0:00man seated with dog The scene opens with a medium shot of a man seated on a backless stool against a bright, plain white studio background. He is smiling and looking slightly upwards, with his right hand gently petting a large black and tan dog that is standing beside him, looking up at his face. The lighting is soft and even, creating a clean, bright aesthetic. White text overlay 'What is authenticity to me?' appears at the center of the frame. The overall mood is warm and friendly. The man is centered in the frame, with the dog filling the lower left quadrant.
0:01visual transition glitch This is a brief, fast-paced visual transition featuring vertical grey and white lines that simulate rain or digital static, giving a glitch effect. The lines move rapidly across the screen, obscuring any clear visual subject. The background is dark. The text overlay 'What is authenticity to me?' remains visible, centered in the frame. The overall aesthetic is abstract and jarring, serving as a quick cut-in.
0:01man standing studio bw A wide shot in black and white features a man standing centrally in a stark white studio environment. Overhead, parts of the studio lighting setup, including softboxes and black beams, are visible against the dark ceiling, contrasting with the bright white floor and backdrop. The man is facing the camera, wearing dark attire, and his posture is somewhat stiff. The lighting is high-contrast, casting subtle shadows on the floor. White text 'What is authenticity to me?' remains present in the lower center of the frame.
0:03man standing pockets bw A medium full shot in black and white shows the man from the previous scene, now with his hands in his pockets, standing against a seamless white studio background. The lighting is even and soft within the black and white palette, minimizing harsh shadows. He looks slightly down and to his right, with a pensive expression. The frame captures him from just above the knees up to the top of his head. White text overlay 'That's something that I think we all try to find in life.' appears centrally.
0:04man woman together bw A black and white medium shot depicts the man and a woman in a close interaction against the plain white studio background. The man stands facing forward, while the woman is positioned to his right, leaning slightly into him with her arm around his waist, both looking down at something held by the woman (likely a phone). The lighting is soft but maintains a high-contrast black and white aesthetic. White text 'That's something that I think we all try to find in life.' continues to be displayed in the lower center.
0:05man dog cuddle bw An overhead medium shot, presented in black and white, shows the man lying on his left side on the clean white studio floor, cuddling with a large black dog. The man's eyes are closed, suggesting rest or contentment, and his right arm is around the dog. The dog's head is tucked close to the man's chest. The lighting is soft and even, enhancing the serene mood of the scene. White text 'And it took me a long time to...' is displayed centrally.
A black and white wide shot shows the man standing upright against the plain white studio background, looking slightly downwards and to his right. A large black dog is lying on the floor in front of him, facing away from the camera. The man's silhouette is strong, and the dog forms a dark shape on the light floor. The scene is evenly lit, emphasizing the starkness of the black and white palette. White text 'Find it myself, really.' is displayed centrally.
0:09man face down color A close-up shot, now in color, focuses on the man's face and upper chest. He is wearing a black mesh baseball cap and a blue denim jacket over a white t-shirt. His eyes are cast downwards, but a faint, gentle smile plays on his lips. The background is a soft, out-of-focus white, indicating a shallow depth of field. The lighting is soft and flattering, highlighting his facial features and beard. White text 'Find it myself, really.' is overlaid, centered in the lower part of the frame.
0:10man posing studio wide A wide shot shows the man standing in a large, well-lit white studio setup. The perspective includes a photographer's hand holding a professional camera in the extreme foreground, slightly out of focus. The man stands centrally against the seamless white backdrop, wearing an orange baseball cap, a black vest, and blue jeans. Overhead, studio lighting equipment, including large softboxes, is visible. The lighting is bright and professional, typical of a fashion photoshoot. There is no text overlay in this scene.
0:11man adjusting cap closeup A close-up shot reveals the man's face and upper chest as he subtly adjusts his black mesh baseball cap with his right hand. His blue eyes are visible, and he has a neatly trimmed beard. He is wearing a blue denim jacket over a white t-shirt, consistent with his attire in earlier color scenes. The background remains a soft, out-of-focus white, emphasizing his features. The lighting is bright and even. White text 'It's leaning into who you are' is displayed in the lower center of the frame.
A medium shot focuses on the man's legs and lower torso as he walks, taking a confident stride. He is wearing dark gray, wide-leg trousers, a black belt, and shiny black leather dress shoes. The background is a plain, even white studio floor and wall, creating a clean, minimalistic environment. The lighting is soft and uniform, without harsh shadows. White text 'It's leaning into who you are' remains on screen.
A medium shot captures the man from his mid-thighs to the top of his head, standing against a plain white studio background. He is now dressed in a stylish dark gray suit jacket and matching wide-leg trousers, a white button-up shirt, and a black bolo tie. He wears a black mesh baseball cap. His hands are clasped loosely in front of him, and he looks directly at the camera with a calm, assured expression. The lighting is soft and even. White text 'and not worrying about fear of what other people are thinking about you.' is overlaid.
0:14man legs walking away A medium shot focuses on the man's legs and lower torso as he walks away from the camera, revealing the back of his dark gray suit trousers and black leather dress shoes. The perspective is slightly low, emphasizing his stride. The background is a clean white studio floor and wall. The lighting is soft and even, highlighting the texture of his clothing. White text 'and not worrying about fear of what other people are thinking about you.' is displayed, consistent with the previous scene.
0:16visual transition blur This is a very brief and fast visual transition where the image blurs horizontally, creating streaks of light and color that move rapidly across the screen. The previous image of the man's legs is still subtly visible beneath the blur, but the focus is on the dynamic, streaky effect. The background colors are light, suggesting the studio environment. The white text 'and not worrying about fear of what other people are thinking about you.' is present but also blurred slightly.
0:17man adjusting white cap closeup A close-up shot of the man's face and upper chest shows him adjusting a white mesh baseball cap. He is wearing a white button-up shirt with a black tie. His head is slightly tilted downwards, and his expression is focused and calm. The background is a soft, out-of-focus white, allowing his features to stand out. The lighting is bright and even. White text 'I feel like everything good in my life has been when I'm my authentic self,' appears on screen.
0:18man walking jacket shoulder A medium full shot captures the man walking across the white studio space, with a dark suit jacket slung casually over his right shoulder. He is wearing a white mesh baseball cap, a white button-up shirt, and a black tie, along with dark trousers. He walks with a confident stride, his body slightly angled away from the camera. The background is a clean, bright white. The lighting is soft and consistent. White text 'I feel like everything good in my life has been when I'm my authentic self,' is visible.
0:19man jacket split screen A dynamic split-screen shot divides the frame into three horizontal sections. Each section shows the man in a white mesh baseball cap, white shirt, and black tie, handling a dark suit jacket against a white studio background. The top frame shows him looking down, pulling the jacket. The middle frame is a close-up of his hand adjusting the jacket. The bottom frame shows him looking up, pulling the jacket across his back. The lighting is bright and even. White text 'I feel like everything good in my life has been when I'm my authentic self,' is displayed over the middle section.
0:20man seated smiling full A medium shot shows the man seated centrally on a backless stool against a bright, plain white studio background. He is smiling warmly and gesturing with both hands, palms slightly open and raised, as if explaining something. He wears a dark baseball cap, a blue denim jacket over a white t-shirt, white trousers, and black high-top canvas sneakers. The lighting is soft and even, creating a friendly and approachable mood. White text 'I feel like everything good in my life has been when I'm my authentic self,' is overlaid.
0:21man with clothes rack A full shot shows the man standing beside a rolling clothes rack filled with various garments, against a bright white studio background. He is looking down and to his right, with one hand casually in his pocket, appearing to consider the clothing options. He is wearing a dark baseball cap, a white t-shirt with dark trim on the neck and sleeves, white pants, and black high-top canvas sneakers. Tattoos are visible on his arms. The lighting is soft and even. White text 'and I stop worrying about...' is displayed.
0:23man putting on jacket A full shot depicts the man standing against the bright white studio background, actively putting on a dark blue denim jacket. He is fastening the buttons while looking directly towards the camera. He is wearing a dark baseball cap, a white t-shirt, white pants, and black high-top canvas sneakers. A clothes rack, now empty, is visible in the background to his right. The lighting is soft and even. White text 'if I need to be x, y, z.' is overlaid at the bottom.
0:24man stretching arms A full shot shows the man standing centrally against a clean white studio background, performing a casual arm stretch. He crosses his right arm over his body, holding it with his left hand, looking slightly to the side. He is wearing a dark baseball cap, a light grey long-sleeve t-shirt, light grey shorts, white athletic socks with black and red stripes, and white athletic sneakers. The lighting is soft and even, highlighting the contours of his muscles. White text 'Just being myself.' is displayed in the lower center.
0:25man seated smiling reprise This scene is a reprise of an earlier shot: a medium shot of the man seated centrally on a backless stool against a bright, plain white studio background. He is smiling warmly, looking directly at the camera. He wears a dark baseball cap, a blue denim jacket over a white t-shirt, white trousers, and black high-top canvas sneakers. His hands are clasped in front of him. The lighting is soft and even, maintaining the friendly and approachable mood. White text 'Just being myself.' is overlaid.
0:27man seated gesturing A medium shot shows the man seated on a backless stool against a bright, plain white studio background. He is smiling and making an open-handed gesture with his right hand, as if speaking or explaining. He wears a dark baseball cap, a blue denim jacket over a white t-shirt, white trousers, and black high-top canvas sneakers. The lighting is soft and even, creating a friendly and engaged mood. White text 'And if people love it, great.' is overlaid.
0:29man with dog closeup A close-up shot of the man's face and upper chest, with a large black and tan dog resting its head on his lap. The man is smiling widely, looking up and to the right, showing genuine joy and contentment. He is wearing a dark baseball cap, a blue denim jacket, and a white t-shirt. The background is a soft, out-of-focus white. The lighting is soft and highlights his positive expression. White text 'If they hate it, that's on them.' is overlaid at the bottom.
0:30man smiling closeup A very close-up shot focuses solely on the man's face, primarily from the nose up, capturing his wide, genuine smile and bright eyes. He is looking up and to the right, with a cheerful and slightly playful expression. His dark baseball cap is visible, framing his face. The background is an out-of-focus white. The lighting is soft and emphasizes his joyful features. White text 'If they hate it, that's on them.' is overlaid at the bottom.
0:31logo animation black screen The scene transitions to a completely black screen. A simple, white, geometric logo slowly animates into view. Initially, a single white line appears, which then expands and transforms into a distinctive 'M' shaped emblem, resembling two connected bowties or a stylized crown. The logo appears crisp and clean against the dark background, lit from within digitally. The animation is smooth and takes place centrally on the screen, concluding the video.
