0:00desert structure wide
A desolate, expansive desert landscape is captured at what appears to be dusk or dawn, characterized by a soft, warm orange-to-pale-blue gradient sky. In the mid-ground, a striking, dark, rectangular architectural structure stands prominently atop a tiered, barren hill or mesa. The structure itself is dark, almost silhouetted, with subtle reflections of the golden light glinting from its top surface, indicating a metallic or reflective material. The landscape is largely barren, with subtle undulations and rocky formations. The overall color palette is earthy and subdued, dominated by muted browns, dark greys, and the warm glow of the sky. The foreground is dark and blurry, suggesting a slight upward angle or a sense of vastness.
0:00florence pugh interview 1
A medium close-up shot features Florence Pugh, a young woman with short, bleached blonde hair styled in a shaggy cut. She is seated and engaged in an interview, looking slightly off-camera to the right. She wears a casual white t-shirt with distinctive red trim around the collar and sleeves, and a small "Wrangler" logo embroidered on the right chest area. Her expression is thoughtful and composed, with her hands clasped in front of her. The background is a simple, blurred dark grey wall, providing a clean contrast to her bright shirt. The lighting is soft and even, highlighting her features. A bright yellow text overlay is positioned in the lower-left corner of the screen, displaying 'FLORENCE PUGH' and 'YELENA BELOVA'.
0:01clapperboard on set
A close-up shot focuses on a black digital clapperboard being held by a hand in the lower-left quadrant of the frame. The clapperboard displays white digital text indicating "17:00:45:00" as the timecode, along with "2DM" and "Day 4". The background is dimly lit and blurred, showing silhouettes of people and equipment, suggesting an active film set. The lighting is low-key, with some artificial lights creating highlights on the clapperboard. The overall atmosphere is dark and industrial, with the focus sharply on the production tool.
0:03person walks by structure
A wide shot depicts a lone figure, appearing as a person in dark clothing, walking from left to right across a flat, expansive, light-colored concrete or paved surface. In the background, the same dark, rectangular architectural structure seen earlier is prominent, with the warm, golden light of either sunrise or sunset casting long shadows and illuminating one side of the building. The surrounding landscape is a vast, barren desert with subtle hills under a soft, hazy sky. The color palette is dominated by warm yellows, oranges, and earthy browns, creating a sense of isolation and grandeur. The figure is small in the frame, emphasizing the scale of the environment and the structure.
0:03split screen city scape
The scene is presented in a dynamic three-panel horizontal split screen, depicting a futuristic or modern cityscape from an aerial perspective. The top panel shows a building with a helipad where a helicopter is stationary, and several small figures (people) are visible on the pad, overlooking a sprawling city. The middle panel shows the same building and helipad but with a slightly wider view of the surrounding city. The bottom panel shows a vast expanse of sky with fluffy white clouds, and four small, dark, human-like figures are seen freefalling through the air. The overall lighting is bright and overcast, creating a cool, desaturated blue-green and grey color palette. The sense is one of high-altitude action and a vast urban environment.
0:04yelena running indoor
A medium close-up shot from behind captures a woman with short, platinum blonde hair, wearing a dark, possibly tactical, suit, running rapidly through a narrow, well-lit corridor. The corridor features metallic, ribbed walls and linear overhead lighting, giving it a sleek, industrial, and somewhat confined feel. Her body is in motion, leaning forward as she runs, indicating urgency. The lighting is bright and cool, casting some glare off the metallic surfaces. The camera tracks her closely, emphasizing the speed of her movement and the confined space.
0:05jake schreier interview 1
A medium shot features Jake Schreier, a man in his 30s with short, dark brown hair. He is dressed in a crisp white dress shirt with the sleeves rolled up and a grey tie. He stands outdoors in a vast, open, and barren desert landscape under a soft, overcast sky, which extends far into the horizon. The ground is a uniform sandy brown. He looks directly at the camera, speaking. The lighting is natural and soft, creating minimal shadows. A bright yellow text overlay is positioned in the lower-left corner of the screen, displaying 'JAKE SCHREIER' and 'DIRECTOR'.
0:06snowy forest set
A behind-the-scenes shot reveals a film set designed to look like a snowy, dense forest. The foreground is dominated by the side profile of a dark, slender tree trunk. To the left, a large, complex camera crane with a gimbal-mounted camera is visible, pointing towards the scene. In the background, two women stand, both dressed in light grey or blue tracksuits. Artificial snow is gently falling around them, illuminated by soft, directional stage lights. The background trees are dark and indistinct, creating depth. The color palette is cool, dominated by greys, blues, and whites, evoking a wintery atmosphere and a sense of magical realism.
0:07group laughing on set
A medium wide shot captures a group of five individuals, primarily dressed in dark, tactical-style costumes, laughing and interacting outdoors. The background features a large, dark building with "NORTH ENTRANCE" visible above a door. The ground is paved, possibly with some debris or effects suggesting a recent action sequence. One man with long dark hair (Sebastian Stan) is seen laughing vigorously. Another man in a black and red uniform (David Harbour) is also laughing, as is a blonde woman in a dark tactical suit (Florence Pugh). The mood is lighthearted and jovial, a stark contrast to the serious costumes. The lighting is bright and even, indicating daytime.
0:09jake schreier gesturing
A medium close-up shot features Jake Schreier, the man from the earlier interview segment, with short, dark brown hair. He is wearing a white dress shirt with the sleeves rolled up and a grey tie. He is standing in the same vast, open, barren desert landscape under an overcast sky. This time, he is actively gesturing with both hands, palms facing upwards and outwards, as if explaining a concept or scale. His facial expression is animated and engaged, indicating passionate discussion. The lighting remains natural and soft, highlighting his expressive movements.
0:10person running desert
A dynamic medium shot shows a person with long, dark, flowing hair, wearing dark clothing, running directly towards the camera in an expansive desert landscape. The background features distant, hazy mountains under a light blue sky with scattered clouds. The ground is a uniform sandy brown. The motion blur on the runner emphasizes speed and forward momentum. The lighting is bright and natural, indicating daylight. The camera moves with the runner, maintaining focus and drawing the viewer into the action.
0:11film spooling close up
An extreme close-up shot focuses on a strip of film, likely 70mm IMAX film given the context, being fed through a series of dark grey metal rollers and guides. The film itself is mostly dark but shows small, faint, colorful specks or markings, possibly from the emulsion or perforations. The mechanical elements are precise and industrial, bathed in a soft, diffused light that highlights the texture of the metal. The background is out of focus and dark, ensuring the viewer's attention is entirely on the intricate process of film movement, emphasizing the technical aspect of filmmaking.
0:12blurred action sequence
A very quick, highly blurred shot captures what appears to be a rapid action sequence or impact. The scene is dominated by motion blur and indistinct forms, making specific details impossible to discern. There are flashes of light and dark, suggesting rapid movement, possibly a fight or a collision. The color palette is chaotic, with streaks of muted greens, browns, and dark greys, conveying a sense of intense, fleeting action and high energy. The visual is designed to create a feeling of disorientation and speed.
0:12armored vehicle jumping
A dynamic wide shot captures a large, dark grey armored vehicle, resembling a modified military truck or SUV, soaring through the air. It is momentarily airborne over a dusty, unpaved desert road, having presumably launched off a ramp or incline. Dust and small debris are being kicked up from its departure point. The vehicle is slightly tilted, showing its rugged undercarriage. The background is a vast, desolate desert landscape under a partially cloudy, light grey sky. The color palette is earthy, dominated by tans, greys, and pale blues, highlighting the vehicle's impressive stunt against the natural backdrop.
0:13armored vehicle crashing
A wide, high-action shot depicts the dark grey armored vehicle violently skidding and crashing in an expansive, flat desert landscape. The vehicle is seen tumbling and rolling, generating a massive cloud of tan dust and debris that obscures much of its form. Pieces of the vehicle are seen flying off, indicating severe damage. The ground is a uniform sandy brown, stretching to a distant, flat horizon under an overcast, light grey sky. The motion is dynamic and destructive, conveying significant impact and the raw power of the crash.
0:16helicopter camera rig
A wide shot captures a behind-the-scenes moment on a vast, elevated desert plateau overlooking an expansive, arid landscape. In the foreground, a man wearing a wide-brimmed hat, light-colored shirt, and dark pants operates a large, complex camera rig mounted on a track or dolly. Overhead, a sleek white helicopter hovers, connected by a long cable to the camera rig, suggesting aerial cinematography for large-scale shots. The sky is bright and slightly hazy with scattered clouds, and the distant landscape features rolling hills and valleys. The overall color palette is natural, with browns, tans, and pale blues, showcasing the impressive scale of film production.
0:17person jumping skyscraper
A dramatic high-angle shot from behind captures a figure, likely a woman, in dark, practical clothing, taking a daring backward leap off the very edge of a towering skyscraper. The city below is a sprawling, miniature landscape of buildings and streets, rendered in muted greens and greys under a hazy sky. The figure's body is contorted mid-jump, arms flailing slightly, emphasizing the height and danger of the stunt. The camera captures the immediate moment of departure, focusing on the human scale against the urban giants and conveying a sense of extreme peril.
0:18person falling midair
A breathtaking mid-shot follows a figure, likely a woman in dark, form-fitting clothing, as she freefalls through the air from a considerable height. Her body is in an open, slightly spread-eagle position, arms and legs extended, indicating an intentional dive or fall. Below her, a vast urban landscape stretches out, featuring countless buildings of varying heights and a network of roads. In the far distance, faint, hazy mountains provide a natural backdrop to the man-made environment. The sky above is a pale, overcast blue-green. The camera tracks her descent, maintaining a perspective just below and behind her, intensifying the sensation of falling.
0:20person falling overhead
An intense overhead shot shows a figure, again in dark clothing, rapidly descending towards a dense urban environment. The perspective is directly above, looking down, emphasizing the incredible height and the intricate patterns of the city below. Distinctive architectural features, including a large, circular, stadium-like structure and buildings with patterned roofs, are clearly visible. The figure's body is relatively flat to the camera, arms and legs slightly splayed, as if in a controlled fall. The city's color palette is predominantly cool greys, greens, and blues, with a strong sense of texture and detail from above, highlighting the vastness of the city and the smallness of the individual.
0:22black screen
A completely solid black screen fills the frame. There are no discernible visual elements, textures, or light sources. The screen is devoid of any imagery, serving as a transitional blank space, creating a momentary pause before the next visual element.
0:22florence pugh interview 2
A medium close-up shot of Florence Pugh, the woman with short, bleached blonde hair, dressed in the white t-shirt with red trim. This time, she is smiling broadly and laughing, her head tilted slightly to the right, and her hands animatedly gesturing. Her eyes are bright and her expression is full of joy and enthusiasm. The blurred dark grey background remains consistent, providing a clean contrast. The lighting is soft and flattering, highlighting her positive demeanor and genuine happiness as she speaks.
0:24sparks explosion close up
An extreme close-up shot features a dynamic burst of bright, hot sparks and glowing embers, indicative of an intense explosion or rapid combustion. The foreground is filled with chaotic, streaking light and motion blur, making it impossible to identify specific objects. The dominant colors are fiery oranges, yellows, and reds, against a rapidly moving, dark background. The scene conveys intense energy and destruction in a highly abstracted manner, immersing the viewer in the raw power of the event.
0:25smoky combat action
A rapid, blurred shot captures an intense action sequence taking place in a hazy, smoky environment. Indistinct figures are visible engaging in close-quarters combat or dynamic movement amidst the obscuring smoke. There are flashes of light and muted colors, suggesting a volatile situation. The background is a murky blend of dark greys and greens, further emphasizing the chaotic and unclear nature of the scene. The motion is frenetic and disorienting, conveying the confusion and speed of battle.
0:26car explosion desert
A dramatic medium shot captures a vintage-style, dark red sedan on a dirt road in a desolate desert landscape. A large, fiery explosion erupts directly behind the vehicle, sending black smoke, flames, and debris high into the air. The car is slightly askew, with its front wheels turned, suggesting it's either skidding or reacting to the blast. The background is an open, barren desert under a hazy, light grey sky. The scene is filled with action and destruction, contrasting the mundane car with the violent explosion and emphasizing the suddenness of the event.
0:27title card and credits
The scene begins with a static black background displaying bold, yellow text. The primary title "MARVEL STUDIOS THUNDERBOLTS*" is prominently featured, followed by release information "ONLY IN THEATERS MAY 2" and "GET TICKETS NOW". Below this, smaller legal text states "THIS FILM IS NOT YET RATED" and mentions IMAX and MARVEL copyrights. After a brief pause, the text transforms into a slow-scrolling list of full production credits, all in yellow against the black background, including names of cast, crew, and production companies like Dolby Vision Atmos and IMAX. The typography is clean and professional, typical of a film's end credits.
