0:00intro title card
The scene opens with a clean, light grey background featuring bold, black sans-serif text centered horizontally and vertically. The text reads 'FREE ART EXHIBIT' on the first line, followed by 'IN HOUSTON, TX' on the second line. Below this, slightly smaller, is 'MARIO AYALA' and then prominently 'SEVEN VANS' in a larger font. The final line states 'on view until June 21, 2026'. The typography is modern and minimalist. The lighting is even and bright, emphasizing the text against the plain background. No camera movement is discernible, and the overall mood is informative and anticipatory. The color palette is restricted to black text on a light grey background, creating a stark, clean aesthetic.
0:01exhibit hall pan left
The camera slowly pans left across an indoor art exhibit space. The setting features a concrete floor and a dark, industrial-style ceiling with exposed pipes and lights. The main exhibits are large, rectangular panels displaying hyperrealistic paintings of the rear of various vans. In the foreground, a white van with 'YOUTH BUS' text and a California license plate is visible, while further back, another van with teal accents is partially obscured. The lighting is dim, with spotlights highlighting the artworks. The overall color palette is muted, dominated by greys, whites, and the earthy tones of the concrete, with pops of color from the van art. The atmosphere is quiet and contemplative, characteristic of an art gallery. The text 'FREE ART EXHIBIT IN HOUSTON, TX', 'MARIO AYALA SEVEN VANS', and 'on view until June 21, 2026' overlays the video.
0:02couple at exhibit wall
A medium shot captures two individuals from behind, standing in front of a brightly lit wall within the art exhibit. The wall features a large, orange text overlay that reads 'MARIO AYALA SEVEN VANS' and a smaller, more detailed paragraph of text about the exhibit, presumably in Spanish or English. The figures are silhouetted against the bright wall, adding to the dramatic effect. The lighting on the wall is very bright, contrasting with the darker ambient lighting in the rest of the gallery space. The floor is concrete, and the ceiling shows industrial elements like exposed conduits. The dominant colors are the bright orange text, white wall, and dark silhouettes of the people. The atmosphere is engaging and attentive as the individuals seem to be reading the exhibit information. The text 'FREE ART EXHIBIT IN HOUSTON, TX', 'MARIO AYALA SEVEN VANS', and 'on view until June 21, 2026' overlays the video.
0:03van mural close up red
A detailed close-up shot focuses on the rear of a painted red van mural. The artwork is highly realistic, depicting a weathered van with a Californian license plate (3B653J1) and various stickers and graffiti, including 'MICKEY MOUSES' and 'FALLOW ME The Good Ones'. The van's rear window is a wooden panel with a small, rectangular, dark cut-out, suggesting a makeshift modification. There are also visible elements like a bicycle rack structure at the top. The background is a plain, light grey wall. The lighting is direct, highlighting the textures and details of the painted surface. The color palette is rich with reds, browns, yellows, and blues from the graffiti. The overall impression is one of urban art and Americana. The text 'FREE ART EXHIBIT IN HOUSTON, TX', 'MARIO AYALA SEVEN VANS', and 'on view until June 21, 2026' overlays the video.
0:04van mural extreme close up
An extreme close-up shot focuses on the upper-left portion of the red van mural. The shot emphasizes the wooden paneling on top of the van's rear, featuring a small, dark, rectangular window-like cutout. A makeshift ladder or roof rack structure is visible at the very top of the frame. The details of the painted texture, mimicking wood grain and metal, are very clear. The background is a plain, light grey wall. The lighting is even, revealing the intricate brushstrokes and realistic details of the artwork. The color palette primarily consists of light beige for the wood, with hints of red and black from the van's structure. The overall impression is hyperrealistic, showcasing the artist's attention to detail. The text 'FREE ART EXHIBIT IN HOUSTON, TX', 'MARIO AYALA SEVEN VANS', and 'on view until June 21, 2026' overlays the video.
0:05outdoor art van night
A wide shot captures an actual art van parked outdoors at night, presumably near the museum. The van is a full-sized white panel van, heavily modified with metallic, corrugated panels on its sides and rear, giving it a sculptural, almost armored appearance. Bare trees with dark branches are visible in the foreground and background, silhouetted against the dark night sky. In the far background, a building with illuminated elements is partially visible, along with some distant lights. The lighting is dramatic, with subtle streetlights or stage lights illuminating parts of the van, making its metallic surfaces gleam. The color palette is dark and cool, dominated by black, grey, and metallic reflections, with hints of the van's original white paint. The atmosphere is artistic and somewhat mysterious. The text 'FREE ART EXHIBIT IN HOUSTON, TX', 'MARIO AYALA SEVEN VANS', and 'on view until June 21, 2026' overlays the video.
0:06dj at event
A medium shot focuses on a male DJ standing behind his equipment, illuminated by soft stage lighting. He is positioned centrally, intently working on his turntables and mixer, which are set up on a table draped with a colorful, patterned blanket, possibly a serape. In the foreground, several round, multi-colored stage lights emit a warm glow (yellow, orange, purple). The background is a dark, possibly corrugated metal wall, creating a textured backdrop. The lighting is atmospheric, with a mix of warm and cool tones from the stage lights. The color palette includes the vibrant colors of the blanket and lights against the dark setting. The atmosphere is energetic and lively, suggesting an outdoor or event setting. The text 'FREE ART EXHIBIT IN HOUSTON, TX', 'MARIO AYALA SEVEN VANS', and 'on view until June 21, 2026' overlays the video.
0:07people walking through exhibit
A wide shot, viewed from behind two individuals, shows them walking through the exhibit space. The environment features a concrete floor and a concrete ceiling with exposed industrial pipes and track lighting. Large, rectangular wall panels display van murals; one with blue and green accents is prominent on the left, while another white van is visible further down the hall. The lighting is sparse but strategic, with overhead lights illuminating the path and spotlights on the art. The overall color palette is cool and industrial, with dominant greys and the earthy tones of concrete, accented by the colors of the artwork. The atmosphere is calm and exploratory, as visitors take in the art. The text 'FREE ART EXHIBIT IN HOUSTON, TX', 'MARIO AYALA SEVEN VANS', and 'on view until June 21, 2026' overlays the video.
0:08two people approach van mural
A wide shot from behind shows two individuals approaching a van mural within the gallery. The mural depicts a white van with 'YOUTH BUS' text and yellow/orange graffiti, and a California license plate. Other van murals are visible further down the long, industrial-style hall. The concrete floor and ceiling with exposed pipes and lights contribute to the raw aesthetic of the space. The lighting is soft and ambient, with spotlights highlighting the artworks. The color palette is dominated by neutral greys of the concrete and walls, with the artwork providing splashes of white, yellow, and red. The atmosphere is quiet and contemplative, focused on the art. The text 'FREE ART EXHIBIT IN HOUSTON, TX', 'MARIO AYALA SEVEN VANS', and 'on view until June 21, 2026' overlays the video.
0:09father daughter at van mural
A medium-wide shot shows a man and a young girl standing together, facing and looking at a large, hyperrealistic mural of the back of a white van. The van artwork is faded and grungy, featuring a California license plate and a checkerboard flag sticker. The background is a plain, light grey wall. The lighting is soft and even, highlighting the details of the artwork and the figures. The color palette is muted, with the faded white, grey, and blue of the van, contrasted by the girl's bright pink dress. The scene conveys a sense of shared experience and contemplation as they observe the art. The text 'FREE ART EXHIBIT IN HOUSTON, TX', 'MARIO AYALA SEVEN VANS', and 'on view until June 21, 2026' overlays the video.
0:10exhibit display books art
A dynamic shot showcases an exhibit display, featuring multiple shelves mounted on a concrete wall. The shelves hold various art pieces, books, and prints. The top shelf displays framed monochromatic illustrations. The middle shelf features an array of books and magazines, with vibrant cover art, including images of customized lowrider cars. The bottom shelf presents more books and smaller photographic prints of vans. Below these shelves, on a slanted display, are several white booklets titled 'RWD VOL. 1' and 'RWD VOL. 2' with red and blue lettering. The concrete wall has a textured, aged appearance. The lighting is even and direct, illuminating the display without harsh shadows. The color palette is rich and varied, with black and white illustrations, vibrant magazine covers, and the neutral grey of the concrete. The overall mood is informative and showcases the artist's inspirations and context. The text 'FREE ART EXHIBIT IN HOUSTON, TX', 'MARIO AYALA SEVEN VANS', and 'on view until June 21, 2026' overlays the video.
0:11rwd books close up
An extreme close-up shot focuses on the bottom display shelf, specifically on two white booklets titled 'RWD VOL. 1' and 'RWD VOL. 2', with 'RWD' in bold red and blue text respectively. The booklets are slightly open, revealing glimpses of images inside. They are positioned on a slanted grey display shelf. The background is the rough, textured concrete wall of the exhibit, featuring some minor imperfections and a metal pipe running horizontally. The lighting is bright and even, casting subtle shadows that highlight the paper texture. The color palette is clean, dominated by white, red, blue, and the grey tones of the concrete. The close-up emphasizes the publication details and the materiality of the display. The text 'FREE ART EXHIBIT IN HOUSTON, TX', 'MARIO AYALA SEVEN VANS', and 'on view until June 21, 2026' overlays the video.
0:12gallery wide shot people
A wide shot captures the expansive interior of the art gallery, showcasing its industrial architecture and several visitors. Concrete pillars with horizontal strip lighting line the hall, creating a rhythmic visual pattern. The ceiling is high, with exposed pipes and ventilation systems visible. Several people are scattered throughout the space, observing the art or walking through the exhibit. One person in a blue dress stands prominently on the right. The lighting is a mix of ambient overhead lights and the illuminated strips on the pillars, creating a somewhat dramatic and well-lit environment. The color palette is predominantly grey from the concrete, with warm light from the pillars and pops of color from the visitors' clothing. The atmosphere is open, modern, and bustling with activity. The text 'FREE ART EXHIBIT IN HOUSTON, TX', 'MARIO AYALA SEVEN VANS', and 'on view until June 21, 2026' overlays the video.
0:13exhibit text panel
A medium shot focuses on a textual information panel mounted on a concrete pillar. The panel is white with black text, divided into two columns, likely presenting information about the exhibition or a specific artistic concept in both English and Spanish. The title 'RASQUACHE' is prominently displayed above the text. The concrete pillar itself shows subtle signs of wear and texture, with circular marks. A horizontal strip light is visible on the pillar below the panel, casting a warm glow upwards and downwards, creating highlights and shadows on the concrete. The background is blurred, showing more of the gallery space. The color palette is monochromatic with white and black text against the grey concrete. The overall mood is educational and informative. The text 'FREE ART EXHIBIT IN HOUSTON, TX', 'MARIO AYALA SEVEN VANS', and 'on view until June 21, 2026' overlays the video.
0:14van murals medium shot
A medium shot showcases two large, painted van murals displayed on rectangular wall panels within the exhibit. On the left, a white van mural features 'METRO PEST CONTROL' branding and a phone number (800-834-8199), along with a painted spiderweb design. On the right, a light blue-grey van mural displays text related to 'Invisalign' and a different phone number. The walls are plain light grey, and the concrete floor is visible. The ceiling has exposed pipes and ductwork, emphasizing the industrial aesthetic. The lighting is soft and even, highlighting the detailed artwork. The color palette is dominated by the neutral grey walls, with the white, blue, and black of the van artwork providing contrast. The atmosphere is calm and art-focused. The text 'FREE ART EXHIBIT IN HOUSTON, TX', 'MARIO AYALA SEVEN VANS', and 'on view until June 21, 2026' overlays the video.
0:15pest control van mural closeup
A close-up shot focuses on the rear of a white van mural, specifically highlighting the 'METRO PEST CONTROL' logo and contact information. The logo is blue and brown, with a prominent phone number '800-834-8199' and website 'www.metropest.com'. A painted spiderweb design with a crack is visible on the left side of the van's rear door. The artwork is highly detailed, replicating the weathered look of a real service vehicle. A yellow California license plate ('7782LMB') is also depicted. The background is a plain light grey wall. The lighting is direct and even, accentuating the realism of the painting. The color palette is white, blue, brown, and yellow against a light grey backdrop. The details convey a sense of a common urban sight elevated to art. The text 'FREE ART EXHIBIT IN HOUSTON, TX', 'MARIO AYALA SEVEN VANS', and 'on view until June 21, 2026' overlays the video.
0:16license plate closeup
An extreme close-up shot focuses on a painted California license plate (5Z53621) on the rear of a light grey van mural. The van's surface is depicted with highly realistic texture, showing signs of wear, faded paint, and rust spots. Below the license plate, the word 'CHEVROLET' is visible, along with 'FUEL INJECTION' at the bottom right. The license plate itself has a 'JUL California' sticker. The background is the continuation of the textured, painted van surface. The lighting is even and diffused, enhancing the painted details and the illusion of depth. The color palette is muted, consisting primarily of greys, blues, and faded reds and yellows from the plate and worn paint. The shot emphasizes the intricate, hyperrealistic detail of the artwork. The text 'FREE ART EXHIBIT IN HOUSTON, TX', 'MARIO AYALA SEVEN VANS', and 'on view until June 21, 2026' overlays the video.
0:17people socializing exhibit
A medium-wide shot captures a group of people socializing and engaging within the art exhibit. In the foreground, a woman in a grey coat and glasses is talking to a man in a dark shirt, both smiling. To their left, part of a red van mural (the 'MICKEY MOUSES' van seen earlier) is visible, serving as a backdrop. Other attendees are in the background, dimly lit, suggesting a gathering or opening event. The concrete floor and industrial ceiling elements are visible, reinforcing the gallery setting. The lighting is a mix of ambient and spotlights, creating a relaxed yet artistic atmosphere. The color palette is dominated by neutral tones of grey and black from the clothing and concrete, with the artwork providing a splash of red. The scene suggests a vibrant social aspect to the exhibit. The text 'FREE ART EXHIBIT IN HOUSTON, TX', 'MARIO AYALA SEVEN VANS', and 'on view until June 21, 2026' overlays the video.
0:18outdoor art van night zoom
A medium shot of the metallic art van parked outdoors at night, similar to an earlier scene but with a slight zoom or closer framing. The van is covered in reflective, corrugated metal panels, which catch the ambient lights from the environment. Dark tree branches are visible above and around the van, contrasting with its shiny surface. A tall, illuminated sign for 'Contemporary Arts Museum Houston' is partially visible in the background on the left. The lighting is low and atmospheric, emphasizing the reflections on the van's surface. The color palette is dark, with metallic silvers, greys, and black from the night sky, accented by small hints of light. The text 'follow @itsss_andres for more' is displayed at the top, along with 'Contemporary Arts Museum Houston, 5216 Montrose Blvd, Houston, TX' in the middle. The atmosphere is artistic and inviting, suggesting an outdoor installation. The text 'FREE ART EXHIBIT IN HOUSTON, TX', 'MARIO AYALA SEVEN VANS', and 'on view until June 21, 2026' overlays the video.
0:19museum exhibit signs night
A wide shot captures two brightly illuminated outdoor exhibit signs at night. The left sign advertises 'TOMASHI JACKSON ACROSS THE UNIVERSE' with dates 'May 30, 2025 - March 29, 2026' and an abstract artwork. The right sign advertises 'MARIO AYALA SEVEN VANS' with dates 'November 14, 2025 - June 21, 2026' and features an image of a van mural. A tall, narrow sign for 'Contemporary Arts Museum Houston' is visible to the right of these illuminated panels. Dark tree branches are silhouetted against the night sky, framing the top of the shot. The lighting is strong and localized to the signs, making them stand out against the darkness. The color palette is vibrant from the illuminated signs (pink, blue, yellow) against the dark night. The atmosphere is promotional and artistic, clearly marking the museum and its current exhibitions. The text 'follow @itsss_andres for more' overlays the video.
0:20museum logo upward shot
An upward-angled shot captures the distinctive logo of the Contemporary Arts Museum Houston, which is mounted on the exterior of the building. The logo is a stylized, abstract design featuring a red, black, and yellow target-like motif with 'Contemporary Arts Museum Houston' text integrated. The shot is framed from below, looking up towards the logo, which is prominently displayed against a dark, possibly reflective, building facade. The lighting is focused on the logo, making its colors pop against the dark background. The color palette is striking, with bold red, yellow, and black. The atmosphere is artistic and modern, highlighting the institution's brand. The text 'follow @itsss_andres for more' overlays the video.
0:21outro title card
The scene displays a light grey background with large, bold orange sans-serif text centered horizontally and vertically. The text reads 'MARIO AYALA' on the first line, followed by 'SEVEN VANS' on the second line, in a larger font. The typography is modern and eye-catching. The lighting is even and bright, making the orange text stand out against the plain background. A subtle, dark shadow or reflection moves vertically across the text, adding a dynamic, almost ethereal quality to the otherwise static scene. The overall mood is conclusive and impactful. The color palette is focused on bright orange against a light grey, creating a strong visual statement.
