0:00woman walking street upper body
The scene opens with a medium shot of a young woman with dark, curly hair walking purposefully on a city street, her back slightly to the camera, looking towards the right. She is wearing a black long-sleeved top under a dark gray sleeveless vest and a matching dark gray mini skirt, paired with black sheer tights. The background features a busy urban environment with tall buildings, parked cars (including a black sedan), and a concrete sidewalk. The lighting is natural and bright, suggesting daytime, casting soft shadows. Text overlay on the screen reads 'LIFE IS TOO SHORT'. The overall color palette is muted, dominated by grays, blacks, and the warm tones of the buildings, creating a sophisticated city aesthetic. The camera is static, focusing on her upper body and the street.
0:00woman walking street lower body
This scene is a close-up, low-angle shot focusing on the lower legs and feet of the woman as she walks across a crosswalk on a city street. She is wearing black sheer tights and chunky black platform ankle boots with thick lug soles. The street is marked with white lines, typical of a pedestrian crossing. In the background, out of focus, are cars and buildings, emphasizing the urban setting. The lighting is bright and even, highlighting the texture of the boots and the movement of her legs. The camera follows her feet, capturing the rhythmic movement of her strides. Text overlay, initially 'TO WEAR', changes to 'UNCOMFORTABLE' and then 'SHOES TO THE OFFICE', aligning with the pace of the narration.
0:02woman walking street mid torso
The shot transitions to a medium close-up, showing the woman's mid-torso down to her knees as she continues to walk across the street. She wears the same dark gray sleeveless vest, mini skirt, sheer tights, and black platform boots. A black shoulder bag with a flap closure hangs by her side. The background remains an urban street scene with buildings, and faint pedestrian activity. The perspective is slightly lower than eye level, emphasizing the boots and the outfit. The lighting is consistent with natural daylight. The dominant colors are black and dark gray, with the light-colored street providing contrast. The camera tracks her movement, keeping her centered in the frame.
0:03hand selecting boots
This is a close-up shot of a hand reaching for a pair of black platform boots on a wooden shelf. The shelf is part of a black metal and wood shelving unit, filled with various styles of boots and shoes, predominantly in black, brown, and gray tones. The other shoes on the shelves include lace-up boots, Chelsea boots, and some sneakers, creating an impression of a well-stocked shoe collection. The lighting is soft and even, highlighting the textures of the leather and wood. The color palette is warm due to the wood, contrasting with the dark shoes. Text overlay 'LUCKILY' appears as the hand reaches for the boots.
0:04woman holding boots
A medium shot captures a young blonde woman holding up a pair of black platform boots directly towards the camera. The boots are in sharp focus, while the woman behind them is slightly blurred, emphasizing the product. She has long, straight blonde hair and is wearing a black tank top and white jeans. The background is a softly blurred interior, showing warm-toned walls and a minimalist shelf with a golden decorative object. The lighting is soft and studio-like, creating a clean and professional aesthetic. Text overlay reads 'I FOUND THURSDAY'S LEGEND' followed by 'PLATFORM BOOTS', highlighting the product's name. The color palette is bright and clean, with the dark boots providing a strong focal point.
0:05woman mirror selfie black jacket
A full shot, taken as a mirror selfie, shows a woman posing in front of a full-length mirror. She has long, wavy blonde hair and is wearing a black faux leather jacket over a white top, gray skinny jeans, and black platform boots. Sunglasses are perched on her head. The setting appears to be a hallway or entryway, with light wooden floors, white doors, and a small rug visible. The lighting is bright and even, likely from overhead room lights. The phone she is holding obscures part of her face, but a slight smile is visible. Text overlay reads 'OF COURSE I WANT' and 'AT MY JOB', conveying a message about professional appearance. The overall color palette is modern and neutral, dominated by black, white, and gray with warm wooden accents.
0:07woman mirror selfie cardigan bedroom
This scene is a full shot captured as a mirror selfie, showing a woman with dark hair tied back, walking slowly in a bedroom setting. She is wearing a long black slip dress under a long, open, caramel-colored knit cardigan, paired with black platform boots. The bedroom features a large bed with a dark red comforter, a patterned rug, a small dark side table with candles and jewelry, and a painting on the wall. The lighting is soft and ambient, creating a cozy atmosphere. The woman glances at her phone as she walks, capturing her full ensemble. Text overlay reads 'OF COURSE', and then 'I HAVE GREAT TASTE', communicating a sense of style. The color palette is rich and warm, with earthy tones of the cardigan and bedroom decor contrasting with the black dress and boots.
0:08close up boots walking indoors
A close-up, low-angle shot focuses on the woman's feet as she walks across a light-colored, patterned rug indoors. She is wearing the same black platform Chelsea boots and the black slip dress from the previous scene, which billows slightly as she moves. The camera is positioned to capture the boots in full detail, emphasizing their sturdy construction and the way they interact with the rug. The lighting is soft and even, highlighting the texture of the boots and the rug. Text overlay 'I HAVE GREAT TASTE' is visible. The color palette is subdued, with the dark boots standing out against the lighter, warm tones of the rug.
0:09woman mirror selfie cardigan bedroom full
This full shot is a mirror selfie, showing the woman from head to toe in the same bedroom setting as the earlier cardigan scene. She has her dark hair tied back and is wearing the long black slip dress and caramel-colored knit cardigan, paired with black platform boots. The bedroom background includes the bed with a dark red comforter, a patterned rug, a small dark side table, and a framed painting. The lighting is soft and uniform. She holds her phone up, smiling slightly, showcasing her full outfit. Text overlay changes from 'OF COURSE' to 'I NEVER WANT TO NOT GO TO HAPPY HOUR', continuing the narrative about versatile footwear. The color palette remains warm and inviting, typical of a home interior.
0:10woman mirror selfie closet mini skirt
A full shot, presented as a mirror selfie, features the woman in a different outfit in what appears to be a spacious walk-in closet or dressing room. She is wearing a light cream sleeveless knit top, a black mini skirt, and the black platform boots, carrying a black shoulder bag. The background is filled with rows of clothing on hangers and shelves of shoes, mostly boots, creating a strong fashion context. A plush dark green armchair and a white modern side table are also visible. The lighting is bright and even, highlighting the details of her outfit and the extensive wardrobe. Text overlay 'TO NOT GO TO HAPPY HOUR' then 'BECAUSE OF MY FOOTWEAR' appears, reinforcing the idea of adaptable footwear. The color palette is neutral and modern, with the dark green armchair providing a subtle pop of color against the cream, black, and natural wood tones.
0:12close up boots walking indoors full
This close-up, low-angle shot again focuses on the woman's feet as she walks across a light-colored, patterned rug indoors. She is wearing the black mini skirt and black platform Chelsea boots, similar to the previous scene. The camera is positioned to capture the boots in full detail, emphasizing their sturdy construction and the way they interact with the rug. The lighting is soft and even, highlighting the texture of the boots and the rug. Text overlay 'BECAUSE OF MY FOOTWEAR' is visible. The color palette is subdued, with the dark boots standing out against the lighter, warm tones of the rug, maintaining continuity with the previous indoor boot shots.
0:13woman walking down metal stairs
A low-angle, medium close-up shot captures a person's legs (presumably the woman's) walking down a dark, industrial-looking metal staircase. The person is wearing black skinny jeans, rolled up at the cuffs, and black platform Chelsea boots. The stairs have a textured, grated surface, and the dark metal creates a strong contrast with the boots. The lighting is somewhat dim, emphasizing the rugged texture of the stairs and the boots. Text overlay 'THESE BOOTS ARE' appears on screen. The color palette is predominantly dark, with the black boots and jeans blending into the dark metal stairs, creating a bold, edgy aesthetic. The camera tracks her descending movement.
0:15woman stepping onto street
This is a low-angle medium shot, transitioning from the metal stairs to a paved sidewalk or street. The woman's legs are visible, still wearing the black skinny jeans and black platform Chelsea boots. Her right foot lands firmly on the concrete while her left foot is still in the air, having just stepped off the bottom step of the metal staircase. The background transitions from the dark metal stairs to a lighter-toned, textured paved surface, likely stone or brick. The lighting is bright and natural, indicating an outdoor setting. Text overlay 'THE PERFECT' then 'COMFY MEETS CUTE' and 'FOUNDATION' appears. The color palette shifts from dark and industrial to a more balanced urban setting, with the dark boots maintaining their visual prominence.
0:16close up adjusting boot
A high-angle close-up shot focuses on a person's hands adjusting a black platform Chelsea boot. The person is sitting, with a black skirt visible on their lap, and sheer tights on their leg. One hand is pulling the elastic side panel of the boot, while the other hand is near the top edge, suggesting adjustment for comfort or fit. The background is a textured, light-colored stone or brick pavement, hinting at an outdoor setting where the person has paused to adjust their footwear. The lighting is bright and natural, illuminating the fine details of the boot's leather and the hands. Text overlay 'RIDICULOUSLY COMFORTABLE' is displayed. The color palette is primarily dark (boot, skirt) against the light, earthy tones of the pavement, creating a clear contrast.
0:18woman walking away street
A low-angle, tracking shot follows the woman from behind as she walks away down a paved street. She is wearing a black mini skirt that flares slightly, black sheer tights, and black platform Chelsea boots. The camera is positioned very low, almost at boot level, emphasizing the movement of her legs and the substantial soles of the boots. The background consists of modern buildings with large windows, light-colored facades, and scattered greenery in planters, suggesting a stylish European or Mediterranean urban environment. The lighting is bright and natural, with sunlight potentially creating some highlights on the buildings. Text overlay appears as 'BECAUSE OF THE', then 'GLOVE LEATHER LINING', and finally 'AND SHOCK ABSORBING INSOLE', highlighting the comfort features of the boots. The dominant colors are light grays and whites of the buildings, contrasted with the dark tones of her outfit and the textured pavement.
0:22overhead shot boots collection
An overhead wide shot captures a woman's legs and feet, clad in black pants and black platform Chelsea boots, standing on a light wooden floor. She is seated in a mid-century modern style chair with a blue cushion, but only her legs and the lower part of the chair are visible. Surrounding her boots on the wooden floor is an extensive collection of various black shoes and boots, arranged in a semi-circle. These include other styles of ankle boots, lace-up boots, loafers, and sneakers, all predominantly black, with some having white soles or subtle gold accents. A woven ottoman is partially visible to the left. The lighting is bright and even, highlighting the clean wooden floor and the textures of the shoes. Text overlay appears as 'AND THURSDAY TAKES CARE', then 'OF THE SHIPPING', then 'AND RETURN COSTS', then 'SO TRYING THEM IS PRETTY MUCH', and finally 'RISK FREE' and 'SEE FOR YOURSELF AT THURSDAYBOOTS.COM'. The color palette is warm and inviting with the wood, contrasting with the dominant black of the footwear. The camera is static, providing a clear overview of the shoes.
0:30logo shot
The final scene is a static overhead wide shot of a light wooden floor, mirroring the floor from the previous shot. The shoes from the previous scene are still arranged in a semi-circle around the center of the frame. In the center, a white graphic logo appears, framed by two curving lines and text that reads 'THURSDAY BOOT CO.'. A wooden chair with a blue cushion and a woven ottoman are partially visible at the top of the frame. The lighting is bright and even, emphasizing the clean lines of the logo and the natural texture of the wood. The color palette is warm and natural, with the black shoes providing definition around the central logo. The scene serves as a clear branding moment for the product.
