0:00man gondola knee pain
The scene opens with a medium shot of a Caucasian man, estimated to be in his 40s-50s, standing inside a ski gondola. He is looking directly at the camera with a slight smile. The framing captures him from the waist up, showcasing his blue ski jacket, red base layer, grey ski pants, and black ski boots. The gondola interior features large glass windows, revealing a snowy, overcast mountain landscape outside. Warning labels and diagrams are visible on the gondola walls. The lighting is bright and even, suggesting natural light from the overcast sky. The overall color palette is dominated by the blue of his jacket, the grey of his pants, and the white/grey of the snowy background. White text, 'Skiing with knee pain?', is overlaid in the lower-left quadrant of the screen.
0:01man legs tights demonstration
This scene provides a medium close-up of a man's lower body, from the upper thighs down to the bare feet, standing on a light beige carpet in what appears to be a home interior. He is wearing form-fitting black athletic tights that feature subtle textured patterns around the knees and thighs, with a small white logo on the outer left thigh. The background shows wooden furniture, including a chair with a dark green cushion and a side table with decorative elements. A white pillow is visible on the chair, adding a touch of domestic comfort. The lighting is soft and warm, typical of indoor artificial light or diffuse natural light. The overall color palette is muted, with blacks, beiges, and greens. White text 'I love these' appears initially, followed by 'STOKO TIGHTS' which highlights the product being demonstrated.
0:03man gondola exoskeleton comment
The scene returns to the man inside the ski gondola, filmed with a medium shot. He is actively adjusting the zipper of his blue ski jacket with both hands, looking down at his chest, then back up towards the camera with a slight smile. The background remains the interior of the gondola with large windows showcasing a snowy mountain backdrop. The lighting is bright and even. The color palette is dominated by blues, greys, and whites. White text 'Feels like an exoskeleton' is overlaid on the lower-left side of the screen, articulating his sentiment.
0:04man skiing downhill support
This is a medium-wide shot of a man skiing down a snow-covered mountain slope, viewed from slightly behind and above. The man is wearing a blue jacket and grey pants, actively carving turns down the white, powdery slope. Tall, dark green evergreen trees line the left side of the slope, while in the distance, majestic snow-capped mountains and a valley with signs of human settlement are visible under an overcast sky. The lighting is soft and diffuse, typical of a cloudy winter day, casting minimal shadows. The dominant colors are the pristine white of the snow, the deep green of the trees, the blues and greys of the distant mountains and sky, and the blue of the skier's jacket. White text, 'really supports my knees.', is overlaid in the lower-right portion of the frame.
0:06man gondola wouldn't ski without
The scene returns to the man inside the ski gondola. This is a medium shot, capturing him from the knees up. He performs a slight squatting motion, demonstrating flexibility and comfort within his gear. He is looking at the camera with an enthusiastic smile. The background is the gondola interior and the snowy mountain landscape through the windows. The lighting remains bright and even. The color palette is consistent with the previous gondola scenes, featuring blues, reds, greys, and whites. White text 'Wouldn't ski without them.' is displayed in the lower-left section of the screen.
0:07man home walking bending
The scene transitions to an indoor setting, likely a living room, with a man in casual clothes. The shot begins with a medium-wide view of him walking towards the camera from the left side of the frame, then stopping and bending at the knees to look down. He is barefoot on a light-colored carpet. The background features light-colored walls, a wooden armchair with a green cushion, a dark wood bookcase filled with books, and a glass-paned door. A black and white dog is briefly visible in the lower right corner as he bends. The lighting is soft and ambient, casting a warm glow. The color palette is earthy, with browns, greens, and muted greys. White text 'How they feel?' is placed at the bottom of the screen.
0:08man legs tight support
This is a medium close-up shot focused on the man's legs, from the hips to the feet, as he demonstrates the fit of the black athletic tights. He flexes and bends his knees, showing the contour and supposed support of the fabric. His bare feet are on a light carpet. The background includes a wooden armchair with a green cushion and a side table, providing a warm, domestic setting. The lighting is soft and even. The color palette is dominated by the black of the tights, the beige of the carpet, and the natural wood tones. White text overlays, 'Super tight, but they' followed by 'give you support.', explain the product's benefits.
0:10man home leg brace
A medium shot of the man in his living room, now seen from the waist down to his feet, highlighting his black athletic tights. He lifts one leg, bending his knee, to demonstrate the flexibility and support. The background reveals a side table with items like books and a lamp, and the wooden armchair with a green cushion. The lighting is consistent with an indoor environment, soft and ambient. The color palette remains muted with black, beige, and wood tones. White text 'It's like a brace for' appears, then 'your whole leg', describing the product's function.
0:12man legs wires demonstration
This scene is a close-up on the man's lower legs and hands as he points to and explains the internal wiring of the black athletic tights. His hands are seen tracing along the side of his leg, highlighting the structure within the fabric. The background shows the light beige carpet and glimpses of the wooden armchair and side table. The lighting is focused and clear, allowing for detailed viewing of the tights. The color palette is dark, emphasizing the black tights against the lighter carpet. White text overlays include 'And there's wires', 'going all through', and 'can tighten', providing a narrative to his actions.
0:17man hands adjusting dials
An extreme close-up shot focuses on the man's hands as he demonstrates adjusting small dials located on the back of the black athletic tights, under the waistline of his grey t-shirt. His thumbs and forefingers meticulously turn the two black circular dials, which are subtly integrated into the fabric. The background is blurred, showing faint shapes of his body and perhaps a window with bright light. The lighting is strong, highlighting the details of his hands and the dials. The color palette is dark, with the black tights and grey t-shirt dominating. White text overlays, 'the wires on the back' and 'with these dials.', clarify the action.
0:20man legs wires tightening
This scene is a close-up of the man's legs, from the upper thighs to the feet, wearing black athletic tights. As he moves, the camera subtly captures the effect of the internal wires tightening, causing visible subtle tension and contouring in the fabric around his thighs and knees. The background is a soft-focus view of the home interior with the wooden armchair and side table. The lighting is even and warm. The color palette is primarily black for the tights against the beige carpet and wood tones. White text 'You can feel the wires' followed by 'tightening!' highlights the sensory experience.
0:22man legs bionic feel
The scene maintains a close-up on the man's legs, wearing the black athletic tights, as he bends his knees to further illustrate the feel and support. He flexes his leg muscles, showcasing the 'bionic' sensation. The background is the familiar home interior with the wooden armchair. The lighting is soft and constant. The color palette is consistent, with black, beige, and wood. White text 'Feels bionic.' is overlaid, emphasizing the sensation of wearing the product.
0:24man mountain tightening up
A medium shot of the man, dressed in full ski gear, standing on a snow-covered mountain. He is turning his back slightly to the camera and reaching behind him with both hands, presumably adjusting the dials on his tights, similar to the previous scene but now in the outdoor context. In the background, other skiers and snowboards are visible, along with a ski lodge building, and towering snow-covered mountains under a cloudy sky. The lighting is bright and diffuse, characteristic of a winter day at a ski resort. The color palette is cool, with dominant whites, blues, and greys, contrasted by the bright blue of his jacket. White text overlays 'Tightening up' and 'my Stoko Tights' explain his action.
0:27man mountain let's go
This is a brief medium shot of the man, fully equipped in ski gear, standing on a snowy mountain. He faces the camera directly, smiling broadly and enthusiastically, with his hands positioned as if he is about to push off with his ski poles. The background includes other skiers and the snowy slope. The lighting is bright and even. The color palette is predominantly white and blue. White text 'Let's go!' is overlaid on the screen.
0:28man skiing downhill product reveal
A wide shot captures the man skiing down a pristine, white, snow-covered slope, providing a grand view of the mountainous landscape. The skier, in his blue jacket and grey pants, is seen making smooth turns. On the left, a cluster of dark green pine trees stands tall, contrasting with the bright snow. In the far distance, majestic snow-capped mountains stretch across the horizon, with a vast valley and hints of a town below them, all under a dramatic, cloudy sky. The lighting is soft and natural, emphasizing the vastness of the winter scene. The dominant colors are the expansive white snow, the deep blues and greys of the mountains and sky, and the vibrant blue of the skier's jacket. The brand logo 'Stōkō' in large white text and 'SUPPORTIVE APPAREL' in smaller white text are prominently displayed in the center of the screen, marking the conclusion of the video.
