbed temperatures). The focus is sharp on the technical specifications. This transitions to a split-screen view: the top shows hands stretching a white, flexible 3D-printed hexagonal grid, while the bottom shows hands squeezing a smooth, white, bulbous 3D-printed object with 'PRUSA' debossed on it. These examples effectively demonstrate the elasticity and soft texture of the TPU material. The lighting is bright and even, highlighting the material's properties. The camera remains static, allowing clear observation of the product details and its physical attributes.
0:42open source podcast event This segment captures the 'Open Sauce Prusa' podcast event. It features a split-screen format across two shots. The first split-screen shows two men engaged in lively conversation and playing a tabletop game with small green and red objects, seated in orange armchairs. A 'PRUSA' poster is visible in the background. The second split-screen continues the informal setting, showing two different pairs of men talking and interacting enthusiastically. One man has distinctive bright red hair. The atmosphere is casual, playful, and energetic, indicating a fun community event. The lighting is bright and focused on the participants, and the camera is static in each split-screen view, maintaining a clear presentation of the interactions.
0:46philips partnership This sequence showcases a partnership with Philips for 3D printable spare parts. It begins with a dark screen, on which the white text 'PHILIPS RESINS' is prominently displayed, subtly overlaid on a blurred image of a 3D printer. This transitions to a medium shot of a Prusa Core One 3D printer operating in a dimly lit setting. A blue, intricately designed object is being printed on its build plate, highlighted by the internal lights. The side of the printer clearly shows the 'PRUSA CORE ONE' branding. Finally, a close-up focuses on the print head of an 'ORIGINAL PRUSA MK4S' printer actively laying down blue filament to create a ribbed texture. The blue hue of the printed objects suggests a specific material or application. The lighting is moody and focused on the printer's activity, emphasizing the precision and innovation. The camera is static, providing clear views of the branding and printing process.
0:49fab25 innovation showcase This segment captures Josef Prusa's engaging presentation at Fab25. It opens with a wide shot of Josef Prusa on a brightly lit stage, gesturing broadly and enthusiastically as he speaks to an audience. He is wearing his distinctive black 'EVERYONE IS A MAKER ONLY I AM A PRINTER PRUSA' t-shirt. White, geometric, abstract structures, possibly large 3D-printed props, are visible on the stage beside him, adding to the innovative ambiance. This quickly cuts to a close-up of Josef Prusa, sitting on the edge of the stage, looking up and to the side with a joyful, open-mouthed laugh. His expression is one of genuine happiness and engagement. The lighting is bright and focused on him, highlighting his charisma. The camera is static in both shots, capturing his presence and lively interaction.
0:52red dot design award This scene celebrates the Red Dot Design Award. It begins with a black screen, featuring the distinctive 'red dot design award' logo at the top. Below it, a black Prusa Core One 3D printer is presented in a studio shot, containing a striking orange, intricately structured 3D-printed object. The printer's internal lights softly illuminate the print. This transitions to another black screen with the 'red dot design award' logo, followed by a sleek white 'PRUSA PRO HT90' delta 3D printer, which houses a modern, black 3D-printed vase. Both printers are shown with a minimalist, professional aesthetic, highlighting their award-winning design. The lighting is controlled and highlights the products. The camera is static, presenting each product as a distinguished achievement.
0:543d printing farms future This segment illustrates the future of 3D printing farms. It starts with a close-up of a man, Zach Hartley, looking slightly to the right with a pleasant, subtle smile. He has short brown hair, a clean-shaven face, and wears a dark grey polo shirt, suggesting a professional yet approachable demeanor. The background is a plain, dark, blurred surface. This transitions to a wide, panning shot across a large room filled with shelves. Each shelf is laden with multiple 3D printers, all actively working, surrounded by numerous spools of filament. The environment appears to be an organized, large-scale 3D printing operation, dimly lit with functional overhead strip lighting, creating an industrial atmosphere. The camera slowly pans horizontally, revealing the vast number of machines, implying large-scale production. The color palette is dominated by dark greys and blacks of the machines and shelving, with splashes of color from the filament spools.
0:57buddy3d camera updates This sequence highlights updates to the Buddy3D camera. It begins with a close-up of the sleek, black, spherical 'Buddy3D' camera resting on a wooden desk, emphasizing its compact and modern design. This transitions to a shot of a hand holding a smartphone, displaying the 'Buddy3D Camera' application. The app shows a live feed from the camera, revealing a 3D printer actively working on a white skull print. The phone interface includes camera controls and network settings. The next shot is an even closer view of the smartphone, focusing on the live feed of the 3D printer, with the white skull model becoming more prominent. The lighting is clean and bright, accentuating the technology. The camera is static in each shot, providing clear views of the product and its digital interface.
1:01starter paint set This segment introduces the Prusa Starter Paint Set. It begins with an overhead shot of a brightly colored orange box, branded 'Prusa Starter Paint Set'. The box is open, revealing an array of small paint bottles in various colors (green, red, black, white) and fine brushes, all neatly arranged. This quickly transitions to a close-up of a pair of hands meticulously painting a small, grey 3D-printed miniature figure, resembling an orc or goblin, with a fine brush. Several paint bottles are scattered on the green work mat in the background. The lighting is bright and even, ensuring clear visibility of the paint set and the intricate painting process. The camera is static in both shots, providing a clear and detailed view of the product and its use.
1:04core one creativity intro This segment introduces a display of creativity involving the Prusa Core One. It begins with a close-up of a hand placing a clear cover onto the top of a black Prusa Core One 3D printer, which features distinctive red internal lighting, creating a sense of completion. This cuts to a medium shot of a young man with short brown hair, wearing a white t-shirt and dark pants, sitting casually on the ground next to a white car. A Prusa Core One 3D printer sits prominently in the foreground, indicating its central role. The background shows a modern house exterior, suggesting a home-based creator. The final shot is a blurred close-up of the same young man leaning over the 3D printer, his face obscured but body language suggesting interaction with the machine. The lighting is bright and natural outdoor light. The camera is static in each shot, setting a relaxed yet inventive mood.
1:07alex corea impossible challenge This high-energy segment showcases YouTube sensation Alex Corea attempting the 'impossible'. It begins with a medium shot of a Prusa Core One 3D printer placed on a black table in a desert-like, outdoor environment, highlighting its robust design against a rugged backdrop. This cuts to Alex Corea, a young man with short brown hair, wearing a white t-shirt and dark shorts, holding a large, black, toy-like bazooka or grenade launcher, looking at the camera with a mischievous smile. The scene intensifies with a close-up of the Prusa Core One, now engulfed in large, bright orange flames erupting from its side, signifying a deliberate act of destruction. The climax is a split-screen shot: the top showing Alex kneeling, aiming his toy weapon at the flaming printer, while the bottom shows him giving a thumbs-up to the camera with a wide, confident grin, as the printer continues to burn. The bright outdoor lighting emphasizes the spectacle. The camera remains static, capturing the dramatic event and Alex's reaction.
1:11car destruction stunt This thrilling segment depicts a car destruction stunt. It begins with a high-angle shot from inside a silver car, driving along a dusty dirt road in a vast, arid, hilly landscape at dusk. The car's headlights are visible, cutting through the fading light. This quickly cuts to a wide exterior shot of the same silver car being driven off a high dirt cliff, kicking up a dramatic cloud of dust as it plunges downwards. The action is dynamic and impactful. The scene concludes with a wide shot of an empty, flat, grey platform or ramp overlooking the expansive, rugged, desert-like landscape under a bright, clear sky, implying the aftermath or preparation for another stunt. The lighting transitions from atmospheric dusk to bright daylight. The camera captures the motion of the car, with dynamic angles emphasizing the stunt.
1:14gaming partnerships This segment highlights gaming collaborations. It starts with a screen recording of a detailed 3D model viewer, showcasing a female character from Cyberpunk 2077 (Judy Alvarez) in profile. An interface element labels 'JUDY'S MRAM', pointing to a cybernetic implant. The character has vibrant green and pink hair and detailed clothing. This transitions to an extreme close-up of the same character's head, focusing on the intricate silver and black MRAM implant behind her ear, with a mouse cursor hovering over it. The next shot is a screenshot of a news article titled 'Borderlands 4 Partners With Prusa For 3D Prints', featuring two people wearing elaborate, futuristic masks from the Borderlands universe. The final shot is a screen recording of the Printables.com website, showing a 'Borderlands' profile page with available 3D models like an 'AR Rifle' and 'Ripper Mask'. The interface is dark mode with colorful accents. The camera is static, presenting digital content clearly.
1:18prusament pc space grade black This sequence highlights Prusament PC Space Grade Black filament. It starts with a medium shot of a complex 3D-printed structure, possibly an electronic housing, meticulously assembled with clear and black components on a circular, metallic base, indicating precision engineering. This cuts to a close-up of three black 3D-printed cylindrical objects with geometric patterns, showcasing the material's aesthetic and strength. The next shot is an extreme close-up of a black spool of 3D printer filament, featuring a hexagonal pattern, clearly labeled 'PRUSAMENT PC Space Grade Black', emphasizing its high-performance nature. The final shot is a close-up of hands manipulating a multi-part, black 3D-printed assembly, demonstrating its intricate construction and the quality of the finished product. The lighting is bright and clean, accentuating the details of the material and printed parts. The camera remains static in each shot, offering clear views of the product details. The video ends abruptly here.
